Traditional Culture Encyclopedia - Photography and portraiture - Don’t talk to strangers

Don’t talk to strangers

"Don't Talk to Strangers" is a TV series about An Jiahe, a famous surgeon in Xiamen, who committed domestic violence against his wife Mei Xiangnan because of his psychological problems.

An Jiahe is a famous thoracic surgeon at a hospital in Xiamen, and Mei Xiangnan is a middle school teacher. An Jiahe's first wife died in a car accident. Mei Xiangnan did not get married because she was raped by a man named Gao Bing.

After An Jiahe and Mei Xiangnan met, Mei Xiangnan decided to hide the incident from An Jiahe until the police arrived after Gao Bing escaped from prison in Xinjiang. An Jiahe knew about it. At this time, An Jiahe's abnormal psychology began to be exposed. He suspected that Mei Xiangnan and Gao Bing had problems. One day after An Jiahe came home, he violently raped Mei Xiangnan. ?

But it didn’t take long for An Jiahe to immediately admit his mistake to Mei Xiangnan. He promised that he would never domestically abuse Mei Xiangnan again. Mei Xiangnan chose to forgive An Jiahe because he loved him. ?

Unfortunately, An Jiahe domestically abused Mei Xiangnan again and again. This scene happened to be captured by a photographer who lived opposite An Jiahe. After repeated domestic violence, An Jiahe received photos from a photographer. In this way, in order to prevent the photos and video tapes from being leaked, An Jiahe spent 50,000 yuan and decided to buy back the video tapes, and eventually accidentally killed the photographer. ?

After Mei Xiangnan escaped, An Jiahe invited Mei Xiangnan's mother to come back. Mei Xiangnan was beaten until she had a miscarriage because she was pregnant, but she was still imprisoned at home by An Jiahe.

Later, out of his duties as a police officer, An Jiamu started an investigation into his brother, sneaked into his brother's house, and conducted a careful search. He was surprised to find the video tape taken by Ye Dou. An Jiahe blamed all his unhappiness on Mei Xiangnan's escape, and developed a hatred for his wife. An Jiahe began to find Mei Xiangnan in his own way.

An Jiamu also quickly learned the whereabouts of Mei Xiangnan. An Jiamu rushed to An Jiahe's house and found that An Jiahe was about to leave. An Jiamu suddenly persuaded his brother to surrender. An Jiahe denied that he was involved in the case, saying that it was all Mei Xiangnan's fault. She had ruined him. Even if he died, he would go find her and die together. An Jiamu warned him not to leave the city. During a conversation between love and law, An Jiahe took advantage of his brother's sympathy for him and wounded An Jiamu, grabbed the gun and ran away.

An Jiahe found the addresses of all nursing homes in Quanzhou from the phone book and decided to wait there, waiting for Mei Xiangnan's arrival. An Jiamu found Mei Xiangnan School as quickly as possible and found that Mei Xiangnan had gone to Zheng Tong's workshop. An Jiahe, who was waiting in the nursing home, found Zheng Tong, and followed Zheng Tong to his workshop and held Zheng Tong at gunpoint.

Mei Xiangnan came to Zheng Tong's workshop and saw An Jiahe in front of him. He was not panicked and was indifferent to An Jiahe's pleading. At this time, the police arrived and An Jiamu rushed in. Facing his sympathizing brother and Mei Xiangnan, whom he once loved deeply, An Jiahe felt filled with regret, but he knew that there was no way out, so he pulled the trigger on himself and committed suicide.

The husband An Jiahe in the play "Don't Talk to Strangers" is a devil-like domestic violence man. He is suspicious by nature, unable to communicate, and will attack whenever he disagrees. In the name of love, he used violence, causing one of his two wives to die and the other to be injured. The dead may be freed, but the living will always be cast into a shadow.

An Jiahe combines the high self-esteem of a senior intellectual with the madness of a butcher, showing the shocking and extremely twisted and perverted character in modern domestic violence. Feng Yuanzheng uses men's sense of hegemony and possession of women To interpret this role, he performed it so deeply that it made the audience shudder.