Traditional Culture Encyclopedia - Photography and portraiture - Why does isabelle adjani's crazy love also have a face of prose poetry?

Why does isabelle adjani's crazy love also have a face of prose poetry?

Ajiani, incredibly beautiful, has a pair of pure eyes, like a delicate sapphire.

Stills of the movie Queen Margo

She is incredibly beautiful, and her eyes are as pure as refined sapphires, one from the sea and the other from the sky.

She was so beautiful that she wrapped her face in a bag and didn't cooperate with taking pictures. So, all photographers simply put their cameras on the ground.

After God gave her beauty, he gave her unparalleled talent. I don't know whether to be happy or sad. In almost all films starring isabelle adjani, her opponents are eclipsed. Even a master like Gérard Depardieu, "Sihano de Gyerak", was covered by her light like a "green leaf" in Rodin's Lover.

There is a rumor in the Jianghu that Agani dominated the whole French film industry in the 1980s. Unfortunately, her golden age is over now.

Someone once summed up the unknown of this legendary French actress. She won five Cesar Prizes in France, Cannes and Berlin, and served as the chairman of the jury of the Cannes Film Festival 1997. In real life, she has never had the confidence to be a peerless beauty. In the media lens, she is like a shy little girl, who is at a loss to shuttle through the crowd in the street and looks at those who shout for her with curious and sensitive eyes from time to time.

When she was young, she played the role of her most loyal friend.

1955 On June 27th, isabelle adjani was born in a slum on the outskirts of Paris during the Algerian war. Her mother is German and her father is Algerian. Her childhood was short of material life, with frequent violence in her living environment, and she suffered serious racial discrimination because she was at the bottom of society. These lead to Adjani's sensitive and irritable personality. Later, due to communication barriers caused by language barriers, Adjani once suffered from autism.

She fell in love with amateur theatrical performances when she was in primary school. According to her later disclosure, the initial performance was a way for her repressed emotions to vent. No one knows that the role she played when she was young was her most loyal friend.

1969, 14-year-old Adjani made his first screen movie during his summer vacation. /kloc-at the age of 0/6, Adjani was admitted to the French Grand Theatre. Later, while attending school, I participated in some stage plays and TV dramas. Later, she was admitted to a famous French theater and performed many stage plays such as Moliere's School for Madame. 1974, Ajani conquered everyone with her wonderful performance in the film "Slap in the Face" and won the Shana Award for her performance.

/kloc-When she was 0/9 years old, she was attracted by French new wave director Fran?ois Truffaut and played Hugo's daughter in The Story of Adele Hugo. At that time, Truffaut's play ran aground several times because he couldn't find a suitable candidate to play it, until he saw Agani on the screen. He immediately wrote a letter to Ayani, which said, "Except for Jean Moreau, I have never been so eager to repair a face in a movie." Later, he wrote a second letter to Adjani, in which he wrote: "Your face alone can tell a touching story ... you can even play a movie without a storyline ... it will be comparable to any feature film."

Agani became famous with the story of Adele Hugo.

Her face is like a car coming and going, parked on a road that is too congested, and there are conflicts at any time.

Before her, you didn't know there was a face with a prose poem about crazy love.

Her unique drama facial makeup and personality make her easily shuttle between various difficult roles.

198 1 Agani, who was shortlisted and finally awarded the titles of "Enchanted" (directed by andrzej zulawski) and "Quartet" (directed by James Avery), dressed in an unconventional white gauze skirt, vividly brought the lively red carpet in Cannes out of the loneliness.

In Rodin's Lover, Agani plays the female sculptor Camille Claudel, a woman who spent the last 30 years in a mental hospital. In the movie, Camier, who was separated from Rodin, created a bust for Rodin with his own memory. For a long time, Agani couldn't get out of the role because she was too involved in the performance.

At the age of 39, Ajiani challenged 19' s girlhood. In an epic work "Queen Margo", she not only refreshed the peak of Yan value again, but also refreshed the best state of an excellent actress. With her superb performance, this 162-minute historical biopic will not be tedious even in the eyes of audiences with cultural barriers. La Reine Margot, adapted from Dumas' novel, describes a famous tragedy in western history-The Night of Saint bartholomew, a struggle between Catholics and Protestants. It covers killing, war, jealousy, humiliation, ambition and forgiveness. Margaret played by Agani in the film is a controversial queen in French history. She was kind-hearted, but because of her mother's selfish desires, she married the man she didn't love, King Henry, and was involved in a bloody court plot. Between the beautiful clothes and the cup, in the blood and slaughter, she found her lover's eyes, but eventually lost him. At the end of this historical tragedy, the scene of her holding her lover's head and resolutely heading for a carriage bound for a foreign land is so heartbreaking. The naivety and cunning, tenacity and fragility, loneliness and passion, indifference and enthusiasm that appear on her face at the same time have reached the extreme in this work.

"Only I can do this!" She and her role have never really been separated.

Over the years, some people who love and hate her have described her as a helpless woman repeatedly abandoned by love rat. This rumor comes from her equally tortuous love life. 1976, Agani, who just turned 2 1 year-old, met the photographer Bruno Nuytten while shooting Baroque. Since then, the two have been living together as partners, and this Bruno Nuytten is the director of Rodin's Lover. After filming Rodin's Lover, Adjani, who made great strides in her career, failed to reap the shining love. Nutan can't stand the fact that his aura is getting bigger every day. The original pure relationship eventually became dim. After giving birth to a son for Nutan, Agani and others just came to say goodbye.

The end of this relationship did not make Agani lose confidence in love. Soon, she met someone as dazzling as her-Danny Day-Lewis, an award-winning professional, the son of Poet Laureate, and one of the most famous actors in contemporary Britain. The enthusiasm for performance makes these two people seem to have endless topics. After falling in love for six years, the two brightest stars in the sky, like all lovers, go shopping, kiss and chat, which is a wonderful time for them. There is a saying that during their love, both of them refused many invitations. Agani turned down the contracts for the films Instinct and Immoral Trading, and she also gave birth to Lewis' son Gabriel Kane. What followed was that Lewis broke up because of his different outlook on life, and soon fell in love with Arthur Miller's daughter and got married in an instant. Six years of companionship has finally come to an end.

In the famous scene in The Story of Adele Hugo, Agani opened his eyes and said, "Qian Shan is full of water, and Qian Shan is full of water, to see you. Only I can do this! " Her eyes penetrated the mountains and seas, penetrated all the figurative things and reached an eternal place. This is the keynote of Adele Hugo and Adjani's life. She and her role have never really been separated, just as she has always believed in love, even if she is hurt by life, she still loves life itself.

Everyone has cracks, but that's where the light comes in.

1993, Chen Kaige won the Palme d 'Or in Cannes for Farewell My Concubine. It was Ayani who gave him the prize at that time. Chen Kaige recalled the Cannes Film Festival and was full of affection for Agani. "I remember when isabelle adjani came to power, he gave me an award. I could have left, but she always accompanied me and translated for me. Isabel told me that she liked Farewell My Concubine very much. I remember the first sentence of the acceptance speech was finished. After Ayani translated for me, the audience applauded. "

If you think that Chen Kaige's words describe a "good" person who is thoughtful and decent, and a woman with super high emotional intelligence, it's all wet. In fact, Agani has a strong personality and is easily angry and impulsive. In the crew, she often stops filming or even quits the crew because she can't control her temper. In 2000, when she played the stage play La Traviata, she even intervened in the adaptation of the script and quarreled with the director many times, and successfully angered the first director. She also thinks that the clothes are too heavy and need to be altered by a fashion designer. She can't stand hanging her name on the light box outside the theater, and she refuses to interview because she doesn't like the host. ...

During the period of 1997, when Adjani was the chairman of the jury of Cannes Film Festival, she was still among a long list of criticized examples in the history of Cannes. For example, occupying the box reserved for the mayor of Cannes, all members of the jury are required to get up early in the morning to have breakfast with her, and people are required to eat the same food as her.

1983, the film "Murder Summer" starring Adjani (directed by Jean Becker) was selected as the main competition unit in Cannes. She covered her face with a handbag on the opening red carpet, which angered the old reporters. This lack of emotional intelligence aroused the resentment of the reporters present. When the film was released, they put the cameras on the ground in a circle, and then stood behind Ayani to protest. Later, someone asked Ajiani's original intention, and she said that she just wanted everyone to pay attention to the work itself, not her.

Maybe you have to ask, how can such Agani win awards again and again and always be the darling of the film industry? The answer is obvious: the business ability is too strong to accept. Ajiani, with a low level of education, has always chosen scripts and her acting skills are too good, so although her output is not high, she has hardly acted in bad films.

Because of her straightforward personality, she left a strong impression on her partners and the media in the past, but her sometimes paranoia is precisely her most lovely place. 1997, Gong Li returned from Cannes as a member of the jury. Although she also has her own comments on the chairman's actions, she finally said that she only made one good friend in Cannes that year, that is, Agani. On the other hand, her selfless help to Chen Kaige is also because she really likes Farewell My Concubine. This is consistent with her insistence that she always likes to pay more attention to her works.

She also swore when her relationship failed, but when the trauma subsided, she was more able to let go than anyone else. After being cheated by Danny Day-Lewis, someone once asked her, do you think you have suffered so much for love? Her answer is: let me learn English. Love doesn't kill people, but makes people want to know themselves more.

Although she gave birth to two children and failed to enter the marriage hall with the father of the child, despite stumbling all the way, Agani would never want to be a victim of that love, a tragic role. The real Agani is more complicated than the complicated woman she plays in the movie. She has more tenacious vitality. She is single, but not lonely. She said, "I am very happy, full of passion and curiosity." This may be the truth of life. The grandeur on the screen does not point to eternity. As isabelle adjani's French predecessor and female writer marguerite duras said in the book Lover, "I love your weather-beaten face more than your beautiful face when you were young."