Differences and Examples between Parallel Montage and Cross Montage in Movies

Cross montage is to separate and cross-narrate people or things shot in different places at the same time. Parallel montage means that time and space are different, although they are also cross-narrative, but the two subjects of narrative are not in the same space.

2. Role differences:

First of all, because it is used to deal with the plot, it can cut down the process to help summarize and concentrate, save space, expand the information content of the film and strengthen the sense of rhythm of the film; Secondly, because this technique is a parallel expression of several clues, it is easy to produce a strong artistic infection effect by comparing with each other.

Cross montage, an editing technique, is easy to arouse suspense, create a tense and intense atmosphere and strengthen the sharpness of contradictions and conflicts, which is a powerful means to mobilize the audience's emotions.

3. Diversity differences:

Parallel montage includes expansive and centralized montage and narrative and inverted narrative montage.

From close-up to distant view, let the audience see the whole from the details and create a specific atmosphere, which is the extended montage; Then from the perspective to the close-up of details, this is the concentrated montage. This expression is used to describe past events and future imagination. For example, images of past and future scenes such as overprint, memory, fantasy, dream and imagination in movies.

Cross-montage is just a way to cross-splice two actions that happen in different spaces at the same time.

For example:

Parallel montage: For example, at the end of the film The Silent Man, there are four lines unfolding in different areas at the same time: the theater is performing, the KGB is tracking, the protagonist runs away, and the protagonist's ex-wife tries to rescue him. Four clues go hand in hand, just like the plot of chasing heroes.

Cross montage: For example, in "War between the South and the North", our army and the enemy rushed to Dashahe River, and the guerrillas bombed the dam alternately, showing the thrilling battle.

Classification of extended data montage:

Pudovkin's classification is more specific. He thinks there are five different montages:

1, the first is the contrast montage, such as steamed dumplings during the capitalist crisis, and the connection with the lens of hungry children.

2. Second, parallel montage. For example, in "Mother" filmed by pudovkin, the procession of workers gradually grew, parallel to the lens of melting ice in neva river.

3. The third is the montage of metaphor or symbol, which is often called "metaphor". For example, flying seagulls symbolize the yearning for freedom.

4. The fourth is the montage of overlapping or "simultaneous actions", such as the last second rescue in Lai Marriage.

5. Fifth, the "recurring theme" montage, that is, things representing a certain theme repeatedly appear on the screen at critical moments.

Marda eventually divided montage into three categories, namely narrative montage, thinking montage and rhythm montage.

References:

Baidu Encyclopedia-Parallel Montage

References:

Baidu Encyclopedia-Cross Montage