Please introduce the movie "Suzhou River"?

There will always be people who believe in fairy tales - "Suzhou River"

January 23, 2001 11:8:0 NetEase reported Bubble

"Nothing is wrong" It will last forever, as long as I go back to the balcony, this love story will continue, but I would rather close my eyes and wait for the next love."

This is another movie about love.

On this river we can see friendship, see fathers and children, see loneliness, see the birth of a baby, see... see love floating along the river, see mermaids... … Look at the end of the river where the river flows into the sea.

The film begins with "I" narrating, and the shaking lens is my eyes. I am a photographer and my eyes are my camera lens. I use my eyes to photograph this city, this river, and the stories that happen on this river. "My camera doesn't lie." But "I" tells you, "Don't believe me, I'm lying." This is a movie. If you can feel any truth or something worthy of praise from the movie, let me tell you, don't Trust me, this is a movie.

The tone of this movie is gray, which is the same color as the air on the Suzhou River. But when the sun comes out, the river water will be illuminated very clear. "I" narrated, about "my" life, about Happy Bar, about Meimei, about how Meimei's swimming in the water fascinated me, about Meimei asking me after she was drunk if she would also go like a motor. Ask her about motors. Such a patient narration is a narration without any emotion or modification, just like sitting with a friend, lighting a cigarette, and then recalling an event long, long ago that has almost forgotten all the details. Therefore, this kind of narrative is also very light, so light that the images given are also hazy, but we can get more and more emotional expansion from it.

"Two strangers sat together, and then, of course, it was love."

When love happens, it is actually that simple, it can happen so easily The feeling is love.

The love between Peony and Motor, so far I prefer to call it the love of Peony, the love of Peony is the feeling we are familiar with. A warm cat-like smile overflowed on Chunchun's face, and her eyes were filled with the neon red at night and the dancing light in the Suzhou River.

Like a fairy tale, we have all read this fairy tale when we were young. This reminds me of one of my sunny afternoons when catkins were flying, and the smell in the air was just like that.

Peony’s love is like a piece of exquisite porcelain. Porcelain is easily broken, and broken porcelain can scratch your fingers.

At the beginning of the film, I thought it was a bit absurd. Why could the Suzhou River be associated with mermaids, and then it was said that every boatman on the Suzhou River said that he had seen that mermaid in the Suzhou River? A mermaid. Come to think of it, the mermaid turned into foam in the sea because her beloved prince fell in love with someone else. Peony's love is a fairy tale. Is this what this movie wants to tell us?

I don’t know, it’s possible.

When Peony jumped off the bridge, her blank and innocent expression suddenly reminded me of what Dongfang Bubai said to Linghu Chong at the end of "The Swordsman" when he fell off the cliff. That sentence, I will make you feel guilty for the rest of your life. I wonder if Mudan thought the same way at the time.

Ma Da came out of prison, wandered around for a while, and finally returned to the bank of Suzhou River. Is it really because he still couldn't get rid of this knot in his heart?

Meimei and Motor

………………

“There is a peony flower on Peony’s left leg”

“On the street They are sold everywhere, and many girls have them."

"Do you have one?"

"I don't have one, I'm not your peony, how could I have one..." (Silence)… “What if I told you that I have it too…. Do you want to take a look?" (Unbutton the skirt, revealing her white thighs, with a blood-red peony suddenly appearing on it)...

"Am I the peony you are looking for?"

After that, Meimei and Ma Da slept together. At night, Meimei asked the sleeping Ma Da, "Am I the Peony you are looking for?" and then opened her eyes wide. Waiting for the answer. The scene where Meimei and Ma Da meet is the most beautiful scene in "Su", maybe because of Meimei's sparkling eye shadow, long eyelashes, rich lipstick, and charming eyes... the sound of rain outside the window , as well as the lights in the dressing room, and the air that seemed to be filled with a hint of sadness (the guy who played the role of Motor's recital skills was to a certain level, which somewhat ruined the atmosphere). Inheriting the Hollywood photography style.

Meimei feels that Peony does not exist, and the story Ma Da tells is made up for her, and she is the Peony Ma Da is looking for. The look on her face tells us that she is very beautiful. Enjoy this story. So Meimei left "me", and she was quite heartless when she left. What "I" said was not too much, "Should we break up now, or should we break up after making love".

In that situation, making love and kissing goodbye are actually of the same nature.

But later we saw Meimei pressing a peony flower on her thigh, moistening her fingers with saliva, and touching her, her movements were very wild, and she had tears in her eyes when she raised her head. She always thought that the peonies on her thighs were the symbol of peonies.

Perhaps a man needs a reason to start a relationship or to stick to a relationship. I believe this reason will be very important to a man. The reason why Ma Da continues to look for Mudan is that he wants her to be alive, and he believes that she is somewhere in this city. And Meimei is not a peony. Maybe a man's dedication to a woman will be considered love, of course it is very likely that it is.

"I"

I like what the movie shows after Meimei leaves "I". The days passed day by day, without any special sadness. I still continued to work, there were still noisy people, and there were still women. Everything is the same as the song "Liberation", "You have the freedom to walk, and I have the freedom to live well."

What is worth mentioning is the processing of the sense of time and space in the song, which also appeared at the beginning. It was Zhou Xuan's "Big Shanghai, Night Shanghai, Shanghai is a city that never sleeps..." It felt closer to the sound coming directly from the head than the music connection that appeared in the movie before.

Ma Da and Peony

Ma Da found the peony, but I hope Meimei is the peony, maybe because Meimei is more like the girl who jumped into the Suzhou River, and the real peony Seems too weak. But the reality in the movie is like this. The ending will never be the same as you imagined. It is more difficult to control than life. Otherwise, it is the failure of the screenwriter. Then Ma Da and Mu Dan died because they were drunk, and a movie that was supposed to end with a big group member was hastily cut off. A fairy tale disappears like a bubble.

"Me" and Meimei

Meimei returned to me, and nothing seemed to have happened.

Meimei asked me, "If one day I leave, will you look for me?"

I said, "I will"

Meimei asked, " Will you always find death?"

I said, "I will."

Meimei said, "You are lying. Such things can only happen in love stories." < /p>

…………

But Meimei still left, leaving a message on the wall, “Come to me.”

I remember Meimei saw Ma Da and When Peony's bodies were side by side, she turned her head sharply, and her pale face clearly showed confusion and despair. She never believed in fairy tales, but she saw the ending of fairy tales.

There will always be people who believe in fairy tales, and there will always be people who tell you that this is just a fairy tale. The gap between movies and life is shortened here, and it suddenly seems so real. Meimei left, maybe she just wanted to have a fairy tale of her own.

But "I" tell you so frankly, "I would rather close my eyes and wait for the next love"

"Movies are stories and fiction, but they are also another kind of reality. This is Lou Ye's film proposition ”