Traditional Culture Encyclopedia - Photography and portraiture - How to sketch vases, porcelain and mouths?

How to sketch vases, porcelain and mouths?

The first step of painting: drawing

Before you start writing, you should analyze the physical structure. To describe the external image of an object, we must first understand its internal structure and its influence on the outside, and then analyze its external shape characteristics. After understanding the physical structure of the objects in the picture, we should consider the composition of the picture. Composition is an important step in still life sketch, which determines the success or failure of the work.

Step 2: Draw a big relationship.

Make a comprehensive observation of the depicted objects. Drawing should focus on the big picture, arrange the picture composition, make the primary and secondary relationship of the picture clear, and pay attention to the arrangement of black, white and gray to form a whole with both contrast and unity. After the composition is determined, the position of the object is determined in proportion; At the same time, pay attention to the overall relationship of the picture and maintain a balanced, stable and changeable effect. After the big position is determined, according to the physical structure relationship of the objects, the image characteristics of each object are drawn and the big decent relationship is divided.

Step 3: Shaping

On the basis of the unity of great dignity, strengthen the understanding of each object. According to the results of body structure analysis, the body blocks of objects are modeled, so that each object has a strong sense of volume and focuses on the big body relationship.

The fourth step: characterization and arrangement.

The description of this stage should not only depict the object in depth and detail, but also take into account the overall relationship of the picture. We should grasp the whole, don't treat all the objects in the picture equally, portray local objects from the whole, make them play their respective roles in the whole, keep or further emphasize the part that strengthens the whole, boldly weaken or even completely abandon the part that destroys the whole, and make the part serve the whole.