Traditional Culture Encyclopedia - Photography and portraiture - Suzhou garden segmentation and stratification of each segment
Suzhou garden segmentation and stratification of each segment
The full text content*** has 10 natural paragraphs, which can be divided into three parts: the first part is the first natural paragraph, the second part is the 2nd--9th natural paragraph, and the third part is the first natural paragraph. 10 natural segments.
The first part (1): The full text of the general leader: reveals the writing intention of the article, allows everyone to appreciate Suzhou gardens from an artistic perspective, and highlights the status of Suzhou gardens in garden art. The word "specimen" accurately expresses the status and influence of Suzhou gardens in Chinese garden art.
The second part (2-9): Grasp the unique characteristics of the beauty of Suzhou garden pictures and introduce them from various angles. There are three levels here:
1. The first level (2): Summarize the most common point of Suzhou gardens: the beauty of pictures. The general characteristic of Suzhou gardens is that "no matter where the visitor stands, there is always a perfect picture in front of his eyes", that is, the garden is "painting everywhere".
This is the center throughout the entire text, and "pictures" become the clue to introduce Suzhou gardens. "Perfect picture" is embodied in four "payments" and one "everything": "pay attention to the layout of pavilions, terraces and pavilions, pay attention to the coordination of rockeries and ponds, pay attention to the contrast of flowers, plants and trees, pay attention to the level of close and distant views." "Everything is important. Designed to form a perfect picture.” This is also the general outline and sequence of the explanation below.
2. The second level (3-6): Explain from four aspects how Suzhou gardens embody the beauty of pictures in the layout and coordination of scenery. When introducing the layout in the third natural paragraph, the architectural layout of Suzhou gardens is compared with ancient palaces and houses to highlight the architectural characteristics of Suzhou gardens that do not pay attention to symmetry. The fourth paragraph gives readers a deep impression of the picturesque and poetic characteristics of Suzhou gardens through the vivid description of rockery and ponds.
Extended information:
Creative background of the article:
This article is a preface written by Mr. Ye for a photo album of Suzhou gardens. In early 1979, a publishing house in Hong Kong planned to publish a photography book introducing Suzhou gardens, and asked Mr. Ye to write a preface. Ye Lao lived in Suzhou until he was 22 years old. In his spare time, he often visited Suzhou gardens with his friends and had a profound understanding of the interest and characteristics of Suzhou gardens. When writing this preface, he also referred to "Suzhou Gardens" compiled by Professor Chen Congzhou. A book.
After the preface was written, it was handed over to the publishing house in Hong Kong, but the photo album was never published. The editorial board of "Encyclopedia Knowledge" knew that Mr. Ye had such an article and asked them to publish it first. Therefore, this preface was published in the 1979 issue 4 of "Encyclopedia Knowledge". The last few sentences of the preface were deleted when it was published.
When the People's Education Press compiled it into Chinese textbooks, it deleted the first paragraph of the preface, and the original title was "The Gardens of the Humble Administrator - A Talk about Suzhou Gardens" was also changed to "Suzhou Gardens".
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