The twisted "Superman" in The Necromancer proves his ability by killing people?

Film critics, led by Bazin, spoke highly of Hitchcock's Rope of the Soul: The Rope of the Soul perfectly unified the spatial truth and the perceptual truth in a set of uninterrupted real time, which just provided an almost invincible argument for Bazin's long-shot theory. Necromancers are famous for their long-range shooting. It is also the only feature-length film in Hitchcock's films. In "The Soul", various scheduling methods have reached the technical limit at that time. Nowadays, there are almost no technical barriers to long shots, and even the mistakes in scene scheduling can be made up by computer means. As a result, those carefully designed long shots became gimmicks. For example, the big event in Du Qifeng. From the beginning of publicity, artistic means were used as hype material. The position of the long lens has also become awkward. What will happen to Hitchcock's "necromancer" if he crosses over to the present and has advanced computer image generation technology? Does Bazin's passion for photography still exist?

? The script structure and storyline of The Necromancer determine that Hitchcock must boldly adopt accurate scene scheduling to shoot every long shot. The film always revolves around the whereabouts of the missing David, and the abrupt box in the living room becomes a totem. On the one hand, they told the audience that David was among them, on the other hand, they seemed to have locked in the truth, and the two murderers tried their best to cover it up. Fun is fun. The murderer proudly arranged the murder scene and the body as a social gathering. The war of words of various characters looks like a rally under the Monument to the People's Heroes, except that the Monument to the Martyrs was replaced by a wooden box containing David's body. Therefore, Out-of-Body Soul is an excellent psychological film, which can be regarded as a bonfire in primitive times and smacks of a "killing game".