The famous director Xie Jin’s film art style, examples and analysis, if you would like a detailed explanation, thank you! As mentioned, thank you

If we divide the 20th century into two halves, and we want to name some of the most influential Chinese cultural figures in the second half of the century, then even if we reduce the list to a minimum, Xie Jin will be indispensable. Each generation has its own culture. In the twentieth century, cinema is the undisputed cultural powerhouse. Text Xie Jinhua has many levels, but the most fascinating way to achieve it is the collective investment of the public. When an excellent movie is staged, it often becomes a national festival. Xie Jin and other outstanding film artists are the leaders of this kind of festival. People are old and young, and the land is north and south. Everyone can call them by name, and everyone can comment on their gains and losses. Therefore, this vast land gives them the most authentic cultural status. Culture that has always been open to the public has always been at least false. Compared with other film artists, Xie Jin is unique in that he has worked for a full fifty years. It is said that there are many people who have worked for fifty years, but Xie Jin quickly became the protagonist as soon as he appeared on the scene in his youth. Since then, he has maintained his leading role as the conductor Ruoding, starting from the eye-catching "Women's Basketball No. 5". ” to the tearful “Opium War”, it always attracts the attention of thousands of people, which is rare. Even in the international cultural world, such an example of standing at the forefront of an industry for fifty years is rare. He worked as a stage manager, scriptwriter, and actor in dramas such as "Youth", "Huanghuagang", and "Watch the Sky When the Rooster Crows". At this time, he established his ambition to develop professionally as a director. Chinese director Xie Jin started his career as a film director from 1947 to 1948. His first film as an assistant director was the satirical comedy "The Dumb Wife" adapted by Wu Chuzhi from the play of the same name. His famous works are "Women's Basketball Team No. 5" and "Red Detachment of Women". Many films directed by Xie Jin have frequently won international and domestic awards. He is currently the most awarded film director in China. In 1983, 1985 and 1992, France, the United States, and India held "Xie Jin Film Retrospectives" for him respectively. His works have been recognized and loved by hundreds of millions of viewers at home and abroad. Overseas film critics praised Xie Jin as "the most famous Chinese in the international film industry today"! Xie Jin's films are full of human nature, human feelings, and humanitarianism, with profound connotations and distinctive personalities. He said: "I firmly believe that a film must be the director's greatest passion. It is the crystallization of the artist's character and cultivation, and it is also a burning of life." "I make films more for the aesthetic education and warning function. I hope to contribute to the motherland and the world." Contributing beauty to mankind." Xie Jin has served as the chairman of the China Film Golden Rooster Award Jury three times, and has also served as the Venice International Film Festival, Tokyo International Film Festival, Indian International Film Festival, Tashkent Film Festival, Algeria Film Festival, and Manila International Film Festival. Judges. Xie Jin is also a member of the Academy of Motion Picture Arts and Sciences and the Film Directors Guild of America. Xie Jin has served as the chairman of the jury of the first Shanghai International Film Festival and the chairman of the jury of the 4th Changchun Film Festival in China. Currently, Xie Jin is a member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference, executive vice chairman of the China Federation of Literary and Art Circles, vice chairman of the China Disabled Persons' Federation, and a visiting professor at Fudan University and Jiaotong University. Shanghai Xie Jin Yiyi Hengtong Film and Television Co., Ltd. was established on August 8, 1992, and Xie Jin served as the company's general manager and legal representative. Served as chairman in 1995. In March 1993, he was appointed as the principal of Shanghai Xie Jin Yiyi Hengtong Star School (in 2000, he officially joined Shanghai Normal University, established the Xie Jin School of Film and Television Arts of Shanghai Normal University, and served as the dean). In May 1995, he was appointed as the dean of the School of Film and Television Art and Technology of Shanghai University. In April 1998, Xie Jin personally won the Shanghai Outstanding Contribution Award for Literature and Art. In June 1998, he won the Golden Dragon Award for Chinese Literature and Artists from the Hong Kong "Overseas" Literary Artists Association. History refuses to be trivial. When the Chinese people have finally passed a century, all the subtle points of light have been eclipsed. Only those coherent efforts, unremitting pursuits, and intensive successes can be recognized by history. Xie Jinji has been recognized by history because he has a solid half century. He gave people a kind of confidence: even in difficult and difficult circumstances, Chinese culture may be composed of life courses, and the Chinese culture of the next century can start from this. Scholars believe that the portrayal of female images is a major feature of Xie Jin's films. In 1948, "The Dumb Wife" (Assistant Director), the first film in which he served as an Assistant Director was a satirical comedy adapted by Wu Chuzhi based on the play of the same name in 1948, "A few Storms" and "Two Hundred and Five Stories" (Assistant Director) in 1957 Year, "Women's Basketball No. 5", a famous work! In 1961, "Red Detachment of Women", the story content of "Red Detachment of Detachment" is engraved in everyone's heart, especially this film directed by Xie Jin, it has become the memory of a generation. The film occupies an important position in the history of New China's films with its meticulous and unique directorial concept, skillful and calm camera skills and tortuous storyline. The film won four awards at the first Hundred Flowers Awards for Best Feature Film, Best Director, Best Actress and Best Supporting Actor. It has had a wide impact at home and abroad. In 1962, "Big Li, Xiao Li and Lao Li" and in 1965, "Stage Sisters", "Stage Sisters" tells the story of two Shaoxing opera actresses who worshiped Jin Lan and experienced the same life destiny through different paths.

Director Xie Jin teamed up with actors Xie Fang, Li Wei, Shangguan Yunzhu and popular Yue opera youngster Cao Yindi to tell the story of the stage life of Yue opera artists in the old and new society in a melodious and humane way. 1974, "Harbor" (co-directed with Xie Tian) 1975, "Spring Seedlings" 1977, "Youth" 1979, "Ah! "Cradle" 1980, "Legend of Tianyun Mountain", the film tells the story of Song Wei and Feng Qinglan, female students who have just graduated from school, after they joined the Tianyun Mountain expedition team, focusing on portraying Luo Qun and several women around him. The different personalities integrate the characters' personality and emotional changes with the political situation, social contradictions and historical development, highlighting the theme of the film. This film won the Best Feature Film Award, Best Director Award, Best Cinematography Award, and Best Art Award at the First China Golden Rooster Awards in 1981, the Best Feature Film Award at the Fourth Film Hundred Flowers Awards, and the Ministry of Culture's 1980 Excellent Film Award. Award, and won the Best Film Award at the first Hong Kong Film Awards in 1982. 1982, "Wrangler". In 1982, Xie Jin filmed the film "The Wrangler". The film tells the story of Xu Lingjun's growth, and the story is full of ups and downs. "The Wrangler" won the Best Supporting Actor and Best Editing Awards at the 3rd China Film Golden Rooster Awards in 1983; the 6th "Popular Films" movie "The Wrangler" (1982) in 1983 won the Best Film Award and the Best Film Award at the Hundred Flowers Awards. Supporting Actor Award. The film was a hit in the 1980s, and Zhu Shimao and Cong Shan, who played the male and female roles in the film, stood out. 1983, "Qiu Jin", the film tells the story of the late Qing Dynasty, after the signing of the "Xin Chou Treaty" that humiliated the country, Qiu Jin followed her husband Wang Zifang to Beijing to take office. Along the way, she witnessed the desolate scene of being trampled by the Eight-Power Allied Forces, and she felt extremely heavy. Wang Zifang wandered around the palace of the Qing Dynasty, interacted with a group of eunuchs, and lived a life of intoxication and dreams. Qiu Jin couldn't bear it, so she read Chen Tianhua's "Warning Bell" and wrote poems to express her feelings, but was scolded by Wang Zifang. Determined to follow in the footsteps of Zhang Taiyan, Zou Rong, Chen Tianhua and other lofty ideals, Qiu Jin reluctantly abandoned her son and daughter and traveled east to Japan to study. In Japan, Qiu Jin became comrades with Xu Xilin and Chen Tianhua and vowed to shed their blood for the revolution. After the Japanese government announced the "rules against illegal international students," Chinese students protested strongly, but some international students also advocated compromise. Chen Tianhua was so worried and angry that he died for his country by crossing the sea. Qiu Jin decided to return to China in order to realize Chen Tianhua's unfinished business. Before leaving, she paid a visit to Sun Yat-sen. Sun Yat-sen entrusted her with the important task of provoking the main alliance in Zhejiang after returning to China. After Qiu Jin returned to China, she founded "China Women's Newspaper" and succeeded Xu Xilin as the supervisor of Datong Academy. In order to open up Anhui's situation, Xu Xilin went to Anqing. Qiu Jin wisely hired Guifu, the prefect, as the honorary director of the school, secretly purchased weapons, organized armed forces, and contacted various party committees with Wang Jinfa, the backbone of the Guangfuhui, and others, preparing to cooperate with Xu Xilin in launching uprisings in Zhejiang and Anhui provinces at the same time. At this time, Xu Xilin assassinated Governor Enming in Anqing and died heroically. The Zhejiang government received the secret message and immediately ordered the arrest of his accomplice Qiu Jin. Faced with the crisis, Qiu Jin refused to evacuate, determined to die to awaken the people of the country. After being arrested, Guifu tried every possible means to force a confession, and Qiu Jin, who was unyielding in the film "Garland Under the Mountain" (1984), wrote the poem "Autumn wind and autumn rain are sad" on the confession, and died at the entrance of Xuan Pavilion with a calm expression. In 1984, "Garland Under the Mountain" won the Best Screenplay Award, Best Actor Award, and Best Editing Award at the 5th China Golden Rooster Award; the 8th "Popular Film" Hundred Flowers Award Best Feature Film Award, Best Actor Award, Best Supporting Actor Award, Best Supporting Actress Award; First Prize of the Ministry of Culture’s 1984 Excellent Film Award; "Wen Wei Po" and "China Film Times" New Era Ten Year Film Award (1977 —1987) Feature Film Award and Director Award. The recognition of so many awards still continues Xie Jin's miracle. 1986, "Furong Town". "Furong Town" made Jiang Wen and Liu Xiaoqing very popular and won numerous awards. Including the 7th China Golden Rooster Award for Best Feature Film, Best Actress, Best Supporting Actress, and Best Art Award; the 10th "Popular Film" Hundred Flowers Award for Best Feature Film, Best Actor, Best Actress Award, Best Supporting Actor Award. Perhaps, no film can be said to be more award-winning than "Furong Town" directed by Xie Jin. 1989, "The Last Noble" Xie Jin 1991, "The Bells of Qingliang Temple" 1992, the TV series "Tao Xingzhi", which has not yet been released to the public 1993, "The Old Man and the Dog", 1993, Xie Jin filmed the film " The Old Man and the Dog". The film details the story of a woman who was persecuted simply because she was a rich peasant. She went out to beg because of her poor family background, and met a poor old man. The film delicately describes the spiritual connection between her and the old man who experienced the joy of having sex with a woman for the first time. The heroine is played by Siqin Gaowa, and the male protagonist is played by Xie Tian. In 1994, he became the chief director of the TV series "Three Words and Two Pats". In 1994, he served as the director producer and chief planner of the TV series "Under the Roof of Shanghai". The play was banned, but was later revised and released. 1996, "Valley of the Daughters" and 1997, "The Opium War". Regarding the film "The Opium War", no more words are needed to explain it. This historical blockbuster has attracted national attention since the filming started.

After the film was released, it was well received by audiences at home and abroad, and won the "American Special Award" at the Montreal Film Festival in Canada. In addition, "The Opium War" is also the best-selling domestic film in Southeast Asia. "The Opium War" won the 17th China Golden Rooster Award for Best Feature Film, Best Cinematography, Best Sound Recording, Best Props, and Best Supporting Actor; the 1997 Chinese Film "Huabiao Award" Outstanding Feature Film Award ; Shanghai Film Critics Award "Yonglehuai" honorary title of "Top Ten Films" in 1997. In 2000, "Women's Football No. 9" was the last work shot by Xie Jin during his lifetime. He was already 77 years old when he filmed this work. "Women's Football No. 9" tells the story of Gao Bo, a young and powerful football coach who returned from Japan in the early 1990s to reorganize the women's football team and lead the women's football team to revitalize the Chinese women's football career. The film focuses on the various difficulties and ups and downs encountered by Gao Bo's reorganized women's football team, and led the players to overcome difficulties tenaciously and finally won the World Cup runner-up.

Please adopt