There are still many people who like to watch the biography of Zhen Huan. what do you think?

Actor Selection First of all, Empresses in the Palace is quite successful in actor selection, and it is an old-fashioned drama. The acting performance in the action is naturally in place, which makes people feel that they are not watching TV, but are there.

The characters are distinct and prominent. In the biography of Zhen Huan, the characters are distinct and prominent, and everyone will feel sad and sorry when they go offline. Every time I watch this drama, I can bring different feelings to the audience and immerse people in it for a long time. The lines are exquisite, describing the hierarchy of feudal times, which happens to be the royal family in many people's impression. Similarly, compared with many dramas, the production level of this drama is really good. Actors perform online, and costumes are not allowed to be performed.

There is almost no nonsense in Zhen Huan's biography of the whole play, and every movement is very detailed. This play can almost be used as a textbook for costume dramas. Since we want to shoot a costume drama, we should pay attention to every detail and etiquette. Obviously, the queens in the palace have done it. Everyone in this play is a typical and representative of a group, but at the same time it is a unique "this one". When these typical characters are truly reproduced in the typical environment, the artistic tendency will naturally be revealed.

The details are rigorous, and the details conveyed everywhere in the play are rigorous, which makes any audience call it wonderful, which can arouse everyone's in-depth thinking and experience a different kind of freshness. Sun Li, the leading actor, plays the role of Zhen Xuan well, and the change between eyebrows and eyes expresses the inner change of Zhen Xuan. From the play, we can see that from the pure eyes like a white rabbit entering the palace at first, to the grievances, indignation and sadness later, and then to the biting indifference later, the performance can be described as penetrating and the acting skills are bursting.

The epitome of today's society, as a Kung Fu drama, the lines should of course be antique to show its sense of the times. Too modern lines are easy for people to play. Moreover, many plots and bridges in the play can be used as a microcosm of today's society, or the workplace or interpersonal relationships are very useful, and you will naturally have a good experience after reading it. Chen Jianbin's The Emperor and Ada Choi's The Queen all showed superb acting skills.