As a suspense film, Lost Subway is embarrassing, while Light Blue Amber is heartbreaking?

Not long ago, two suspense films starring Wang Zhen were released. In the suspense film "Lost in the Subway", Wang Zhen plays Laura Mai, a gifted teacher of mental illusion, but the whole film received poor response and felt embarrassed after watching it. Although Wang Zhen has no training, his acting skills are not weak. Starring in the suspense film Light Blue Amber directed by Zhou Wei is very good. This film is rooted in social reality and full of worries. However, young directors did not take naked criticism and accusations, but entered in an aesthetic way with personal characteristics. It seemed to be an understatement, followed the protagonist's exploration and searched all the way, and finally unveiled the sadness and helplessness of this great era? The truth? .

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As for the lens of the suspense film Lost in the Subway, I generally feel that there is no big sense of disobedience, and the distance, proximity, switching and length are quite good. Then there is music, which I don't pay much attention to, but it's not uncomfortable. Actors, I think it's a problem. Actors and sisters can act, but actresses can't. Awkward. From the plot, it's really good. The author should really praise such a film for having such a plot, but the screenwriter is so much. The director and screenwriter have a huge problem in arranging the meaning of the shot, that is, jumping and incoherence. There are more and more movies with the same theme, and most of them can't stand scrutiny. Except for the hostess, everything else is a long story.

A typical online movie has the same rhythm as Soul Baidu. The characters are simple and embarrassed, the lines are very childish and pretentious, and it's messy! The whole movie looks really not enjoyable, and the narrative of the story is also in a daze. It took a long time to understand what he was going to say! The script is rough and the acting is awkward. The general feeling is that the director tells the story seriously and the audience has goose bumps. Many places lack logic, for example, you can enter the hypnotized person's psychological world through eye contact. The logic of the whole movie is completely fabricated by the director himself and can't stand scrutiny. On the whole, it is not satisfactory.

The film "Light Blue Amber" belongs to that kind of movie with strong stamina. The timeline was completely disrupted, with emotions as the mainstay, and the hostess grasped the state of depression after her husband's death. No matter how sad you are, you should get through it, reconcile with yourself and complete your self-salvation. The text of the novel and the text of the novel "Burning Heart in the Hot Sun" were also written by Xu Yigua. Zhou Jie has a certain understanding of the ability to transform words into images. The grafting between different timelines constitutes the narrative level and psychological level of the film. Photography and the spatial structure of the mountain city endow the film with a multi-level visual sense that matches the narrative. The questioning of the geometry of life value and the description of women's inner pain are touching.

This may be a new starting point for cinema films. Far-sighted employers no longer regard the realistic theme as a scourge. Whether it is Medicine God, Finding You, or Light Blue Amber, they all go deep into the urban texture, understand the anxiety, confusion and suffering of contemporary people, respect the emotions and logic of daily real life, and reserve their due humanitarian stance. A jigsaw puzzle-like literary film slowly restored the heroine past lives, but finally returned to the future of reconciliation with reality. The frigid heroine and Chongqing are also very attractive here, just as it also has a dreamy long-shot ending.

The novel text gives a great foundation, which makes the film very attractive. The director controlled the narrative and rhythm. Trauma repair is handled lightly, and the tension of character relationship is just right. In showing the inner world, it can be compared with The Moment of Pluto, whose atmosphere is constructed by mirror language, which is realized by structure. The practice of constantly breaking the narrative line surprised me greatly. The continuous experience that I thought would be destroyed was gradually stitched up, which shows that the creator has made an extremely profound interpretation of the play.

The existence of "light blue amber" is enough to liberate Chongqing's urban space from the exotic and flashy landscape presentation: instead of external lens scheduling between high and low buildings, it goes deep into the hearts of characters to do emotional scheduling. It shows people's confusion in the face of the unbearable burden of life, the lag of sadness, and the alienation of the city from people. This is a kind of oppression without publicity, which finally boils down to an unsolvable arithmetic problem. A very literary text fundamentally resists the strong narrative "Finding You".

Many people, like me, are interested in the past achievements of the original author and the screen performance of the heroine Wang Zhen in this period. The result didn't disappoint me. Although the core is the sharp contradiction between the rich and the poor, it is related to the two main lines of trauma repair and physical desire faced by lonely young women. The title of the film is in line with the overall temperament of the film: the tone is cool blue, but the precipitation is as long as amber. At the end of the story, He Jie silently shed a tear. She became an ant in amber, and we became amber observers.