What are the striking artistic structures in Guo Feng?

An indispensable part of The Book of Songs. Including,, Feng Li, Feng Li,, Zheng Feng,, tang style, Qin Feng, Chen Feng and Feng Li.

Regarding the meaning of "wind", the Preface of Poetry first gives a political explanation: "wind, wind, religion, wind movement, religious change." Use the wind to compare the king's education. In the Tang Dynasty, Confucius followed his theory. In the Song Dynasty, Zheng Qiao's Six Classics and the Olympics began to explain the wind musically: "The sound of local customs is called the wind." Zhu in the Song Dynasty also had a similar explanation: "Wind is a poem of folk songs." Modern scholars generally believe that "wind" is "local wind", that is, local music in different regions. Fifteen Kingdoms is a folk song with local color collected from 15 area.

Wind Map (Ma, Southern Song Dynasty)

The fifteen winds are widely distributed. Among them, "Nan Zhou" refers to the local music in the area under the jurisdiction of Zhou Gongdan, that is, from Luoyang, Henan to Jianghan in northern Hubei; "Zhao Nan" refers to the local music in the area under Zhao's jurisdiction, that is, from southwest Shaanxi to northwest Hubei; "Liangnan" is mostly produced in Jianghan Basin. Most of the remaining 13 national gale was generated in the Yellow River valley, that is, today's Hebei, Henan, Shandong, Shanxi, Shaanxi and other places. Among them, there are as many as sixty or seventy so-called "Zheng Yin" in Henan, which may be due to the relatively developed economy of these places at that time.

Guo Feng mostly works in the Spring and Autumn Period. Because most of them come from the people, reflect the thoughts, feelings and wishes of the working people, have the most people-oriented and realistic spirit, and are the most essence and valuable part of the Book of Songs. The content of "national style" can be roughly divided into the following aspects: ① pictures of work and life. For example, "Nan Zhou Grupo" is a collective song sung by women when collecting plantain seeds. It describes in detail the different actions of women when picking plantain seeds, reflects the whole labor process, is cheerful and shows women's strong labor enthusiasm. (2) the loss of husband and wife. For example, Dongshan reveals the great disaster brought by the war through what a veteran who has been discharged for a long time saw and felt on his way home, and shows the people's aversion to war and yearning for a peaceful life. (3) Love songs and the sadness of abandoned wives. For example, Jian Qin shows the dreamlike pursuit between young men and women; Feng Weimeng and Gao Feng reflect the tragic fate of working women in ancient times by describing the unfortunate experiences of abandoned wives. (4) A hymn to the beauty of human body, personality and skills. For example, Feng Wei's Talking about People is a representative work praising people's posture, and Yao Jiheng in the Qing Dynasty said it was "a swan song, a swan song". Another example is "Tangshi Jiaochat" and "Feng Yan Jun Zi Grow Old Together", which not only pay attention to the external beauty, but also praise the internal beauty, and give a bitter ridicule to those who are born with beauty but have no virtue. ⑤ Political satire. For example, Tan Dun and Shuo revealed the parasitic nature of the ruling class in a cynical style, showing the awakening and resistance consciousness of slaves.

In the way of expression, the national style generally uses Fu, Bi and Xing to praise the scenery, express feelings and shape characters, which has a strong folk song color. In language, it is vivid, accurate, fresh, concise and expressive. In the structural way, the method of repeated superposition is often used, which has a strong sense of music and rhythm. "National Style" has a direct influence on later poems, especially Yuefu folk songs.