Traditional Culture Encyclopedia - Photography and portraiture - Who's Li Kaijie?

Who's Li Kaijie?

Li Kaijie

Li Kaijie, male, born in May 1957, is a member of Sichuan Writers Association. Executive director of Zigong Writers Association. Vice President and Secretary General of Zigong Children's Literature Research Association. He has published 2.5 million words of novels, reportage and other literary works in Dianchi Lake, Children's Literature, Youth Literature, New Writers and Southern Sichuan Literature.

Chinese name: Li Kaijie.

Nationality: China.

Place of birth: Zigong, Sichuan

Date of birth:1May 957

Occupation: editor, writer

Main achievements: Excellent Works Award from Grade Two to Grade Three.

Representative works: Monitor Rui Rui and Tangyuan.

Personal profile

Li Kaijie: Hui nationality, from Dazhou. Member of China Photographers Association, member of China Art Photography Association, assistant to the chairman of China Folk Photography Association, scholar, and chairman of Dazhou Folk Photography Association. Selected as "Top Ten Outstanding Photographers in China".

Li Kaijie began to photograph in 1970s, and his works have a wide range of subjects and distinctive personalities. More than 300 works have been published in various journals, among which more than 40 works have won prizes in exhibitions and competitions. In the early 1990s, a personal photography exhibition was successfully held.

Main representative works

& gt won the special prize of the 25th Sichuan Radio and Television Government Award, with a group photo >; In 2000, he was awarded the title of > > in UNESCO and the Second International Folk Photography Competition. Awards. In April 2002, he was awarded by China Art Photography Society and >; The magazine and the Chinese Academy of Art of the Ministry of Culture jointly selected "Excellent Photographers in China" and "Top Ten Outstanding Photographers in China" nationwide. In recent years, I have mainly devoted myself to photography creation and photography organization.

social status

/kloc-started literary creation in 0/982 and served as a special researcher of China Youth Research Center.

Tutor of China Small Writers Association, responsible for youth literature counseling in Anhui, Jiangxi and Hebei provinces.

Member of Sichuan Writers Association. Executive director of Zigong Writers Association.

Vice President and Secretary General of Zigong Children's Literature Research Association.

Main work

His main works are: Message from Youth (Shanghai Children's Society), Rhododendron Blooming (Fujian Children's Society), Young Liu Bang (Shaanxi Future Society), Napoleon and His May 1 Class (Gansu Children's Society) and Fable of the Earth (to be published); Two collections of short stories: The Lost Stream (Sichuan Children's Society) and Blue Mountain Outside the Window (Zigong Federation of Literary and Art Circles);

In addition, more than 300 novels and essays have been published in well-known domestic newspapers and periodicals such as Children's Literature, Juvenile Literature and Art, Xiaoxi, Juvenile Novel, Juvenile Age and Giant.

Evaluation of works

Li Kaijie writes novels, and he writes "small" novels-children's literature for little people. In the literary period that continued the bad habit of scholars belittling each other, they didn't respect other circles or categories or teachers or styles or schools, so children's literature was called "pediatrics" and despised by some writers with adult themes, gynecological themes and psychological themes. But I'm not a junior anymore. I teach, so I pay attention to this and Li Kaijie, and ask him to tutor my students who love literature. So I read his children's literature and his people. According to my knowledge and judgment, he is an excellent writer of children's literature. His pen power, influence and creative level are gradually approaching the period of great achievements, and his fists and fists have yet to be displayed and his glory has yet to be achieved. I expect him to do this.

In Sichuan, a place with unique natural and cultural landscape, Li Kaijie, a writer of children's literature, has opened up a sky in the field of juvenile novels with a dull and silent writing posture since 1990s. Deep humanistic care consciousness and real childhood life experience are the main contents of his artistic expression, and simple civilian perspectives complement each other, which constructs a seamless integration of his works' unpretentious appearance and hard and full spiritual essence.

Stylistically, Li Kaijie's creation belongs to the category of children's realistic novels. Realistic novels and fantasy literature are two important parts of children's literature. Different from fantasy literature, realistic novels reflect the real life world and events, as well as the existence of people in the visible material space, and cover all fields of life in the artistic scene of childhood. "All aspects of coping with living conditions can be found in contemporary children's literature." Children's realistic novels have won the love of children and even adults for their full modernity, strong sense of reality, broad life and outstanding problem areas. Li Kaijie's realistic novels are self-contained. The narrative perspective is the direct result of the writer's value position, and the civilian perspective chosen by Li Kaijie is the artistic objectification of his humanistic feelings. This perspective is described in three dimensions. First, the living conditions of children at the bottom are questioned by their humble and concrete childhood. Second, the details of the innocent childhood growth process are moved, and children feel and understand life in the bumps, songs and laughter all the way; Thirdly, the tragedy and paradox of moral life recognized by adults after their involvement in children's world. The three dimensions have their own strengths and complement each other. * * * has realized the deep expression of life on the basis of calm and simple artistic feeling.

works appreciation

Paying attention to the living conditions of children at the bottom is an important direction of Li Kaijie's literary spirit, which forms the basis of realistic concern in his creation. Walking into the life world of children at the bottom with anxious eyes, showing concern and patience for the life course of these "forgotten" teenagers, and exploring the possibility of transcending aesthetic intuition in their works are the characteristics of these writers' creation.

Children writers are the guardians of childhood life, and Li Kaijie consciously practices this ideal value. The image of "Tangyuan" is the product of this practice. "Tangyuan" is the protagonist of the novel "Tangyuan" with the same name. A rural teenager who works as a contractor, 14 years old, entered the juvenile detention center. This is a bitter growth story of a humble teenager at the bottom. When dealing with this theme, the writer tries to describe it objectively from a popular perspective, and the words naturally wander in the life experience of the protagonist Tang Yuan, his ordinary and self-sufficient inner world. Tangyuan Primary School was forced to drop out of school by his father before graduation. From then on, he bid farewell to the classroom and became a thief in the city with books that brought him joy and romantic feelings. After a while, he entered the juvie. These changes seem logical, and the simple life process can't stand the analysis of too many trivial things, so jiaozi grew up. "Every adult, whether a leader or a follower, a hero or the masses, was once a child and was once insignificant." However, the little life of childhood will grow up sooner or later. In the years of elutriation, the crowd finally divided, the distance between people separated, and they began to live adult lives in different social positions. I haven't even understood the meaning of childhood, and I haven't reconsidered it. Tangyuan has grown up. One-off life experience has quietly changed, and the infinite bright future has been given up flatly. In the ordinary and typical life track of "Tangyuan", I lamented the true connotation of "growth".

"The novel's deep concern for ordinary people's daily life seems to depend on two important basic conditions: society must attach great importance to everyone's value and regard it as a suitable subject for serious literature; Ordinary people's beliefs and behaviors must be diverse enough, and detailed explanations should arouse the interest of other ordinary people-novel readers. " Compared with adults, children are more ordinary and weak, and they are the last group of literary expression and service, while ordinary and bottom children are less likely and less concerned. The ideal goal of "attaching great importance to the value of every child" still needs time, and children writers have the obligation and responsibility to lead the society to realize the comprehensive liberation of children's view. Therefore, ordinary children, as "the proper subject of serious literature", is a literary practice and theoretical topic to be expanded. According to the actual life situation, due to different social, cultural and family backgrounds, the content, beliefs and behaviors of ordinary children's life world are indeed huge and diverse enough. It is an arduous task for children writers to explain this in detail. The image of "Tangyuan" is the result of such efforts.

Children's literature is happy literature. In addition to this widely accepted literary concept, we must emphasize the social cognitive and educational functions of children's literature. Through reading, children are expected to experience the real life world they don't understand, enter those unfamiliar life scenes, have sympathy for the world of ordinary people, enrich their inner experience, understand and tolerate others, and cultivate their basic trust in society and form a sound personality. "When human organisms are ready to be driven, aware and ready to interact with meaningful individuals and public institutions with a gradually expanding scope, personality develops in various predetermined steps." Children's literature is the communication object of children outside social practice, which directly occurs in children's spiritual category, complements social practice and is the necessary nutritional component for building children's healthy personality. This is because, on the one hand, compared with the restriction of real time and space factors on human activities, children can freely contact the vast world in the literary world, which can never be realized in a realistic way; Secondly, compared with the randomness of social practice communication forms and the uncertainty of goal achievement, children's literature shows the constancy of meaning generation. Because every work provides a complete life world, not scattered and fragmented, the most important meaning of "integrity" refers to the values determined by the work. Children's literature is a literature created by adults for children to help them grow up. No matter in what form, adults can't disappear in children's literature. There is an interesting reading phenomenon. Children talk to the world in literature, but there is always an adult standing in front of him, behind him, or a little farther away, watching him, protecting him, reminding him and hinting at him when necessary. This adult has always dominated the world in the story, keeping the interaction between children and it on a favorable course without deviating. This is the reason why children's literature creates children's healthy personality. Go back to "Tangyuan". What Li Kaijie tried to show through this story is a real and extraordinary children's life. External forces (mainly family) played a key role in jiaozi's misguided course. If Tang Yuan can successfully study and continue to receive education, maybe his life will be another result. An inexperienced child was pushed to the society prematurely, wandered in the city for 8 months, made a living by touching bags, and went astray step by step. Judging from the warning significance of the story, Li Kaijie raised an important social problem. This problem appeals to children and adults in a "literary" way, and we can turn our attention to this usually neglected social corner. Children, in particular, can watch jiaozi, and children are telling stories seriously. "Contemporary realistic novels help children to expand and deepen their sympathy and see the world from a new perspective." The reason why the work can do this is because the screenwriter enters the world of glutinous rice balls from the perspective of civilians and really cares about the subtle process of how a little person goes from good to evil. Children understand the meaning of growth in cognition and understanding, sympathy and emotion, and find themselves and develop themselves in the confirmation of others.

But the significance of dumplings goes far beyond the simple positioning of social problem novels. This is Li Kaijie's exploration of human life. Milan Kundera said, "The human earth is an inexperienced earth". We all walked once, and the road we walked was different from the scenery we saw, but everyone was inexperienced when we set out. Finally, the pocket of life is full of different fruits, sweet, sour, astringent and bitter. It's really amazing if we jump out of the realm of existence and watch all this. /kloc-Tangyuan, who is over 0/0 years old, threw her tender body to the ground easily before getting dressed for the future road of life, welcoming the growing-up ceremony covered with scars. Although there are regrets and reform ideas in the painful reality, Tangyuan is still on the wrong road. In the bitter chewing of life, looking at some beautiful childhood memories, the loss of life deviates from romantic poetry and harmonious unity, and people live in such a mess. Can a little jiaozi explain all this? How can I explain it clearly Tang Yuan, who served four years in a juvenile detention center, couldn't find the poem Waterfall on the first day when he got the Chinese textbook, which gave him romantic feelings in his childhood. Then after three nights, he finally completely recalled this poem that he still likes for a long time:

"I have never seen a waterfall. I heard the sound of a waterfall for the first time, like a waterfall rushing ashore and like a gust of wind blowing through a pine forest.

The mountain road suddenly turned, ah, I saw the whole waterfall, so big, a pearl screen. Castle Peak and thousands of feet are all wrapped in silver. From time to time, a gust of wind blows it like smoke, fog and dust. "

The beautiful waterfall soothes the young and scarred soul of Tangyuan and shakes us. Aesthetic tension comes from the incongruous experience and contradictory relationship between artistic objects, and Li Kaijie's sense of free art successfully solves this problem. The combination of repressed reality and clear and pure images has mobilized all the consciousness of our life experience. "The real aesthetic experience comes from the viewer touching or embracing the deepest thing in the aesthetic object with the deepest thing stored in himself." So far, the novel has completely implemented this point, and the exploration of life is realized in the mystery of all aesthetic experiences. 14-year-old boy, Tangyuan, sat there stupefied, immersed in the image universe of poetry. He has grown up. This is the inner truth of the novel that we know in the shock of reading.

Throughout Li Kaijie's creation, the common people's emotional stance is the main paradigm of his literary spiritual value. This aesthetic orientation is the author's defense of the artistic essence of spirituality and self-discipline, and it is undoubtedly a powerful backwash to the shallowness and paleness of commercial times's children's literary thoughts. Li Kaijie presents a simple and complete art form, which contains a high degree of humanistic care and deepens the possibility of realistic children's literature and art performance. At the same time, due to the unremitting exploration of human existence, his literary concern tries to analyze the hardships of life. At the end of each work, he left readers with a wealth of "unfinished life" enlightenment, helping adults and children to have a complete understanding of human problems, interpersonal relationships and human potential.

Artists and politicians

Some people joked that he was "an artist in the political field and a politician in the art field". As a member of the Standing Committee of Dazhou Municipal People's Congress and one of the religious leaders in Sichuan Province, Li Kaijie, with his high sense of social responsibility, superb artistic attainments and extraordinary organizational leadership, has led a photography team of more than 400 members in Dazhou since 2003 with his artistic influence for nearly half a century, adhering to the development concept of "organizing, training and fighting" by General Zhang Aiping and President Shen Che, and transforming this artistic activity into a far-reaching social and cultural movement in Daba Mountain area, and exploring a way. Mr. Li Kaijie's grasp of the development trend of photography art and social culture in China complements President Shen Che's practice of integrating China's national culture into the world's multiculturalism. As the vice president of China Folk Photography Association, Mr. Li Kaijie will not only lead the Bashan photography culture and art movement, but also join hands with many masters such as Mr. Shen Che. History has chosen a master group, which will open a new chapter in its hands.

Major awards

state award (of honour)

1. The novel "Kind Words" 1996 won the first prize for essay writing of China Children's Newspaper Workers Association.

2. The novella "Senior Two to Senior Three" won the Excellent Works Award for Children's Literature 1998.

3. The novel Message from Youth won the most popular reader award of Shanghai Giant Magazine in 2000.

Provincial prize

1. The novel "A Message from Youth" won the second Tianfu Literature Award of Sichuan Federation of Literary and Art Circles.

2. The novel Eyes Outside the Window won the second prize of 1986 Sichuan Workers Daily.

3. The novel Jumper won the second prize of Chongqing Hongyan Youth Daily 1987 for essay writing.

List of works

long novel

1. The novel Message from Youth 1999+00 was published by Shanghai Children's Society in June.

2. The novel Rhododendron, published by Fujian Children's Society in August, 1999.

3. The novel Young Liu Bang was published by Shaanxi Future Publishing House in June 1998.

The novel Napoleon and His Six Classes (3) was published by Gansu Children's Society in February 2002.

5. The collection of short stories The Lost Stream was published by Sichuan Children's Society in May, 1998.

6. In August, 2007, Central Literature Publishing House published the reportage collection "Tide and Salt Land".

7. More than 200 novels have been published nationwide.

8. Planning and editing books: 15? 12 memory of Du Yan ② on-the-spot report on the construction of the third line in Zigong ③ record Zigong *** 14 ④ Zigong culture ***2.

Some short stories

I. Children's literature (central publication)

1, the mountain outside the window is light blue (1990th 1 1 period)

2. "That thing is very common" (1992, issue 3)

3. Bon voyage (1995, Phase VIII)

4. Tangyuan (1995 No.9)

5. Chess Player jiang bo (1996, No.2).

6. Memorandum of Communication (1998 No.8)

7. Tomorrow will be better (No.6, 2000)

8. Three chapters of short songs (the third issue in 2003)

9. Father's Shoulder (No.8, 2003)

10, Huanhuan (No.7, 200 1)

1 1, Grade Two to Grade Three (No.3-4, 1998)

12, Knowing Death (No.7, 2002)

Second, "Giant" (published nationwide)

The long serial "Rui Rui and her Grade Three Class (1)" (1998 3-5).

Iii. (Jiangsu) Youth Literature and Art (published at the provincial level)

1, early maturity (1986No. 10)

2. Beautiful Phoebe bournei (No.3, 1987)

3. Complex story (No.1989,No. 10)

Four, (Shanghai) youth literature and art (provincial publishing)

Three short songs (2) No.3, 2000

Verb (abbreviation of verb) Xiaoxi (provincial publication)

1, the story of the host (No.2, 1998)

2. Elegant boy (No.3, 1999)

Six, "Literature Teenager" (provincial publication)

Xia Caiqin (No.7, 2003)

Partial anthology

1, outstanding works of children in China (16)

2. Selection of outstanding mass literature works in Sichuan Province (Select one)

3. New classics of contemporary children's literature (choose one)

4. Selected Excellent Works of Sichuan Province in the 60 Years since the Founding of the People's Republic of China (select one)