Is there still a director recording a movie in the movie?

Director: jj abrams/Photography: Dan M.

Film format: 35mm (Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 52 19), 65mm (horizontal) (Kodak).

lighthouse

Director: robert eggers)/Photography: Garin blaschke.

Negative format: 35 mm (Eastman double X 5222)

From the beginning, due to the limited space, the limited number of characters and the vertical direction of the lighthouse itself, Eggers wanted the aspect ratio to be 1.33: 1. However, when Braskek recalled the "light comment" on the obscure aspect ratio of 1. 19: 1 (which existed very briefly during the transition to sound film production), the situation changed.

Brasik said: "I laughed that Rob 1. 19: 1 would really satisfy his pursuit." ? Surprisingly, he accepted the idea enthusiastically. The lighthouse became 1. 19: 1, and he began to drink all the movies he could find. "

As it turns out, there are some useful examples here, including the French WW 1 movie shot in a claustrophobic mine. But what really changed everything was the most famous movie 1. 19: 1: Fritz Lang's m? (193 1, DP Fritz Arno Wagner) tells the story of how criminals join life when the city police can't catch the killer of children.

Irishman

Director: Director: martin scorsese)/Photography: Rodrigo prieto.

Film format: 35mm (Kodak Vision3 250D 5207, Vision3 200T 52 13, Vision3 500T 52 19).

password

Poké mon detective Pikachu

Director: rob letterman)/Photography: John Mathieson

Film format: 35mm (Kodak Vision3 50D 5203, Vision3 500T 52 19).

"We want it to look like blade runner," John Mathieson frankly admitted. "In fact, it's a bit shameless."

Mathieson is the secret weapon of this work-it is compared with Scott's new black science fiction in many comments and an imitation video. He is a person who insists on shooting the story of Poké mon wearing a magic hat with 35mm film instead of digital images. Although movie snobs among us may mistake Detective Pikachu for a joke, mature professionals like Mathiesen take Poké mon as seriously as their parent company.

"I've always wanted to make movies," mattson told vultures by phone from his hometown of England. Film studios often shut it out because it seems expensive to shoot in movies, but it is easier to shoot in digital movies. But I don't think this is the case at all. We have successfully tested the disaster with film for one hundred years. "