Traditional Culture Encyclopedia - Photography and portraiture - Male and female partner catwalk
Male and female partner catwalk
On the human side, everyone's catwalk style is different. Some models tend to be playful and lively, some tend to be elegant and noble, while others are natural and graceful. It is necessary for the person in charge to know the style of each model and choose the appropriate clothes. Otherwise, it will be weird to get out of the playful style in a slightly noble evening dress and grasp the clothes. Try to put clothes with similar styles together, which is more layered.
In terms of display, first, pay attention to creativity. This program about environmental protection is nothing new. If you want to catch people's eyes, you must work hard on creativity, including the form of catwalk, special clothes, unique explanations and so on. The other is the idea of emergencies. There will always be temporary accidents when doing activities. You should imagine possible accidents before you engage in activities and arrange solutions to prevent accidents.
There is also a grasp of music, the arrangement of models, lively points should be arranged in the time period of light music rhythm, elegant points should be arranged in the time period of slow music and so on.
Posture required reading:
1, head and body should not be in a straight line: if they are in a straight line, they will inevitably feel bored. Therefore, when the body is facing the camera, the head should turn slightly to the left or right, and the photo will look elegant and vivid; By the same token, when the subject's eyes are facing the camera, turning his body to a certain angle will make the picture look lively and dynamic and increase the three-dimensional sense.
2. Don't make your arms and legs parallel: No matter whether the subject is sitting or standing, don't make your arms or legs parallel, because it will make people feel stiff and mechanical. The appropriate way can be that a song always forms a certain angle or both. This can not only cause movement, but also change posture.
3. Try to make the figure curve clear: it is necessary for female subjects to show their charming curves. The usual practice is to let one leg of the character actually support the weight of the whole body, and the other leg is slightly raised and leaned against the standing leg. The arm should be turned to show its narrowest side, and the chest should try to show its towering and plump feeling through the curve of the waist. At the same time, the character's hand can be placed on the hip to provide the necessary width for the picture.
4. Avoid sitting posture: When showing the subject's sitting posture, don't let him sit in the chair as usual. If so, her thighs will be at rest, so that the fat part at the upper end of her legs will bulge, making her legs look thick. The correct way is to let his body forward and sit near the chair, which is the guidance and idea we often use in portrait photography. Sometimes we simply explain to the model-there are only two ways: static and dynamic.
And keep your chest out and abdomen in order to avoid the phenomenon of drooping shoulders and protruding abdomen.
5. Show a good posture: The hand of the subject does not occupy a large proportion in the picture, but if it is improperly placed, it will destroy the overall aesthetic feeling of the picture. Pay attention to the integrity of the hand when shooting, and don't let the hand feel deformed, broken or incomplete. If you put your hands in your hips or pockets, show some fingers to avoid giving the impression of being cut off.
However, from the perspective of orientation and performance, it can be subdivided into at least seven ways, which are briefly described as follows:
1. Static posture: the most common posture guidance mode.
First, based on the beauty project, let the model have a basic plane performance foundation, and then cooperate with the scene and color elements to compose the picture. As long as the model pays attention to the posture,
Basic requirements, natural expression changes, can be competent.
For inexperienced models, photographers are usually led by a POSE, explaining the key points, precautions and precautions one by one.
In the audition, in addition to trying to find out the characteristics of the model, giving performance suggestions, making auditions that can be published, it also has the initial elements of posture explanation.
The focus of the explanation is to explain the position of the body center of gravity, the consideration of the collocation of limbs and scenes, the way of posture change and various postures according to the scene examples.
The way and position of physical exertion, the photographer's consideration of composition ...
2. Continuous pose: Static pose will be monotonous. If we can consider the variability of POSE on the basis of the original beauty instrument, a single POSE can derive different feelings and differences.
For example, a simple hairstyle can lead to more differences and changes in 10, so that the picture has more choices and changes.
3. Contextual speculation and expression: This is a more advanced and difficult expression.
Because of static posture and continuous posture, the focus of thinking lies in the beauty of posture. After the model is positioned, the expression is rich, the action is natural, and it is often too fixed and rigid.
Many experienced models will simulate the situation and emotions on the scene after positioning, in order to strive for the naturalness and change of the picture.
4. Moving-line performance: Moving-line performance is a continuous body movement and limb change in a larger scene in different positions and situations. It's a bit like a catwalk on the stage, but there are many differences.
Models should not only master the timing and rhythm of movements, but also show the changes of limbs and expressions by moving lines. Moving line performance sometimes helps to ease the mood of the model and bring out a more natural feeling.
On the other hand, dynamic performance sometimes requires a little talent, which is not suitable for every model. Because moving line performance is more challenging in shooting, the proportion arranged in outdoor shooting is not so heavy.
5. Dynamic action: It can usually be done with props or specific scenes. Such as jumping, turning and so on.
6. Talk and interview: This method can be widely used, including one-on-one shooting, shooting of two models, or recording events brought by models.
The main purpose usually involves: A. More natural pictures B. More story-telling performances C. Shooting with humanistic thinking.
7. Plot arrangement: cut a story into different paragraphs according to its development, and then present a complete story with different scenes, costumes and performances.
You can imagine this kind of shooting as an "incomplete" theater, which is loose and may not have a complete dialogue. When planning, you may just need to finish the outline, explain the plot clearly, and then let the model make the performance. Photographers, on the other hand, have both the roles of director and photographer.
In addition, there are other ways to create different shooting and guiding modes, which we will discuss in subsequent articles.
When the prospective model first entered the modeling circle, some models lacked theoretical knowledge and practical knowledge.
How do we train prospective models? What do models need to pay attention to? How to select training institutions for analysis!
Nowadays, models are subjects with strong initiative and strong sense of expression. With the development of society, models have penetrated into various commercial and fashion markets. Models are not only symbols of beauty and fashion, but also business representatives.
Therefore, models in the present sense are diversified, and the height of models is not very limited. However, the domestic market for runway models is still relatively strict. There are many domestic models, but few are really excellent.
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