Traditional Culture Encyclopedia - Photography and portraiture - Director Michael Moore information?

Director Michael Moore information?

He is a rare documentary director with a star aura. He not only created the box office myth of American blockbusters, but also won the Oscar for Best Documentary and the Palme d 'Or at Cannes Film Festival within two years. Become one of the most successful documentary writers in the history of the United States and even the world. His name is michael moore!

This fat white man with a typical American way of speaking obviously won't miss any opportunity to go abroad. His fear of world chaos is vividly shown in his documentary. Why does this 50-year-old guy still act like an "angry youth"? The camera is like a gun to him, a freer and more deadly weapon.

What really made michael moore a star director was Bowling in Columbine in 2002. The film caused a great response in America. It not only created a documentary box office record of US$ 6.5438+US$ 029,000 in the United States, but also won the Oscar for Best Documentary Feature Film in that year, and was even selected as the best documentary in history by the International Documentary Association.

Fahrenheit 9 1 1, which won the Golden Palm Award at Cannes Film Festival, is an upgraded version of Columbine bowling. He pointed the finger at President Bush, the culprit of the "9. 1 1" incident. This extremely lethal work has clear and sharp intentions, and the image evidence is absolutely outrageous. "Bowling in Columbine and Fahrenheit 9 1 1 degree shows that there is nothing that michael moore dare not shoot or do. In order to achieve the effect he wants, "I am an asshole who does everything." Michael moore may also be the biggest headache for the American authorities. He is good at and likes to laugh and curse, and the documentary with extremely direct critical tendency has caused widespread controversy. For michael moore, these are not problems. He never denies his effectiveness, but welcomes all disputes. He is the most "time-sensitive" statue madman of this era.

Michael Moore

IMDB:/name/nm 060 16 19/

Whether you love him, hate him, or have no feelings for him ... there is no doubt that he has had a great influence on America and the whole world. Personally, his films, TV programs and works have had a profound impact on me, so I hereby publish The Complete Record of Michael Moore Films (Michael Moore has publicly stated that as long as it is not used for commercial purposes, everyone is welcome to download his films online).

August 6(th), 2004

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Roger & amp (1989)

roger & me

Screenwriter: michael moore

Director: michael moore

Running time: 90 minutes

Source: DVD

Torn:?

Video: DivX 5

Br: 949 kbps

x:y: 640x464

fps: 23.796

Audio: MP3

Br: 129 kb/ sec (64/ channel x 2 channel)

Fs: 48000 Hz

Introduction:

The film Roger and I was shot by Moore in 1989. At that time, his hometown of Flint, Michigan, was in full decline because of the massive layoffs of General Motors. He made this film not to save their town, but to question big companies with facts and tear their illusion of gentlemen. Roger was roger smith, then the president of General Motors.

A very successful documentary, very smooth, unlike other films, you can press "pause" to answer the phone or turn off the stove to boil water at any time. This one-stop rhythm makes people feel that the film is not boring at all, and it is very emotional.

Moore has been looking for Roger, but Roger doesn't give him a chance to meet him at all, and actually doesn't care about him at all, so the whole movie runs through the plot of Moore's "visiting Roger". Although he finally exposed Roger at an event, the other party still didn't say anything, but it was enough.

The other two figures are consistent, one is the government agent in charge of expulsion, and the other is the ordinary laid-off female worker who raises livestock for a living. Eviction, the job I saw in a Dutch film People, is an unimaginable occupation like growing up under a red flag, which is to "evict" families who are in arrears with rent from their houses. Sounds like the industrial revolution two or three hundred years ago, doesn't it? In fact, this job has always been available. That guy always wears a trench coat, but he can't be as cool as Brother Fage. He is a middle-aged black man and a little fat. He didn't say anything malicious, but arranged for laid-off workers who couldn't pay the rent to move out. A family member made a scene, so he kept a low profile and waited for someone to calm down. Then he said, "You are lucky to meet me. At least someone will reason with you."

The lady who keeps livestock at home still looks very mature, independent and caring. After she was fired, she lived on this business except for limited welfare subsidies. The rabbits she keeps can be used as pets or as food, which is entirely up to the guests. When Moore first started to go, he was still very wary, fearing that she would come to check the hygiene. Later, I became more and more willing to be interviewed and filmed. Until one time, she personally performed killing a rabbit and peeling it clean, and a minute ago, she was still playing with the rabbit.

Documentaries are not necessarily objective, just like this one. Moore must have a personal vendetta against GM. He doesn't have to hide it. What he wants to do is to suppress his anger tactically and make a tragic reality film that people are willing to watch with a professional attitude. I think he is quite successful.

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Canadian Bacon (1995)

Reverse Canada (Taiwan Province)/Canada Bacon (Other)

Screenwriter: michael moore

Director: michael moore

Starring: John Candy, alan alda, kevin pollak, rip torn, dan aykroyd, james belushi, Rhea Perlman and steve wright.

IMDB: /title/tt0 109370/

Running time: 0 1:34:32

"Surrender immediately, or we will level Toronto!" Almost as timely as his current Fahrenheit 9/ 1 1. It's also very interesting.

Source: DVD

Torn: Crazy Canadians

Video: XviD

Br: 84 1 kbps

x:y:640 x360( 1.78: 1)[= 16:9]

fps: 23.796

Audio: AC3-dolby digital 2.0

Br: 192 kb/ sec (96/ channel x 2 channel)

Fs: 48000 Hz

Introduction:

Michael Moore, the director who won the Oscar for Best Documentary Feature Film for Roger and Me, made a big joke about the US presidential election when he entered the first feature film. Allen alda, who plays the mediocre American President, prepares to run for re-election. Kevin pollak, a campaign consultant with a bad appetite, advised him to declare war on Canada. On the one hand, it calms the dissatisfaction of arms manufacturers, on the other hand, it has a problem of controlling people's hearts. The story seems absurd, but it expresses the director's keen observation of the subtle relationship between American arms dealers and politicians. Unfortunately, the film processing skills are not mature enough, and empty and interesting ideas can't capture the tickling irony. Fat comedian John Candy played the super patriotic policeman stationed in Niagara Falls, which was one of the few representative roles during his lifetime.

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The big one.

Screenwriter: michael moore

Director: michael moore

Starring: michael moore

IMDB: /title/tt0 124295/

Runtime:

"Protect the earth from the scum of American companies." This documentary is worth seeing, just to see the part about steve forbes ... I laughed so hard that it hurt. The others are good, too.

Source: DVD

Ripped by: MDX

Video: XviD

Br: 979 kbps

x:y: 5 12x272

fps: 23.796

Audio: MP3

Br: 144 kb/ sec (72/ channel x 2 channel)

Fs: 48000 Hz

Introduction:

It is well documented that in the mid-1990s, major companies "guided by the situation", moved a large number of sweatshops to third world countries, and forced down the domestic labor market demand, resulting in social crisis. In the film, Philip Knight, president of Nike, confidently invited Moore to interview him-Moore himself unexpectedly became the first CEO of a big company to formally interview him since his life went wrong. As people hoped, the recorded images and Mr Moore's spiritual performance made President Knight, who has always been regarded as the pride of a generation of sporting goods, look around but be speechless, and his hypocrisy was mercilessly torn off in hesitation.

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Columbine Bowling Hall (2002)

Columbine bowling alley

Screenwriter: michael moore

Director: michael moore

Starring: michael moore, George W. Bush, Charlton Heston, Marilyn Manson, chris rock, Bill Clinton, Dick Cheney, dick clark.

IMDB: /title/tt03 10793/

Running time:120min

"Are we a country of gun maniacs, or are we just crazy?"

The above sentence is very interesting. See for yourself. It's hard to say clearly in Chinese. Nuts mean madness.

A well-deserved Oscar winner.

Source: DVD

Recorded by DcN

Video: XviD

Br: 16 14 kbps

x:y: 576x304

fps: 25.000

Audio: AC3-dolby digital 2.0

Br: 192 kb/ sec (96/ channel x 2 channel)

Fs: 48000 Hz

Introduction:

The documentary last appeared in the competition unit of Cannes Film Festival at 1956. That year, the documentary Silent World produced by Jacques-Yves Costa and louis malle won the Palme d 'Or Award, and The Myth of Picasso by Henry-George Crouzeau won a special prize from the jury. Cannes once again opened its doors to documentaries this year.

Moore called his work "a humorous examination of the potential fear in American culture from the Columbine high school case to the post-9 1 1 era" and promised that the film screening at the film festival would be "a very exciting moment".

By interweaving interviews with people involved in the Oklahoma bombings and the Columbine high school massacre with news reports, speeches and a 65,438+06-year-old boy who bought all the ammunition in a store, Moore shows that fear has been deeply rooted in the American spirit, and American society is more extreme than any other society in its culture. Mainstream media, especially TV news reports with sensational strategies, are the culprit, which makes an unbreakable cycle between fear and violence.

The deep confusion brought by this documentary is not a simple accusation of poor gun control. Through serious and interesting questions and careful use of materials, he thought about the problem from a cultural perspective. In fact, in the film, there is no simple answer, or even no answer at all, only a series of thought-provoking questions.

Unlike ordinary documentary producers, Moore will not give up his naughty attitude even in the face of the most serious problems, perhaps a little presumptuous. His works always have a playful feeling. Although he won't make the audience feel that they can laugh it off at last, his documentary is indeed quite entertaining.