How to evaluate Wang Peiyu correctly?

The first time I met Wang Peiyu was on the program "Wonderful Congress". The girl who sings old songs, boss Yu, stood there, not showing mountains and dew, not showing her hair, but making people respect. Wang Peiyu starred in a Cantonese movie. She said: I shook my beard 164 1 time. At the 367th time, I had a nickname, Boss Yu ... When I saw Boss Yu, my heart jumped: This man is so smart. Appearance spirit, voice spirit, situation spirit.

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There are only two kinds of people in the world: those who like Peking Opera and those who don't know that they like Peking Opera.

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Wang Peiyu, wearing a black robe, said this in Manchu at the wonderful meeting, and many people were fascinated by her charm.

When you see Wang Peiyu, you can feel the quiet strength of her body. At that moment, the hour hand seemed to be half a beat slow, so the time slowed down.

Wang Peiyu is recognized as a representative figure of amateur in pear orchard. He has a unique experience in the pronunciation of words and the use of qi to speak. His voice can be high-energy, broad, round and thick. Looking for and saving the lonely, the words "Madam doesn't have to be too fierce" and "Listen to what he said and scare me" in "Catch and Release Cao" are simple and meaningful, smooth and pleasant. Wang Peiyu, who looks emaciated, has a high-pitched, clear, penetrating and infectious voice.

Personally, what I admire most about Wang Peiyu is her extreme love for Peking Opera. This is not only reflected in her own pursuit of art, but also in her spare no effort to publicize and spread the art of Peking Opera. We all know that Peking Opera has declined, and its development can be said to be difficult. As the spokesman of Peking Opera, Wang Peiyu shuttled through many variety shows to popularize the knowledge of quintessence of Chinese culture. I think she is a good business card for Beijing Opera. She has said many times that there are only two kinds of people in the world, one is those who like Beijing opera, and the other is those who don't know that they like Beijing opera. I don't agree with this sentence, because no matter what period, there will always be a group of people who know Beijing opera and despise it at the same time. Take some literati for example, they despise the lyrics of Beijing opera, and elegant Kunqu opera is their art ... but in any case, her enthusiasm for Beijing opera is beyond doubt. There are indeed many examples of cross-border Chinese opera to the entertainment circle, from cross talk to variety show host, and of course from singer array. Among them, Li Yugang's drama+song and dance+singer's crossover is the most representative, which is a rare typical case in recent years. Today, the voice of dreams has brought a famous Peking Opera master, Wang Peiyu, who won the Plum Blossom Award in Chinese Drama and won the title of Peking Opera prodigy with Tao Yang (Deyun Society) at an early age. This kind of talent can be said to be beyond the reach of ordinary people. Let's talk about Wang Peiyu's plays again. What impressed me most was her cooperation with Zhang 20 14. I remember a friend said that the performance that night made him seem to return to the era of Tan Xinpei and Mei Lanfang 100 years ago. What was Peking Opera like at that time? He refers more to the theater atmosphere. It is common for Beijing opera to change hands, but this performance attracts special attention because of its unique temperament, accumulated intellectual audience and Zhang's return to the Beijing opera stage. In the drama Wu Jiapo, the duet between Xue Pinggui and Wang Baochuan is a famous sentence in Peking Opera. "So Harmony is a witness, and Prime Minister Wang is my witness ..." Many Peking Opera actors sing clearly and coherently, with loud and witty voices. Wang Peiyu's Xue Pinggui is deep and even sings a little sadness. Coupled with Zhang's indifference, the cooperation between the two is really rare. Backstage of the performance, I saw Wang Peiyu. She took off her costume and platform boots and wore a white dress. Looking at her, she was a little tired and signed an album for her fans. I was shocked. Is this petite woman under too much pressure? So how did Wang Peiyu perform in cross-border singing? The original piano accompaniment of Heartbeat is lazy, and it directly applies the vocal melody, especially the vocal performance that relies on Dawn. However, Wang Peiyu's cover "Heartbeat" has made great changes in arrangement. The arranger specially wrote a new prelude of 30 seconds for this song, which was superimposed with piano, nylon guitar and strings. This arrangement is very suitable for this delicate and deep lyric song. The choice of key is within the controllable range for Wang Peiyu, but the gap of AB in this work is still a bit big. If you want to create emotional contrast in a paragraph, raising the tone is a necessary rule. In this way, when the answer in paragraph B may pass through the ends of the earth, Mr. Wang Peiyu needs to firmly control the transition of sound zone and breath, especially when the answer may pass through here, which makes him very easily out of breath. However, Mr Wang Peiyu is a real opera singer. I have repeated it several times here, and all of them have been handled in place, and the treble has been supported. I can only say that my teacher is very good! Besides, Ms. Wang Peiyu's emotion and intonation are above average among cross-border singers. She has several broken sentences, the pronunciation of words, and the lengthening of the end, which are all remarkable and beyond my expectation. However, if she is required by a first-line singer, the shortcomings that Wang Peiyu can see are that the timbre is not flexible enough, the range is slightly narrow, and the rhythm control is not accurate. As a new generation of Peking Opera actress, she dares to face the sky and get rid of unnecessary forms and "gimmicks" on the stage; Be confident in your kung fu and face the audience calmly; It is refreshing to try to fashion traditional art, spread Beijing opera in rich forms and attract young audiences. It takes courage and strength, and not everyone can do it. Yu Pei is handsome in appearance, elegant in temperament and full of books. It is quite common that her eyes reveal confidence and calmness that are rare among her peers. Her singing is simple and meaningful, with endless aftertaste. Among the various schools of Peking Opera, the singing of Yu School is easy to learn but difficult to master. After several years' study, I have mastered the essence of Yu school's singing. He carefully planned the articulation, pronunciation, gas use and vocal performance, and pursued the realm and charm of "quiet and graceful, with bones and muscles" in indifference. Strict and neat pronunciation, standard and timely accent, deeply show her superb aftertaste. Boss Wang not only has a good image, but also has a good personality. His face is like the jade in the crown, and he looks very handsome. In various programs, he is sometimes funny and sometimes unconventional. It can be said that he is both an artist with connotation and a star of the trend. Although she has a certain reputation in the industry, she doesn't want to be complacent. In order to break the state-owned enterprise system of Chinese opera and pursue innovative development mode, she resolutely resigned and set up her own studio to be responsible for her own profits and losses. Although the final result is not satisfactory, it is also a struggle for dreams. Although he has been cultivated a kind of "gender-free consciousness" since childhood, it is shaping his own personality. In singing, she is no less than a professional singer. She has dabbled in photography, tea ceremony and incense, especially in the process of communicating with people, which is impressive. Beijing opera, watered with her painstaking efforts, has injected fresh blood and given off the charm of the new era ... generation after generation, she has turned herself into an endless yearning for Beijing opera. Inheriting the artistic classics of Yu School and absorbing the wisdom of the older generation of artists will show it perfectly again. If you love Beijing opera, you will find your own happiness in it! "Yuleshe" is the Garden of Eden of Peking Opera, which touches the future and tomorrow of Peking Opera.