Traditional Culture Encyclopedia - Photography and portraiture - What is the poetry of the shepherd boy?
What is the poetry of the shepherd boy?
The poem "Shepherd Boy" shows us a vivid picture of a shepherd boy returning home to rest at night: a vast wilderness with green grass; the evening wind blows the weeds, and the shepherd boy has not yet returned. But first I heard the melodious and approaching sound of the shepherd boy's flute carried by the wind. The sound of the flute came on and off, fluttering in the wind. When the shepherd boy came back and had a full meal, it was already after dusk. He didn't even take off his raincoat, so he lay down in the open air on a moonlit night to rest. There are scenes, feelings, characters, and voices in the poem. This vivid scene appears in our field of vision from far to near.
2. Word analysis.
(1) "The grass spreads across the field for six or seven miles, and the flute plays three or four sounds in the evening breeze." The poem gives us visual and auditory feelings. Looking around, the grass on the wilderness is lush; listening carefully, The sound of the herdsman's flute in the evening breeze. The word "Pu" expresses the lushness of the grass and the gentle and comfortable feeling that the grassland gives people; the word "Nong" shows a kind of interest and expresses the intermittent sound of the flute in the wind. , melodious and elegant, and the meaning of the shepherd boy playing the flute is conveyed. The vastness of the pasture sets the stage for the appearance of the shepherd boy. The melodious sound of the flute reminds us of the relaxed and leisurely mood of the shepherd boy returning home late after a day's work. Before you see the shepherd boy, you hear his voice first, which gives you infinite space for beautiful imagination. Of course, the "six or seven miles" and "three or four tones" here are not the exact numbers, but are just to highlight the width of the wilderness and the silence of the countryside in the evening.
(2) "After returning home and having a full meal at dusk, I lie down under the moonlight without taking off my coir raincoat." The poet changed his pen and began to write about the scene of the well-fed shepherd boy resting. The image of a free shepherd boy who uses the earth as his bed and the sky as his tent, who eats when he is hungry and sleeps when he is sleepy, is vividly portrayed. There was no scene of family gathering, no scene of friends playing. The shepherd boy who had eaten his fill did not even take off his raincoat, just lying on the grass on a moonlit night. Are you tired and want to lie down and stretch your body? Do you like the scenery of the moonlit night and want to enjoy it? Looking up at the bright moon, what does the shepherd boy think about? Or he falls asleep without thinking about anything... The poet seems to have only written down what he saw truthfully, but we can't help but think about it.
The grassland, the sound of the flute, the moonlit night, and the shepherd boy are like a tranquil ink painting, making our souls feel peaceful. The poem "Shepherd Boy" not only makes us feel the peace and tranquility of life of "working at sunrise and resting at sunset", but also makes us feel the unfettered and natural relaxation of the shepherd boy's mind. During the day, there are cows and reed flutes as friends, and at night, there is the breeze and the bright moon. It is like living in a paradise. Of course, through poetry, we can also see a pursuit of the author's spiritual world and a yearning for a peaceful and peaceful life away from the hustle and bustle.
The main idea of ??"What I Saw" is: A shepherd boy rides on the back of an ox, and his loud singing echoes in the forest. The cicada suddenly wanted to catch the singing in the tree, so he immediately stopped singing and stood silently under the tree. This poem is about "the desire to catch cicadas".
The boat passed by Anren
This poem describes what the poet saw when he passed by Anren by boat.
This poem is as plain as words and full of interest. It shows the childish behavior of two carefree little fishermen and the whimsy that only children can have in their behavior. think. Here is what the author saw: On a small fishing boat, there were two children. They put away their pennies and stopped their oars. There is also the author’s realization: Oh, no wonder they opened their umbrellas even when it wasn’t raining. It turned out not to cover the rain, but to use the umbrellas to make the wind move the ship forward!
2. Word analysis.
(1) "There are two children in a fishing boat, collecting their poles and sitting in the boat." This may be the scene that the poet discovered at a leisurely glance. Of course, the two children quickly caught his attention. Why? Because although they were sitting in the boat, they were not rowing. The pennies were put away and the oars were parked there. Isn't this strange? It can be seen that the author was in a relaxed and happy mood at this time. , so I noticed what the two children were doing.
(2) "It's strange that people open their umbrellas even when it rains, not to cover their heads but to use the wind." Here, the poet saw the two children holding umbrellas, and the resulting thoughts in the author's mind were omitted. question, and directly wrote about the joy of having the doubt suddenly solved. How to solve it? Maybe the poet saw the children's abnormal behavior and began to observe and think more seriously. Of course, he suddenly realized: Oh, no wonder they opened their umbrellas even if it wasn't raining. It turned out not to cover the rain. Instead, I want to use the umbrella to make the wind move the boat forward! Or maybe he asked the two children directly and the children told him the reason. In any case, knowing the reason, the author must have burst into laughter. Because of the children's intelligence, as well as their innocence and childishness, he gladly wrote and recorded this childlike scene.
Yang Wanli writes pastoral poems and is very good at using the childishness of children to illuminate the poetic environment. His "Xugongdian, Suxin City" (The fence is sparse and deep, and the flowers on the trees have not yet become shade. Children rush to chase yellow butterflies, flying into the cauliflower and nowhere to find them.) "Two quatrains in leisurely residence in early summer after nap" ( ①The plum blossoms are sore and soft, and the bananas are green and separated from the window screen. The day is long and I have no thoughts, and I am leisurely watching the children catching willow flowers. ②There is a half-bow of moss in the pine shade. I want to read a book but am too lazy to play with the clear spring and sprinkle banana leaves. Misunderstanding the sound of rain. ) can be found in. The difference is that "The Boat Passes Anren" directly focuses on children, and the entire poem is about children's childish behavior.
Yang Wanli's love for children is palpable, and he highly appreciates the intelligence shown in the two little boys' play. Of course, we can also see the poet's childlike innocence.
Qingpingle Village
The eaves are low and the grass is green on the stream. Wu Yin is very charming when she is drunk, but who is the old lady with gray hair? The eldest son is hoeing beans to the east of the stream, while the middle son is weaving a chicken coop. His favorite child is rogue, lying at the head of the stream peeling off lotus pods.
Translation
The eaves of the thatched cottage are low and small,
The stream is covered with green grass,
it contains a drunken feeling The local accent of Wu,
sounds gentle and beautiful--
Whose parents-in-law are those with the white hair?
The eldest son is weeding in the bean fields in the east of the river.
The second son is busy weaving chicken coops.
The most joyful thing is the naughty look of the child,
lying in the grass at Xitou--
peeling and eating the newly picked lotus pods.
Explanation
Because Xin Qiji always adhered to the political idea of ??being patriotic and resisting the Jin Dynasty, after returning to the south, he had been ostracized and attacked by the capitulationists in power. Since the age of 43, he has not been appointed for a long time, so he has lived idle in Xinzhou, Jiangxi (now Shangrao City, Jiangxi) for 20 years. The author has lived in rural areas for a long time, has a better understanding of rural life, and has more contact with farmers. Therefore, some works in "Jia Xuan Ci" reflect rural life. Among them, there are landscape paintings and rural genre paintings. This song "Qing Ping Le" is a colored rural custom painting.
The first film outlines the environment and sets off the atmosphere. The opening chapter uses sketching techniques to outline the "thatched eaves", "stream", and "green grass". With just a few strokes, the characteristics of the Jiangnan countryside are vividly depicted, and a broad background is arranged for the appearance of the characters. The old father-in-law and old woman who appeared in the third and fourth lines of the lyrics spoke in drunken voices and became more gentle and charming. However, when I walked up to them, I realized that the person speaking was no longer a young man, but a white-haired woman. He is an old man. From "Zuili", we can see the peaceful life of the elderly, and from "Meihao", we can see the happiness of their spirit.
The next film focuses on the three sons of this farmer family, which more comprehensively reflects all aspects of rural life at that time, and the picture continues to expand. The entire labor force was hoeing in the bean fields east of the stream, and the half-grown children were weaving chicken coops. The poet focuses on the description of "children", using only two sentences, accounting for a quarter of the whole word. "Lying at the head of the stream peeling lotus pods" vividly depicts his carefree, innocent and lively demeanor. The poet felt sincerely happy about this.
This poem has a strong flavor of rural life, and the author's joy for rural life is everywhere in the words. It objectively reflects the author's hatred of the dark official life.
This poem is a vivid and vivid rural custom painting.
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