What are the representative painters and artistic characteristics of courtyard flower-and-bird painting in Song Dynasty?

Representativeness and artistic characteristics of courtyard flower-and-bird painting in Song Dynasty;

1. Pure flower painter: Zhao Chang's "Apricot Flower Map" is gorgeous and graceful; Liu Yi painted more than 100 leeward lotus leaves in the lotus pond, among which a unique red lotus flower was half-open, which was quite creative. This kind of flower painting, mixed with powder and ink, can get bright colors and swaying posture.

2. There are bees, butterflies, birds and insects in the flowers and fruits: There are two geese under the apricot tree in Cui Bai's "The Picture of apricot flowers and two geese", one wants to sing and the other is in the stream; Lin Chun's "Zhu Gui Kingfisher Map" osmanthus bamboo leaves, bees flying up and down, kingfishers peeping; This emphasis on the echo relationship between objects and images is unique and vivid.

3. People who shoot scenic animals and animals: Cui Bai's "Two Wild Gooses in Autumn Pool" is full of waves, and two wild geese swim in it; Li Di's "Snow Tree and Cold Bird" depicts a bird standing on a dead branch, next to the snow bamboo, and the snow is flying in the air like a powder spot; This kind of painting pursues the artistic conception of a specific scene.

4. Beast play or fight: In the cliff of Li Di's Eagle Xiong Tu, the eagle bears look at each other and faintly move their horns; There are two fights in Chen Juzhong's "Five Quails", one is noisy, the other is lying on the grass under the slope, waiting for an opportunity to get angry.