Wu Bosen, a new school for freehand brushwork painters, has ancient settings, fresh air and elegance.

Wu Baisen? Born in 1983, freelance artist, originally from Hunan, now living in Guilin.

Secretary-General of Longmen Academy in Guilin, full-time painter of New Image Painting Academy, Chinese painting was inspired by Mr. Peng Xiaozhi, and the traditional painter was Wang Boyang. He is now studying under Professor Xu Huaxin, the tutor of Tsinghua Academy of Fine Arts.

Communication? exhibit

China Dream Tour-Soul of the Great Wall National Theme Painting Competition.

Shaanxi "Plateau Plateau" National Art Exhibition "

Nanning "Opening of Guangxi Art Museum and the First Exhibition of Fine Arts and Calligraphy Works from All walks of life in Guangxi"

Qinzhou? Entering Qinzhou-Guangxi Art Calligraphy Exhibition "

Yantai? Guilin Sketch Exhibition "

Hebi's "Walking into the North-South Ink Painting of Taihang" Joint Exhibition

Zhuozhou Guilin Zhuozhou Painting and Calligraphy Exchange Exhibition

Guilin "The First Invitational Exhibition of China Young Painters"

Damei Guilin-Invitational Exhibition of Famous Calligraphy and Painting Works

North Wind in Guangxi —— Sketch Exhibition in Guilin

Guilin Landscape Legend Art Calligraphy Photography Exhibition

? 20 14 Guilin "Stars Award" Art Calligraphy Exhibition

Qinghai Beautiful Qinghai Splendid Guilin China Art Exhibition.

Perhaps because of the continuous copying and research in the past three years, every time I read the words "green mountains and green waters", my mind is full of the purity of Wang Ximeng's "Thousand Miles of Mountains and Rivers", just like the fairy world in the picture, everything still stays at the beginning of "sentimentality" and "ruthlessness". It is said that the literati's ink landscape is the highest, and I think the green landscape in the same period is actually higher. Literati ink landscape speaks pen and ink. Nowadays, most of the green landscapes emphasize skills, but the skills of that period seem to have a lofty atmosphere and are unattainable.

For example, You Chuntu, written by Zhan Ziqian in Sui Dynasty, is as old as that, and the beauty between design and painting is completely beyond "with me" and "without me". Zhao Bosu's "Song Wan Jin Que Tu" in the Southern Song Dynasty gave birth to the wind in the forest ... Every time I look at the painting, I always sigh that it is an unprecedented lush life. How enviable is it? .

? ? As the study of traditional culture, the choice of objects is particularly important. Many times, choosing one is almost equivalent to choosing the style of an era, because each period of landscape painting has its own era, such as Guo's Northern Song Dynasty, the Southern Song Dynasty and Yunlin's Yuan Dynasty. Only the green landscape like "thousands of miles of rivers and mountains" is full of today, and it will never remind me of the times. I only hate that I am not in the painting, but I chose it.