Traditional Culture Encyclopedia - Photography and portraiture - Jia Yuanchun is a virtuous princess. Why did the Jia family call her the imperial concubine last time?

Jia Yuanchun is a virtuous princess. Why did the Jia family call her the imperial concubine last time?

Jia Yuanchun was promoted to the position of Fengzao Palace and was awarded the title of virtuous princess. This is a rare and unprecedented title in the world. A Dream of Red Mansions has always been insinuated with false words, but its words are rigorous. Because Yuan Chun is a virtuous princess, she is not a noble lady. According to the early Tang Dynasty, the four princesses, namely, the imperial concubine, the noble concubine, the virtuous princess and the virtuous princess, are of the same rank regardless of their size. In order to be nice, Jia Fu called her the imperial concubine. She wanted to win the lottery, but she was suspected of trespassing!

Hearing this, Jia Zheng thought for a moment and said, "It's hard to connect this plaque. It is logical for the imperial concubine to give you a question, but if it is not the scenery she saw with her own eyes, she will probably refuse to make a fake plan; If the imperial concubine is lucky enough to ask questions, it will be a huge landscape, with a number of pavilions and pavilions, and you will feel lonely and bored. No matter where there are flowers and willows, they will not be colored. "

Jia Zheng first mentioned that Yuan Chun was an imperial concubine, and even mentioned three imperial concubines in one sentence. I'm afraid others don't know his daughter's dignity. Jia Zheng here is no longer the calm man, he looks a little frivolous. But a virtuous princess is really not a noble princess, and Jia Zheng's attitude is also very telling. If Jia Zheng is like this, how can the rest of Jia Fu talk?

A Dream of Red Mansions deliberately named Yuan Chun after the second of the four concubines in the early Tang Dynasty, which did not conform to the laws of the Ming and Qing Dynasties. Have both ability and political integrity, probably even the imperial concubine of Ming and Qing dynasties is worth it. However, a virtuous princess is by no means an imperial concubine. Although the virtuous princess added the virtuous princess, Cao Xueqin deliberately did not give you expensive words. This arrangement is of great significance.

Since the Grand View Garden was built in Yuanchun Province, Jia's family has always been called the imperial concubine. It seems that Jia Yuanchun is an imperial concubine, but a virtuous princess is not an imperial concubine, but an imperial concubine. Didn't this trespass always exist in Jia's family? The furnishings in Qin Keqing's room, the display of Rongxitang, Qin Keqing's funeral, the construction of Grand View Garden, and Yuan Chun's mothering all reveal a series of things, calling Yuan Chun the imperial concubine, revealing Jia's arrogant nature, which is obviously a kind of deviant foreshadowing.

On the surface, A Dream of Red Mansions describes the rise and fall of the Jia family and the depravity and lawlessness of its people. In fact, it secretly describes the submission of these old Jia forces to the new emperor. All kinds of trespass are the key to Jia's final property destruction.

Jia Yuanchun's promotion is strange. She has been in the palace for many years without news. It's against the rules of promoting concubines to promote her as a princess as soon as there is news. The title is still a virtuous princess. This unprecedented title is full of irony. It is either virtuous or virtuous. Virtue is obviously too much, which contains profound meanings.

As an ancient family, the Jia family did not please the emperor. After the emperor ascended the throne, he needed to cultivate his own power and make his own decisions. Beware of the conservative forces behind Yuan Chun. Because you can't be spoiled in the palace for many years. However, just after Qin Keqing's funeral, Yuan Chun was suddenly blocked. Some people say that Jia Yuanchun's report on Qin Keqing's promotion is absurd.

Extended data

Yuan Chun was worried about the fate of the family until his death. She had a premonition that Jia Fu would suffer, which made her feel very sorry. "Looking at home" actually refers to Jinling, which is Nanjing. When Yuan Chun left Nanking, he actually died in the palace. Why is the mountain high and the road long? Redology believes that Yuan Chun was locked in a place where he couldn't see the outside world because he fell out of favor, and the saying of "seeking advice from his parents in a dream" is even more obvious.

No one came to tell Jiafu about Yuan Chun's death. He could only tell him in his dream: "My son's life is in the grave. I have to step back and leave early!" "It also implies the downfall of the Jia family after leaving, which aggravated the tragic consciousness and accused the feudal system of inhumanity."

Liu made up the secret history of hanging the wilderness according to the word "wandering", which is very inappropriate, because these three words are also found in Yingchun's "Wandering for a while" and Xifeng's "Wandering at Night". Did they hang themselves?

Jia Fu ranks first among the four families because it has the most wealth and power, and this is because it has a great backer to ensure this position-Jia Yuanchun, the respected minister of Jia Fu from generation to generation, also became a royal family because of her. Therefore, the first half of the novel focuses on Yuan Chun's plots, such as "only choosing Fengzao Palace", "sealing a virtuous princess" and "mothering", and tries to describe the scene of Jia Fu's "cooking with fire and blooming flowers".

However, "luxury is enviable, but parting is embarrassing." Who knows the joys, sorrows and sorrows when you win a hollow reputation? "Let's look at the scene where Yuan Chun went home to meet his relatives in a private room. Behind the "glory", we can see the tragic situation of the separation of flesh and blood. Yuan Chun said, and finally described the Imperial Palace ouchi as an uninteresting "shady place".

Just like coming out of the claustrophobic place where she was imprisoned, the author also saw the brilliance of Yuan Chun's heart above the secular world at a glance. Cao Xueqin's powerful brushwork reveals the glory envied by the feudal class, which is still an abyss for an aristocratic woman like Jia Yuanchun, who has to pay the price of losing her freedom.

However, all this is only the foreshadowing of the subsequent plot development. After mothering, Yuan Chun returned to the palace, seemingly parting, but actually parting. She not only lost her freedom, but also lost her life. Therefore, writing about the grand occasion of Jia's being brought by powerful people is also to show that her death is a shadow of destroying Jia's trees, in contrast to the tragic situation after Jia's downfall and confiscation.

Yuan Chun's death not only marked the political collapse of the factions represented by the four major families, but also sounded the death knell of Jia's collapse, and she herself was completely a victim of infighting of the feudal ruling class. In this way, Cao Xueqin, who claimed to be "non-interference", boldly opened a corner of the political curtain.

From the ups and downs of a feudal family, people can see the nasty activities of various factions in the feudal ruling group for power and profit by hook or by crook. The profound meaning of Jia Tanchun's sentence "I wish you ate me and I ate you" can also be understood from this aspect.

Baidu Encyclopedia-Jia Yuanchun