How high is the roof?

Skills of taking creative car photos;

Starting car photography involves many aspects, and many websites and books are involved. We can't cover all the details in this article, but I hope we can cultivate your insight into the world of automobile photography. Let you start from the basics and then explore the future. First, you need a car. If you want to learn the basics, any car will do, but interesting cars will make your photos look more professional and exciting. If you drive a Ford, that's good. But if your partner has a Ferrari, you'd better treat them to dinner and ask them if you can borrow his Ferrari for one day.

Location You have a car, and now you need to find one to shoot the location. Many car advertisements are often shot in scenic spots, so that cars can be bathed in warm sunshine. However, maybe your budget is limited, so it is difficult to shoot on a large scale like in magazines. There are many other shooting locations to choose from. You need to make sure that the car is the focus of the picture and don't let the environment distract the audience. The environment is used to enhance the attractiveness of cars. Think about whether you want to shoot in a natural scene, or in an unusual location, or you want to create some feelings in the studio.

In natural scenes, you can arrange cars on roads, parking lots or driveways. Even if these scenes don't add anything to the photo, they will make the photo look simple and clear. Think about the feeling you want the photo to give. If you want to feel moody, you'd better go to the top floor of the parking lot overlooking the city, or go to the abandoned warehouse in the industrial zone. If you want a bright image, you can consider going to downtown office buildings and modern buildings with reflective glass. Or you can learn from those classic photos and overlook the scenery from the top of the mountain, preferably with your face facing west and the sunset as the background. Finding a good location will make your photo stand out. Seriously look for places that can add atmosphere to photos and strengthen the characteristics of cars.

If you want to put the car in an unnatural scene, seriously consider whether it will be out of tune with the surrounding environment. For example, a car that is usually unsightly will not have a good effect even if it is parked on the lawn. You don't have to pursue novelty too much when choosing a place. It is understandable to avoid conventional car photos, but be careful not to be too greedy, and as a result, a bunch of car photos are taken that don't match the background. In addition to location shooting, you can also choose the studio. Renting a studio that can accommodate a car is more expensive. So we can look for other options first. If someone has a garage with a big white wall, it is a perfect substitute for the studio. The biggest advantage of the studio is the creative lighting. With these choices, you can express the interior and details of the car. But if there is no background, the photo of the whole car will look dull. Finally, when considering the location, we should carefully consider the relationship between the surrounding environment and the color of the car, as well as the tone in the photo.

The next step in running out of light is light, which is the most important element in any photo. If possible, use natural light, depending on the place and time you choose. I suggest shooting in prime time, that is, at sunrise and sunset. In this way, you will get a beautiful photo of your car bathed in the gentle sunset, and at the same time avoid the reflection problem caused by the strong light at noon. You can also choose to use artificial light. In order to get better results, you need to use all your equipment reasonably. There is no right or wrong way of lighting. My suggestion is to turn on one light at a time to illuminate an angle of the car, then take one or two photos to ensure that the effect is what you want, and then turn on the next light. This will not use too much light and avoid wasting light sources. Using your eyes, trying by yourself and running out of light are all very personal skills. The style and artistic conception of a photo depend on the photographer.

Angle Now you have found a good shooting position and the light is suitable. Time to shoot. I hope you have a good understanding of the car, but it is more important to consider how to shape the car, whether the parts you want to highlight have characteristics and from which angle to shoot. Anyway, shoot from the line of sight, but in order to make the photo stand out, you need to find different angles and favorable positions when shooting. A very popular practice is to shoot from a height close to the ground. This will give the car an aggressive feeling, but you should try to find the best way for yourself and the car.