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What's the name of the actor who plays the leading role in the movie?

The story of Ricky

◎ year 199 1

◎ Country China Hongkong/Japan

◎ Crime/fantasy/horror/thriller/science fiction/action.

◎ The film is 87 minutes long.

◎ Director Lan Naicai

Supervision of Cai Lan.

Starring Fan Shaohuang.

Fan meisheng

Ka-Kui Ho

Oshima Yukari

Gloria Yip Wan-Yee

[Edit this paragraph] ◎ Introduction

Adapted from comics

King Smart (Fan Shaohuang) is sentenced to a national prison in order to save his girlfriend Yingying (Ye Yunyi) from his clutches and kill a group of bad guys in a rage. Unfortunately, Yingying died of her injuries. The warden (He Jiaju) of this private prison is an inflatable giant who persecutes prisoners. King Smart was persecuted by the one-eyed snake (Fan Meisheng) in prison, and justice was done for Ma Lao, a weak but kind-hearted old prisoner. King smart repeatedly frustrated his indomitable spirit and scared away the one-eyed snake. So the four heavenly kings of the four warehouses in the southeast, northwest and northwest of the one-eyed snake joint prison joined forces to frame King Kang. ...

[Edit this paragraph] Film Review:

Usually, if the plasma is sold too much or the director's imagination is too crazy, the horror film will have a strong funny effect, because the process of the audience reminding themselves that "this is a movie, this is not true, and the red liquid is just ketchup" is the process of denying the "screen truth". The result of focusing on rendering blood can only make the audience more determined to "disbelieve". Therefore, even the bloody and rotten movie "The Dead Crossing the Line" looks like a farce to scare children-no matter how many people tremble, rational audiences often smile when they see these things, while lamenting that horror movies of any era will have technical defects, and wondering: Is there a movie in the world that can make them cover their eyes and dare not watch?

What I'm really afraid of so far is Dr. Hannibal lecter (silent lamb 2) who killed people with a scalpel. I feel that Hannibal lecter stabbed William Graham, an FBI agent, with a knife in the prequel to The Silence of the Lambs, which is much scarier than the shovel that the hero cut off his girlfriend's head in Ghost. The position and thrust of this knife are as accurate as the doctor's operation. I can't imagine what kind of pain my body will suffer! In New York Gangster, Bill the Butcher taught his younger generation how to stab Amsterdam's liver. His killing tactics are simpler, more practical and more authentic than those taught to disciples by martial arts predecessors in China Kung Fu movies. Therefore, these small shots are more shocking than the story of someone going down the mountain for revenge after practicing martial arts for ten years-only those who know the body structure of animals are the most terrible.

The Lord of the Rings's warriors killed hundreds of enemies. We are not only not afraid, but also pleasing to the eye, because all the dead are monsters. People are afraid of killing people. If the murder story in the movie is so realistic that you can't help but believe it, then the real sense of terror will come! Personally, I think "Ghost Chasing" and "Murder at Midnight 2" are the highest achievements in the The Silence of the Lambs series of horror exhibitions. These films have a strong interest in dissecting the human body, and the forensic doctor will write to the electric inspection office after reading them.

The gap between Hong Kong film King Intelligence (199 1) and the above three films is at the level of special effects, and the traces of plastic models of limb fragments are obvious. However, I think it's not that Hong Kong filmmakers can't do special effects well, but that this film adapted from Japanese comics deliberately highlights the comedy of the original, so that the film won't be cruel to the audience. After all, compared with previous kung fu movies, King Smart. Especially for the unprecedented and unique one. Although the stunt level is low, King Smart is still enthusiastic. Because director Lan Naicai and world-class horror film directors have the same hobby, just destroying the corpse is enough to give you nightmares. Watching King Smart will give you the creeps!

At first, I regarded King Smart as LD. For the first time, I lost my gratitude for high-quality audio-visual media. Horrible language is clear and sharp, leaving a wound with black blood in the viewer's mind, leaving a shadow and pain that will never disappear. As long as I think of King Smart, I will see a cold color of death, a heartbreaking, bloody, cruel, ugly and weird picture ... I thought that only Deng Yan, the director of the first Hong Kong film crime theme, was bloodthirsty, but I didn't expect Lan Naicai to be even worse, which not only made you tremble with fear, but also made you sick! In this movie, breaking a person's head and limbs is a piece of cake. It's easy to punch through the trunk, shake the eyeball out of the eye socket with fist, pull the intestine out as a noose, break and tie the tendon with a dental helper, shatter the skull and grind the limbs with a meat grinder, which shows the author's extraordinary talent. In the film, fascist physical torture can be seen everywhere.

In this bloody and violent world, the only thing that makes people feel warm is Ye Yunyi, a famous vase in the early 1990s. Her existence plays the same role as the perfect female nudity in Barbecued Bags: when your pupils are dilated and ecstatic, an evil force suddenly destroys them, leading to the loss of beautiful women and emotional fluctuations. After this super-stimulation, it is hard for the audience not to be crazy! In the play, Li Kewang has a short memory. The cruel director made Li Jin's girlfriend die miserably. With a cold bird's eye view, the audience witnessed the beautiful life falling from the roof on the street-from then on, it was reasonable and gratifying to attack with bloody and cruel force for revenge!

In order to avenge his girlfriend, King Li vowed to eradicate the poisonous demon and put on a martial arts drama in prison. This movie, like all prison movies, contains the motif of fighting for freedom, because Li Wang's strength comes from China's Qigong theory of "the unity of man and nature", and the author naturally exaggerates the energy of China's kung fu to the extreme: the hero is powerful and invincible, and the flesh and blood fight against reinforced concrete. At the end of the film, King Li played the miracle of breaking the prison wall and said, "Everyone can go home!" " Roar, make countless imprisoned by reality audience spirit a flap! How many people play the role of "King Smart" in their own fantasies and interpret the "Legend of King Smart"? There are 1000 Hamlets in the same audience.

So King Smart is not just a perverted movie that shows off bloody violence to please perverted audiences. Although the picture is horrible, at least I personally refuse to close my eyes, because I know exactly what the author's real intention is, and the rationality and rigor of the film need to be discovered by heart. If you don't want to escape the bloody reality, if you haven't given up your spiritual resistance, please open your eyes and watch King Smart.

At the beginning of the film, the sky is clear and the air is cold, and the prison car loads Li Guowang and his party into the prison of the future society. In prison, King Smart resisted the oppression of the dark forces and the prison authorities and could do anything. However, in many cases, he succumbed to the prison system and was honestly detained by prison guards with chains. How intriguing! Only after the struggle was directed at the warden did the audience realize that what needed to be broken was autocracy. Where there is tyranny, there is tyranny. Only by crushing tyranny and tyranny can life be free. Therefore, in the final Armageddon, King Smart's anger has nothing to do with personal grievances, and has risen to the height of liberating all beings. When he saw King Smart display his fists and feet, the whole audience cheered for him.

The most touching prison story should take place in the prison storm in Lin Lingdong, but in the first episode of this drama, all kinds of power struggles only stay at the black and white level, just like a Jianghu film. It was not until the second episode "The Fugitive" that the theme was deepened and the ruler was taken as the object of resistance. In the play, after Chow Yun Fat and Chen Songyong defected from prison, the inmates bet not whether they can escape, but how many days they will be caught back. In their view, it is impossible to escape, and it is only a matter of time before they are caught back! The so-called prison riot is the struggle of animals trapped in cages. Finally, prisoners continue to live in prison day after day. The sense of an island with nowhere to escape and no future is reflected in the stormy waves around the land and the flag of the British Hong Kong government flying high in the barbed wire. Although it is depressing to read, it shows a rare rebellious will in Hong Kong movies and becomes an important symbol of the maturity of a genre of movies.

The bloody "Smart King" promoted the freedom theme of prison movies to a new height. Finally, King Smart gave the tyrant a devastating blow and ground the warden into a paste in the meat grinder! The modern violent aesthetics of Hong Kong films began with Chow Yun Fat's nosebleed in The True Color of Heroes and ended with the minced meat in King Smart. King smart's rebellion aroused people's wild desires, not to be imprisoned or oppressed!

The film with strong resistance recently is, of course, martin scorsese's New York Gangster. I thought this large-scale gangster film would have a painful revenge for killing my father in public in Amsterdam-it was beautiful and worthy of the sensational gang fight at the beginning-but in the end, the director drowned the revenge plot that should have been the main event in the turbulent grand background of new york. In the panorama of the army killing thugs, comparing the violence of the country with the anger of the people, it is insignificant to help hate the family feud. At this point, the real damn villain is not the butcher Bill, but a well-dressed and respected politician. The story begins with the people murdering the people, ends with the army murdering the people, and finally accuses the state of behavior! At the critical moment, attracting the audience's attention to the state manipulator and its hidden behind-the-scenes activities reveals the hypocrisy and cruelty of state behavior, and the transformation from typical business narrative to bold political criticism has a strange and profound theme excavation with genre mutation, which is unexpected.

Ironically, Jing Wong stole the story of "a son exposing his father's death" from the New York mob when he framed the so-called blockbuster "Black and White Forest". Of course, Hong Kong directors have always been good at stealing and using foreign things to serve China, which is beyond reproach. It's just a comparison with the heavy epic written by Hollywood filmmakers. This time, Jing Wong's stealing seems to be very clever. The story seems to be similar to Infernal Affairs, but it is actually fabricated. Not to mention the extension of ideology-Black and White Forest is a dead end for Hong Kong movies, and it is known as the strongest file in summer. However, the group is heading for a dead end.

It must be admitted that the glory of Hong Kong movies has become history, and only by looking back can we regain our self-esteem. However, most of the excellent DVD productions in the three districts of Hong Kong recently are new films, and the quality of a considerable number of old films is not satisfactory. There are often scratches and stains on the film, and the quality evaluation is often "average" or "poor" or "super VCD" at best. Excellent past classics are especially hard to find, giving people a feeling of "the third world" on the whole. Fortunately, HKL (the second district of Britain) and HKV (the second district of France DVD) digitally restored the classic works in Hong Kong movies, and then re-released them for the convenience of CD fans. After the restored versions of classic works by John Woo, Tsui Hark, Jackie Chan, Stephen Chow and Liu Zhenwei were released, many disc lovers flocked to regain their old dreams. Stories about high-quality discs spread to Kyushu, and classic works were sought after by thousands of people, so the happy time of disc fans unexpectedly began.

Hong Kong Legend (HKL for short) is the name of a series of Hong Kong films released by MEDDUSA, an Italian media trust, and Universal Asia, the second district of Britain. After reading The True Color of Heroes, Love in Rivers and Lakes, and Heroes in Area One, I feel that the image clarity and color expression of Area One are quite different from those of European and American movies, so I am not confident that Hong Kong film DVDs will go out of the "third world", but I am overjoyed by HKL's digital image restoration technology. Judging from Plan A, I've got the city hunter and Huang Feihong, which is absolutely. "King Li" is a leader, and its image quality performance is comparable to that of LD in that year. The correct screen ratio has brought surprises to disc fans who hate 4: 3. At present, HKL is committed to the restoration of classic films, and the launch of King of the Elves proves the important position of this film in Hong Kong film creation. The producer also assembled a number of horror pictures in the film into a DVD dynamic menu. You can imagine what kind of impression this film left on foreign audiences.

Lan Naicai, director of Jin Shima, 1950, born in Hong Kong. He studied under the Japanese photographer Tadashi Nishimoto (also known as Helan Mountain) and worked as a photographer in the works of Hu Jinquan and Li Hanxiang. He is good at shooting sci-fi exotic scenes with special photography combined with sound and photoelectric technology, and the director's style is unique. His major works include Legends and Legends of Wesley, Ghost Hunting, The City that Never Sleeps, The Peacock King, Strange Tales from a Lonely Studio, Asura, One Eyebrow Road flyover and so on.

Finally, let's talk about Fan Shaohuang, the star of King Smart. It's a pity that the teenagers in Pioneer of Law Enforcement grow up to be strong men of the devil. After King Smart was filmed, there were no more sex works. In fact, he can be Stallone of Hong Kong-hehe, the actor who plays Hagrid in King Smart can also be said to be Arnold of Hong Kong-there is no shortage of good actors in Hong Kong film industry, but the writers and directors have degenerated.

"King Smart" was rated as "the best action movie in history! ! ! "Why do you say that? There are two reasons. First, the protagonist's clothes and hairstyle are in line with his character. The protagonist's heart is full of infinite sense of justice. Lao Ma committed suicide in prison because his parole was not approved. Seeing this behind the scenes, King Smart hated God for being so unfair in the crazy rain, but he had to vent his anger with his fists. Furthermore, when King Smart was taken to see the deputy warden, the one-eyed snake was holding a photo of King Smart's girlfriend Yingying to induce King Smart to tell the purpose of the prison. When King Smart's left hand was put on the table by the one-eyed snake's fake hand, King Smart saw the photo of his girlfriend Yingying rubbed in his hand, and needless to say, his heart ached. After squinting, King Li recalled the appearance of his girlfriend Yingying, and then pressed the table with his eyes open. I wanted to get rid of the one-eyed snake with one punch, but King Smart didn't. I don't know what prompted King Li not to hit the one-eyed snake to get rid of it. Maybe now is not the time. King Li still chose the road of submission. The purpose of the writer's doing this may be to make the plot feel more ups and downs and make people more and more energetic. Think about it: if the one-eyed snake of the deputy warden dies, only Warden Wang Li PK is left, that's still a fart. " "Second," "King Smart's strength is so great that it's too exaggerated! The fat man was punched through in the stomach. I really admire it! But the visual effect brought by exaggeration left a good impression on people. That's what action movies should do. The more you play, the better you look! In this film, King Smart's movements are also ever-changing. He uses different fists to fight different opponents. When fighting Cang, King Li almost died because of sealing the hole, but he recalled the words of the good ghost uncle: You should regard yourself as a messenger of hell, and King Li only solved the hole sealing because of this sentence; Then there is the final outcome, which is to win the battle with the warden. I don't know where the super power came from when King Smart hit the wall. It's incredible that one punch can actually penetrate such a thick wall! "