Traditional Culture Encyclopedia - Photography and portraiture - Behind-the-scenes production of memory cracks

Behind-the-scenes production of memory cracks

The shooting budget of Memory Rift exceeds $6,543.8+billion. The director of this film was originally locked in Brett Lai Na, who became famous for Red Dragon, but later he temporarily changed his mind and took over the post of director of the new version of Superman, and finally signed John Woo, a Hong Kong director who is good at directing action movies, which became Wu's first science fiction work after entering Hollywood.

One of the most classic patterns in Wu Yusen's violent aesthetics is the shot of two people pointing pistols at each other's heads. Shooting this shot is the most testing moment for the weapons director-the risk of shooting this shot is very high and no mistakes are allowed.

Director John Woo, producer Zhang and some of their most trusted collaborators produced Memory Crack, including ASC photographer Jeffrey kimball, weapons director Locke Garotti and stuntmen Greg Smotz and Brian Smotz. All the films were shot in Vancouver, Canada (originally planned to be shot in Seattle), and the film crew stayed in Vancouver for four months. The film crew invited production designer William Sandel, who has worked with many outstanding directors.

In order to strengthen the action lens and make the audience feel immersive, Brian Smotz adopts trimming technology and uses remote control mechanical equipment to shoot, such as installing the camera on the descending device, which can make the camera fall quickly and stably from a very high place; There is also a mobile camera arm, which allows the camera to overlook the whole street view at a relative height parallel to the city streets, creating a real sense of urgency. All the chase scenes in Memory Crack are real shots, and a car chase on the streets of Vancouver is the most dramatic scene for the special effects department.