The sense of speed in the movie Sense of Speed

"Phantom", "montage", and "sense of speed" are all methods of shooting movies. "Speed" is a visual concept brought to us by the director. The "sense of speed" is used a lot in French director Tom Tykwe's film "Run Lola Run". The heroine Lola is running all the time in the film, and the film's camera follows her footsteps. Passing by the running trains and American streets, accompanied by dynamic music. These speeds "superimpose" together to give us a stronger visual impact. The character's psychological activities are highlighted through the sense of speed, and Laura's anxious mood is interpreted.

So the sense of speed is just a way of expression in movies, just like an article often uses metaphors, exaggeration and other modification methods. They all serve to illustrate the theme of things.

First of all, let’s look at photography. Generally speaking, the choice of shooting angle has a great impact on speed, and the choice of lens type is also very important. For example, under a wide-angle lens, which is also a medium shot, if a person is shot from the front punching the camera, the sense of speed is faster than if he is punched from the side.

The other thing is the movement of the camera. If your camera moves relative to the character when he is punching from the front, the sense of speed will be fast, and of course it will be slower when he pulls out. Sometimes side shots can also emphasize the sense of speed. If you use a telephoto lens and follow a person running from the side in the middle shot, the sense of movement will be strong - if there are railings or strip-shaped obstructions in the foreground, the person's sense of movement will be strong. will be further improved. A typical example is the scene where Wu Zhenyu is running at the beginning of "Beast Detective".

The environment contrast and downgraded shooting mentioned by the author in one shot are both correct. In addition, the small-scale movement appears to be fast. In fact, the most important thing is the contrast effect. Compared with the body as a whole, local movements have a strong contrast between static and dynamic movements, which can easily "set off" fast movements. If that action requires the whole body to move, the contrasting effect will not be obvious.

In addition to shooting, editing is of course an important part of improving the sense of speed. In fact, many of the aspects mentioned by the poster fall into the category of editing, such as fast editing and similarity of joints. In fact, another important aspect of fast editing is the contrast of the environment. This is also the way to simulate human audio-visual effects in editing work. The feeling of one static field followed by a moving field is always faster than the feeling of two moving fields joining each other. Moreover, in addition to the length of the shot - whether the direction of the action matches during editing, whether the axis jumps, how jumpy the scene is, whether the color jumps greatly, the coordination of motion effects and music during editing, and many other elements , can affect the speed of the picture.