What does the big moon in Leslie Cheung's Romantic Moon do?

Leslie Cheung's "Romantic Moon" is the leader of the Shanghai White Party, and he uses the beauty of Zhongliang to make money. Zhongliang moved his true feelings and was killed without using it.

Yu Zhongliang, whose parents died when she was young, went to Suzhou to join her sister, and she married into a prominent Ponzi family. Pang's family smoked opium, and Zhongliang was insulted by his brother-in-law everywhere. In a rage, he abolished his brother-in-law with opium poison and escaped from Pang's family. By mistake, Zhongliang, who came to Shanghai, went to the door of the gangster and became a "white party" who used sex to seduce the rich woman and then extorted money from her.

After Master Pang Fu died, Miss Ruyi was given the main task. However, due to the serious patriarchal phenomenon, she sent a distant relative who had been closely related to Ruyi to serve Ruyi during the Dragon Boat Festival and ordered him to watch Ruyi from the side, but she was extremely loyal to Ruyi during the Dragon Boat Festival. Greatly ordered Zhongliang to return to Pangfu to seduce Ruyi, thus defrauding Pangjia's property.

However, after Zhongliang returned to Pangfu, he really fell in love with Ruyi. He couldn't bear to continue cheating and return to Shanghai alone. Ruyi was received by great people in Shanghai and saw the "white party" activities of Zhongliang arranged by Da 'an, but Ruyi still loved Zhongliang deeply. Ruyi returned to Pangfu and decided to marry Master Jing, who had been married as a child. His loyalty and righteousness were very contradictory, and finally he ruined his wish with opium poison, but he died under a big gun.

Extended data:

Romance continues some styles of Chen Kaige's films. First of all, accurately grasp the exquisite visual beauty of the film image. Very artistic pictures and constantly changing photography angles make the film look very beautiful and full of visual sense, and the audience sees a colorful artistic visual enjoyment.

"Romantic Moon" highlights the change of light in the image, and the sophisticated Du Kefeng constantly changes the photography angle between the constant movements of the characters, pursuing a multi-angle visual sense.

For example, Ruyi practiced riding a bicycle in an empty study. Strong reddish light came in directly from the gap in the room, and with the movement of Ruyi's bicycle and the harsh voice of loyalty, it formed a natural and pure emotional moment.