Evaluation of Machiko's Personality

A crescent moon with thin eyebrows, a rounded oval face, full cherry lips and a full figure are the standard definitions of Wan Le's classical beauty. In China, she was an uninhibited woman in the Tang Dynasty, and in Japan, she was a beauty in peacetime. On the Japanese screen, actress Xing Zi Machimura played two roles at the same time. Born in Osaka Matsuzaka Opera Troupe (OSK), Machiko kys received great attention because of her performance in Asakusa Theatre, and then she starred in Junichiro Tanizaki's original Love for Idiots (1949) directed by Keigo Kimura. Machiko Kyō not only portrayed the heroine vividly with her physical charm and unrestrained words and deeds, but also positioned her as a "body actress" (now called a meat bomb). This is the first time that the term "physical actress" appeared after the war. This word, which later became the key to Japanese movies and derived many meanings, was not low-level at that time, just because Machiko Kyō was not an actress with great hue and acting skills. Machiko Kyō can rank among the first-line actresses and become the pillar of the big film company because of two "spirits"-luck and evil spirits. She is the actress whose works have won the most international awards. Most of the films that won international awards in the golden age of Japanese films in the 1950s were starring her or the second heroine. 1950, Kurosawa's Rashomon won the Golden Lion Award in Venice, and kys, who plays the wife of a soldier captured by bandits, changed from "physical actress" to "best actress". 19565438+. The earliest version of Tale of Genji won the best cinematography award in Cannes, while the heroine Hell's Gate in 1953 won the Palme d 'Or award in Cannes and the Oscar for best foreign language film. In the same year, The Story of Rain and Moon won the Silver Lion Award in Venice, and The Key of KonIchikawa won the special prize of Cannes jury with 1956. The shadows of these Japanese people have been worshipped by western foreigners. Most of them are permeated with the profound aesthetics of Japanese painting, with heian period as the background. In addition to being classical and seductive, Machiko kys can become the spokesperson of Ping An Beauty. The most important thing is that she has the charm consistent with the background of heian period. In peacetime, Yin-Yang Road was regarded as a belief, a national road, and even an official institution, Yin-Yang Division and Yin-Yang Division Liao. Beauty is undoubtedly the best carrier of this road. In Rashomon, the samurai's wife lingers between chastity and temptation, in Hell's Gate, Gaza is as beautiful as poison leading to the gate of hell, and in Rain and Moon Tale, she is a female ghost who sucks men in troubled times in the last years of peace. Even after the film left heian period, Machiko Kyō' s character was still haunted by evil spirits. In The Key of KonIchikawa, he became the devil's flower in Junichiro Tanizaki's works, while in Daughter's Home, Machiko kys used various means and organs. The growth of great actresses has a formula recognized by Japan: cuteness-beauty-sadness-horror. Isuzu Yamada finally reached the stage of "horror" step by step in "Spider Nest City", and Tanaka Kinuyo finally ended up in horror in "West Crane Generation Girl", that is, the so-called acting became a demon, and Machiko Ky not only skipped the first three steps, but directly reached the ultimate position. About Machiko Kyō not, we must also mention two films. One is Kozaburo Yoshimura's "fake dress" (195 1), formerly known as "dress for the body". Jin Teng prodigy, who is famous for Kenji Mizoguchi's "Gion Sisters", plays the screenwriter, and Machiko kys plays Jun Die, a geisha in Miyagawa-machi, a fireworks display in Kyoto, stumbling. The second is Yang Guifei from Kenji Mizoguchi. I have to admit, among all the great Japanese actresses, Keiji Machiko is the only one who can play China Yang Guifei, and her appearance and posture are not inferior to Li Lihua, the "Yang Guifei" in Li Hanxiang's lens.