The photographic standard of a good film.

As a synthesizer of various artistic elements in film and television creation, the director's task is to organize and unite all the creators, technicians and performers in the crew, give full play to their talents and integrate everyone's creative work. So, what is the photography standard of a good movie? Let's have a look!

High-level technology

The tolerance of modern movie cameras has reached 14, and people and things with brightness range of 2 14 can be recorded in the same picture. How to deal with these fourteen levels of lightness and how to put people and things into these fourteen levels of tolerance organically is the photographer's most basic ability.

The technical term is exposure control. With the development of times and technology, post-film technology has made a qualitative leap. Many problems in the early stage can be adjusted in the later stage, and the pressure on photographers is actually less than before. Dark parts can be brightened and bright parts can be darkened, but if it is already dark, or the highlights have no details, then the gods can't save you.

There is also concentration, which is unreal and the most basic ability. With the development of times and technology, post-film technology has made a qualitative leap. Many problems in the early stage can be adjusted in the later stage, and the pressure on photographers is actually less than before. However, if out of focus, the gods can't save you. A little more formal filming, the focus is controlled by a special person, and the position is called following the focus.

narrate

Don't underestimate this level, the most basic task of photography is to tell the story clearly! ! !

No money, can't afford to rent photographic equipment, reflecting the problem of image quality; Can't afford to rent a lamp, which reflects the problem of creating environment and emotion. It is difficult for actors to understand the performance, or big names are always self-righteous, which reflects the affectation or inadequacy of action language. But if you can't tell a complete story clearly, then the film can't go on at all.

There are many narrative factors and methods. Some people can tell the story clearly by holding the machine still and scheduling tasks. Many photographers still tend to take a more active creative approach. Tell a story by changing the camera position, moving speed and scene. Striving for macro, meso and micro lens attention is not a combination of far, near and special, but will show the environment, character movements, expressions, modeling details, props details and clues that should be seen by the audience.

Narrator doesn't have everything, nor is it anything sloppy. Emphasis on accuracy, ellipsis, rhythm control and so on.

exhaust

Microfilms and most of the slightly pursued movies are about lighting. For people who have just started to contact movies, more than 600,000 movie machines,100,000 lenses, millions of heavy rail vehicles, various large telescopic guns, rocker arms, etc. are the focus of everyone's attention.

However, with the deepening of work, how to illuminate an environment or people with lights has atmosphere, emotion, emotion and artistic conception. Is what photographers really need to pay attention to.

At the stage of running out of light, we have already begun to consider the problem of film feeling. In addition to the film that photography tries to imitate becoming an image sense, this typical film exhaustion is one of the important factors of the film sense.

dispatch

There is a view that scheduling should be planned under narrative, but I don't think so.

I think good scheduling is both narrative and ornamental, which involves narrative, light control, space creation and other issues. In this way, scheduling is actually a higher-level problem.

For example, son of man. The photography of this film is the photography of the red and purple blockbuster Gravity.

Emmanuel lubezki, the photography director of this film, is a long shot. The definition is that if there are multiple movements of multiple characters in a shot, then the shot is called a long shot.

Cinematographer Style

You have learned that it is someone else's style, not your own. You still have to create your own style. You have to do the first four layers thoroughly, and then gradually realize that you will form your own style. Moreover, the photography style is also a matter of opinion. Like is like, don't like is not like.