Traditional Culture Encyclopedia - Photography and portraiture - Eight formulas of sketch

Eight formulas of sketch

The formula for sketching eight sentences is as follows:

Sketch composition formula: the position of the theme figure, the position of the non-theme figure and its relationship with the theme figure, the position of the bottom shape of the picture and its relationship with the figure. Among the three points, the first point is the decisive factor of composition, and its position in the picture determines the style of the picture. Patterns of composition can be divided into two categories: symmetrical composition and balanced composition.

In fact, for most people who are new to sketching, it is common to have problems with composition. In fact, to put it bluntly, in your sketch, you didn't arrange the object you want to portray in a very suitable position in your own picture, which means that you can't put any pictures at will in the process of sketch composition. A reasonable composition must be very complete and full, and it must be very balanced.

For most bleeding people, it is especially important to note that the picture you draw must not be too big, and at the same time, it must not be too small, because it is easy to cause imbalance between the main picture and the surrounding space. In the whole picture, the blank place must be blank, but blank does not mean empty. In the graphics you draw, you must be full of pictures, but full does not mean congestion.

In addition, I personally think that for most beginners, you can find some works that you appreciate and then learn to copy these excellent works. In the process of copying, we can carefully interpret some skills of other people's compositions. In the process of copying, we must learn to distinguish between primary and secondary relations. Of course, plagiarism is actually just a means. We mainly need to know how to use the law of composition to express what we want to express by this means.

Finally, in the process of composition, we must consider what kind of spatial form the object we draw is. For example, the shapes of some objects are actually very directional, and we can use them a little in the process of composition. After painting some scenery, you should pay attention to avoid looking up on your back. When drawing some portraits, don't let the whole three-dimensional extension disappear, otherwise the whole picture will be particularly dull.