Aesthetic Accumulation

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Chogisek

The photo is from Korean photographer chogiseok.

Most of his works are inseparable from flowers as shooting props or modeling props, making good use of rich or pure colors to show the unique perspective under the oriental aesthetic logic.

As a photographer who is addicted to "flowers", he often compares his subjects to flowers, butterflies or green plants by means of parallelism and metaphor, showing a lazy and psychedelic atmosphere with a bit of strangeness.

From his shooting perspective, the rebirth of flowers is not the joy of the first melting of ice and snow, but the boredom of "half awake and half drunk day after day, flowers bloom every year"-the reincarnation of the known world; The blooming of flowers means that they are about to wither and wither. Because it is seen through, look down, so there won't be too much emotional exposure. This is very close to the meaning of "mourning for things" in Japan-"because we can't control fleeting things ourselves. The only thing we can control is how we feel about him. "

This is why cho's photographs are obviously beautiful flowers, but most of them convey a negative, gloomy and depressed aesthetic feeling.

のれののぁはれれのはれれれのののののの "Mourning for things" is also reflected in many aspects of Japanese spiritual life. When performing a sad scene, Japanese kabuki is quite different from China's and European's dramas in the exaggeration of expressing grief, and often takes the action of silently enduring grief, so that the audience can feel the sadness expressed in this scene from a deeper level. "Suffering from sadness silently" is the ultimate beauty in Regret for the Past.

Cho is very experienced in scenery. He often expresses the emotional tone of the picture through semi-occlusion perspective, repetition and dislocation.

Under the grotesque romantic makeup and hairstyle, it presents a fantastic and blurred visual effect.

The mood of the picture in the work is not catharsis, but a desire to rest in the chest and eyes. This hidden emotion is more suitable for expressing the implication of oriental aesthetics. It seems to be emotional restraint, but it is extremely infectious. Every picture is like a freeze-frame picture of a movie, telling one story after another.

In life, people are more willing to contact those who are frank and brave, dare to love and hate, but in recent years, works of art that are more likely to cause * * * are often hidden. This introverted way, as well as the clues inadvertently revealed through eye expressions, can arouse the viewer's guess and curiosity, just like the tip of the iceberg. Restraint and expression seem to be an inexhaustible compulsory course for adults, and it is also a subject that art has always favored.

Cho's works have very strong personal color and image expression. He boldly chose rich contrast and large close-up composition, showing strong contrast from a delicate angle. His photography style is gorgeous and unrestrained.

"I like the beauty of unity of opposites."

"I think flowers are the simplest thing that anyone around us can feel beautiful."

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