Behind-the-scenes tidbits of the diary of sexual violence against women

1974 A cult film "Thriller-en grym film" filmed in Sweden is a combination of restriction and violence. It is said that Director Bo Arne Vibenius was the assistant director of Ferini. The lens style of the whole movie is very different, with a lot of subjective close-ups and slow motion, delineating a very distinctive cult.

Christina lindberg, who plays the heroine Madeleine, is a Swedish beauty born in 1950. Before that, she had been the master of Hua Dan. Naturally, this film didn't waste her charming figure. Don't say anything at three o'clock, not even live ammunition. Lindbergh was 24 years old when he filmed Diary of Female Sexual Violence, and the age of the role in the film was set as/kloc-a girl of 0/5 years old. This Swedish beauty with devil figure and angel face is more than enough. Petite figure, gentle face, clear eyes, supple long hair ... no one can imagine that this woman is over 24 years old.

Unfortunately, the main stunt of this cult film is still around the restricted level and violence, so it did not bring the expected change to Lindbergh after its release. Shortly thereafter, she officially withdrew from the film and television circle.

The director's performance on the camera is too different, and there is an experimental style from the color of the picture to the position of the camera. For example, the blood that comes out (or gushes out) from the mouth of a person who is beaten violently is expressed in slow motion, and you can see the teeth that are punched out of the mouth flying into the air. Massive bleeding, but slowly gushing out. The bullet shoots into the human body, and the blood splashes out at a certain traceable angle under the impetus of inertial force. You can clearly see any moment of struggle and deepen the expressive force of death.

Some people don't like this movie, thinking that it is just a restricted movie with the theme of revenge, and there is no logic in the change of characters and the transformation of personality strength. For a cult work that was born in the 1970s, later generations could have boldly imagined and guessed its intention. The films of that period had no rules to follow, and the so-called evil code had both good and evil, and there was no standard. It is not objective enough to understand the whole movie simply by taking out the story of the movie. Film is the seventh art that condenses literature, drama, music, sculpture, painting and architecture. There is no rule that a director can only follow one of these elements to make a film, and vice versa.

The second half of the film is Madeleine's revenge journey. Ironically, the girl subdued and got rid of the police's round-up and stopped another enemy in their police car. In other words, every crime is driven by the police. At the beginning of the film, a police car slowly enters the picture, but during the city security patrol, Madeleine was sexually assaulted in an open public place, and the murderer was finally exempted from criminal law because of mental diagnosis. The first victim, Madeleine, played the role of "law enforcer" in the second half of the film. She was driving a police car on the road in the suburbs, and the police lights flashed, as if it represented notarization (patrol). But how many sins are covered up in broad daylight? There is not only responsibility, but also justice in name only.

Madeleine finally caught the man who kidnapped herself, and she designed a black and humorous way of death for him. Bury the man in the ruins and don't move (the man's leg has been broken by a pistol before), then tie a rope around his neck, and the other end of the rope is tied to the saddle of the horse. The sun was very hot, and Madeleine put a bucket of water more than one meter in front of the horse. As long as the horse is thirsty, it will go forward to drink water, and the rope around the neck will be tightened, and then it will suffocate.

Madeleine arranged everything and sat in front of the man, waiting for the horse to move. In the sun, she looked at the man who ruined her life with a straight face. In other words, Madeleine's life was destroyed as early as her childhood sexual assault. She could not speak and lost her ability to express herself. At first she hid in the farm. However, evil does not always appear in a subtle way, and violence against violence has become the only means of salvation.

At the end of the movie, Madeleine drove away slowly in a police car.

The blueprint for killing Bill! I wonder if Quentin's Kill Bill drew inspiration from it, did he? It is worth thinking about.