Reflections on "New Stories"

In fact, the new story is Lu Xun's disillusionment with realistic hopes, and he turned to study myths and took the opportunity to pin his ideals. So how do readers feel? Here are my thoughts on the newly edited story carefully arranged for you. I hope you like it.

Reflections on New Stories —— Eight mythological and historical novels of Lu Xun's New Stories (included in China Modern Novels? I watched it again. Try to talk about my personal opinion:

Casting a sword: I have read this article three times, and it really lives up to its reputation, giving new vitality to the ancient legend. Not only the plot is magical and tortuous, but also combined with the social background at that time, it can be concluded that this is an allusion of a people's resistance to warlord rule.

Cai Wei: The story of Boyi and Shu Qi was used to insinuate the intellectuals at that time, satirizing people who thought they were lofty and divorced from reality. Writing is humorous.

Mending the sky: praising the new forces and despising decadent and old-fashioned feudalism.

Running to the moon: I don't know much about it, but it's very humorous.

"Non-attack": I don't know what it means. Maybe it means that people who work hard for the people are not understood.

Managing water resources: ten empty talkers are not worth one doer.

"Going through the Customs": It is similar in style to "Picking Wei" and has far-reaching implications, which is beyond my understanding.

"Coming Back to Life": It is a great sorrow for our country that people who wake up are regarded as liars.

New Stories is a collection of short stories about ancient myths and historical legends by Mr. Lu Xun, including eight works he created in different periods. These eight novels are: mending the sky, flying to the moon, controlling water, picking roses, casting swords, going through customs, breaking through, and starting to die. Add a preface. This book is dominated by myths, with interesting stories and rich imagination. New Stories is Mr. Lu Xun's last innovative work, of which 8 and 5 were written in the last period of Lu Xun's life. Faced with the threat of death, the overall style of New Stories shows unprecedented calmness, richness, humor and freedom due to internal and external troubles and physical and mental fatigue. Although Lu Xun still hides inherent sadness in his bones, but humor? Game pen and ink? This marks that Lu Xun's thought and art have reached a new environment, which is somewhat advanced. In his numerous articles, we can find that it is either hidden or present, or strong or weak. Solemn? With what? Ridiculous? Two colors and two intonations complement each other, penetrate each other and dissolve each other.

Mr. Lu Xun once said, all the works in New Stories? Is it the romance of myths and legends and historical facts? . Among them, mending the sky is full of praise, excitement and joy, and its picture is magnificent and its structure is grand. Although "Goddess of Mending Heaven" comes from ancient books, this description has a little more romantic flavor, creating a very strange and moving artistic picture. "Running to the Moon" and "Casting Sword" are full of romanticism, but also have a heavy sense of oppression. In Casting Sword, the scene description in which the brow ruler entrusts the sword to a man in black for revenge, and the man in black mixes into the palace to perform a unique skill does not conform to the realistic logic, but because of this, he has gained amazing appeal and strengthened romanticism, but he does not lack a sense of heaviness.

Although these stories are interesting and have some mythical or illusory shadows, they are easy to read, but it is really not easy to read them thoroughly. Moreover, the story line is very attractive, and it is also a reshaping of traditional characters to adapt to their own themes. Mr. Lu Xun did not let these characters completely defect, but amplified some of their unique personalities. For example, the eyebrow ruler is indecisive. At the beginning of the novel Casting Sword, the author spent a lot of time writing about how the eyebrow ruler treated a mouse. Before, he thought it was hateful and disturbed his rest, but when he drowned it with water, he felt sorry for it. When he tried to save it, he thought it was alive and dead. In this way, I hesitated until I burned six Song and Ming Dynasties before deciding whether to save or kill them. When he learned the cause of his father's death and his determination to avenge his father, he didn't want to hurt anyone but the enemy? Your majesty. People were outside, so finally there was a ridiculous scene of several people fighting in Jinding. The character of the eyebrow ruler is portrayed to the extreme.

Another thing that impressed me deeply was Running to the Moon. In the story of the Goddess Chang'e flying to the moon that we heard before, Chang 'e was forced to stop being greedy. But the story in Lu Xun subverted Chang 'e's beautiful image. At first, I saw Mr. Lu Xun write it? Zhajiang Noodles crow? I can't help laughing. Originally, it was a legendary story of a hero and a beautiful woman. Now, you can only eat crows and plunge into the river. Crows shoot three a day, and sparrows are shot into pieces and become treasures. What impressed me the most was that Hou Yi said he was too great, because he was worried that Chang 'e would have nothing to eat on the earth, so he stayed here to hunt every day and was not afraid of scolding. He can take the elixir early in the morning and never have to worry about anything again. At this time, Chang 'e was old and pale, and Hou Yi was no longer dashing. Even though Hou Yi looked at Chang 'e and felt remorse for his embarrassing life, Chang 'e's heart had quietly changed. When I came back from hunting the next day, I finally found that Chang 'e had eaten the elixir and went alone to find relief. Finally, the beautiful love turned into a bubble. Hou Yi was annoyed, but he still didn't understand that it was because their love couldn't stand the test of reality, not because Chang 'e was tired of eating crows. Not only is she tired of worrying about whether there is meat to eat every day and whether the meat she can eat is crow meat, but also because her high expectation of Hou Yi's love has been defeated by the cruelty of reality. A famous sharpshooter, praised by the emperor, has now become unknown to the old woman. Now she can only hunt crows every day, not some rare birds and animals. Lu Xun told the present story through fairy tales and classics. There is no heroic beauty, no lingering love tragedy, only Hou Yi tries to make a living and avoid the crisis, but Chang 'e is forced to soar because of the long-term unresolved livelihood problem. In The New Story, the love between Chang 'e and Hou Yi became material. Without the support of rich material, seemingly beautiful love would also show its ugly side. Lu Xun wrote Houyi's post-hero life as light as water, just like all ordinary families, worrying about rice, oil, salt, sauce, vinegar and tea, which finally shows that love can't compare with time, rice, oil and salt and smoke. Through the shell of myth, Running to the Moon conveys Lu Xun's thinking about real life and his criticism of unrealistic and illusory love view, and embodies his love anxiety for modern people.

Dayu is in sharp contrast with many scholars in water control, isn't he? Hey? Or? A tour guide? . This is obvious after Yao failed to control the water, but? Scholar? But they think? A tour guide? It's the way of Chiyou, but it can't be used. Just like all kinds of new things at that time, there were always people in China who were opposed and unwilling to change. Mr. Lu Xun is praising people with courage and strategy like this, and it is also a proof that society needed innovation at that time. Crossing the text to Dayu? Black and thin face? And then what? A calloused sole? Close-up, readers can appreciate the role of Yu in water control? Thirteen years away from home, never been in the house at night? The hardship and persistence of willpower. The same is true of De and Mo Zi in Non-Attack. In the history of China's ancient thoughts, Mozi advocated? Love? , against? Non-attack? , use? Stick to your heels and benefit the world, and you did it? The spirit of. Lu Xun firmly grasped this spiritual origin in his novels, and showed nervously and dramatically that Mozi's wits and wits were defeated, which finally prompted the king of Chu to give up attacking the Song Dynasty. Confucian Mencius once criticized Mozi for saying. ? Mohist universal love is fatherless. No father, no king, all animals. ? Obviously, Lu Xun did not agree with this evaluation of Confucianism. With his will, courage and wisdom, Mozi in "Don't Attack" saved the weak Song State and tens of thousands of creatures in the Song State. This is a broad human feeling, a profound humanitarian spirit, and an endless love. At the same time, there are also Nuwa who constantly create new life. Don't eat Zhou Su? , stick to the fragile, eventually starved to death in shouyangshan Boyi, Shu Qi, etc. , are praised by Mr. Lu Xun.

At the same time, Lao Tzu's passive recluse and contradictory Zhuangzi disappeared? Where do you put it? These characters are "Yi" and "indecisive brow rulers". Behind the deep and clear, it carries a choice and reflection on the value and significance of life and death. If you don't know life, how do you know death? Giving up one's life for righteousness is a rational judgment and moral evaluation of the justice of individual life and death choice in China traditional culture. In fact, in China in the 1930s, every intellectual had to face such severe torture, confrontation or avoidance, commitment or abandonment, abandonment or demand, and so on, which became an eye-catching yardstick on the mental balance of intellectuals in the 1930s.

However, every author is a reader and interpreter of historical texts, and Lu Xun consciously regards history as a huge text. New Stories is a rewriting of historical texts, and he tries to show his spiritual journey through the reconstruction of historical texts. From Lu Xun's strange ideas of galloping up and down, ancient and modern, Chinese and foreign, we obviously feel a Lu Xun-style illusion. Lu Xun? Thinking? With what? Say? This deviation reflects the profundity of Lu Xun's foothold in reality and transcendence of reality. From Lu Xun's curse on history and his ruthless attack on China people, we can easily feel deep disappointment and sorrow. Looking down on life and reality from the commanding heights like Lu Xun, simplifying the complex and leading to a new story? False feelings? Production. This is Lu Xun's unique and true life experience, and it is also the inherent meaning contained in his historical novels.

Lu Xun's profound modern consciousness is embodied in New Stories, which is a painful reflection on individual survival and fate, and a despair of the prophet who broke away from darkness and fell into a new void. It can be said that the whole new story is about. People? Reflections on the living conditions of …. Facing the questioning of others' transformation and the questioning of the value of returning to self, the position of the enlighteners in the world will inevitably stand out in Lu Xun's mind. In his novels, Lu Xun dissolved these abstract and symbolic heroes and sages into ordinary people by deconstructing history, and became ridiculous and absurd objects, thus showing Lu Xun's absurd and nihilistic mentality? A kind? The sadness of fighting alone? A feeling of sadness, a lament for the heroic ending. This is the inner experience and central feeling of life and history that Lu Xun wants to express in New Stories. We can't deny the pain of Lu Xun's China empiricism? No history? There is no denying that Lu Xun is convinced of the inevitability of historical progress in values. This seemingly contradictory thought should be the profound place of Lu Xun.

After reading The New Story, I read The New Story written by Mr. Lu Xun in one breath. I can't help admiring Mr. Lu Xun just after reading it. The bizarre plot and characterization also surprised me. When reading, I am always moved by the humor and freedom in Mr. Lu's books.

As a book created on the basis of previous fairy tales and historical records, New Stories is bound to be difficult to break through. Mr. Wang, on the other hand, successfully transformed the new story and had his own inherent image. No matter "Casting Sword" or "Controlling Water", it is perfect in story and writing. The most important thing is that Mr. Wang turned it into what he wanted.

I remember there was an article "Casting Sword" in it. In the original myth, it was my brow ruler who heard the story of my mother's revenge for killing her father and sacrificing herself to avenge her father. From the fact that he dared to assassinate the king of Chu several times without any preparation, we can know that he is a brave and foolhardy man. But fortunately, with the help of the chivalrous banquet, under the result of the last three wars, the ruler of Mei finally killed the king of Chu to avenge his father. The ending seems perfect, but who is the banquet inside and why he is willing to give up his life to help the eyebrow ruler. Without the help of the banquet, can the ruler of Mei still do it after several assassinations? Didn't insist, did you?