Traditional Culture Encyclopedia - Photography and portraiture - When shooting stainless steel kitchenware, how to avoid the surrounding scenes from being mapped on the product surface? Ask the master for advice, urgent, thank you!
When shooting stainless steel kitchenware, how to avoid the surrounding scenes from being mapped on the product surface? Ask the master for advice, urgent, thank you!
The best way to shoot is to use a stainless steel cage with white cloth or translucent parchment around it. The whole theme is coated with a flash lamp, and the light distribution is uniform. The whole cage becomes a whole large-area light source, and the light is indirect, soft and uniform, and the quality is spread in the cage. The theme is the contrast between light and darkness, and the intensity of light can be controlled by the outside of the cage. Use the cage on the surface of the main body to avoid messy external objects and point interference. Without imprisonment, you can use a lot of reflection tools, but be careful to avoid the clutter around the shooting environment. The main body of stray light mapping is superficial.
The contrast between light and shade and glare of the object to be photographed control the shooting difficulty of both sides, which is an integral part of the surface texture expression of stainless steel. Lighting can not change the normal tone and brightness of the surface of the main body, but also control the size and location of the spot, and moderate use of black, chip board, enhance the three-dimensional texture of the product.
1。
lighting with soft lights in a large area? Soft, even, soft light. Soft box, various tools (such as sulfuric acid paper, translucent polyester fabric) and diffuse reflection tools (such as mirrors) can be used.
the debris around the stainless steel product in a specific shooting operation will be mapped to the light receiving surface. Cages must be isolated from the external environment with the packaging village. The use of the isolation cover not only eliminates the interference to the surrounding environment, but also changes qualitatively in the softness and softness of the main light.
(1) The photographed faucet has a smooth surface and a smooth contour line. When the faucet is lit from the back, the external contour is excellent. The faucet is completely isolated from the debris in a bright environment (such as the photographer's hand, the front face is covered with black cloth, and only the camera lens is exposed). Box, reflector and black, chip board points form the main body, while the rest is pure body color (lighting figure 1-2).
② Taking photos of motorcycle shock absorbers with complicated shapes and multi-lines, motorcycle helmets and stainless steel rims to show the nature of their respective picture elements should not be used. Due to the dark color of the screen, completely isolated lighting, semi-isolated cloth and small-depth field shooting, the dominant position of the picture is the most prominent, but it should be a unified and large-area light source, and the light source area cover must be larger than the target (from the point of view of the aircraft position), but the local (.
3 The control point
reflects the light irradiated by the goods in spot, and the top of the directional reflected light area forms a smooth surface. The high-gloss reflective surface looks neat and precise to represent not only the reflective smooth muscle, but also the secondary shaping of the United States. Stainless steel products must be on the spot to reflect the exquisite appearance and shape. High-finish theme, bright spots and more lighting sources will also increase a batch of spot. The smoother the surface, the more complete the spot (Figure 1-1). On the contrary, the surface structure of the target is more complex, angular and visceral (Figure 1-2).
the spot will directly affect the size and position of the theme. ? Soft light source (the angle between the lighting angle of light box and the horizontal plane or slightly higher horizontal angle) adopts the main method of controlling and adjusting the shooting of spotlights in a large area to form the main point. Spot, under normal circumstances, there should be a major spot, and the spot is in accordance with the desired effect of the photo photographer. The spot should be a smoother surface structure that the whole body should not be broken (Figure 1-1), and the light spot should be from the top to the bottom, which needs to use a large surface area of the reflecting surface of the whole body? Soft box The shape of the light source will affect the shape of the scene. For example, the faucet needs to stretch the spotlight, and the 7cm x 14 light box can be realized with a rectangular frame, which must be the master. The theme that the light spot is located on the side or front will better reflect the three-dimensional subject, and the spot is also close to the edge of the subject to outline. Bit shift to realize that the light spot position of the lamp can be adjusted. /> Short, the number, shape, brightness, location and size of light spots depend on the number of light sources, shape, brightness, light level, area, and the main form of external contour.
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