The image of reed by the river

The reeds by the river are blue and green.

The white dew condenses into frost in late autumn.

I miss people day and night.

On the other side of the river.

Go upstream and look for it

This road is dangerous and long.

Looking down the river.

It seems to be in the middle of the water.

Reed is flourishing by the river.

The dew is still wet in the morning.

My ghost

Just across the river.

Go upstream and look for it

The road is rugged and difficult to climb.

Looking down the river.

It seems to be in the middle of the sandbar.

The reeds by the river are more lush.

The Millennium still lingers in the morning.

The person I'm after.

Just across the river.

Go upstream and look for it

This road is dangerous and circuitous.

Looking down the river.

Like a sandbar in the water.

Original text:

Book of Songs, Wind, Qin Feng, Jia Jian.

The Millennium is frost. The so-called Iraqis are on the water side.

Tracing back and forth, the road is blocked and long. Swim back from it, in the middle of the water

It's been a long time, and it hasn't changed for thousands of years. The so-called Iraqis are in the water.

Tracing back and forth from it, the road is blocked and broken. Swim back from the inside and swim in the water.

Jia Cai, peace and prosperity have not passed. The so-called Iraqis are in the water.

Go back and follow, the road is blocked and turn right. Swim back from the inside and swim in the water.

Introduction to the work:

Feng Jiajian in Qin Dynasty is one of the Book of Songs, a collection of China's ancient realistic poems. The whole poem consists of three chapters with eight sentences in each chapter. This poem was once regarded as a mockery of Qin Xianggong's failure to consolidate the country with Zhou Li, or as a pity for its failure to attract hermits and sages; Now it is generally believed that this is a love song, which is about the melancholy and depression when you pursue what you love but can't get what you love.

The whole poem consists of three chapters, and the last two chapters are only slightly changed compared with the first chapter, which has formed the effect of harmonious internal rhythm and uneven rhythm between chapters, and also caused the reciprocating advancement of semantics.