I want to know the life of Liang Sicheng, a great architect in China, and who is his next generation. Thank you!

Editor's note Liang Sicheng, architect and architectural educator. Engaged in the study of ancient architecture and architectural education in China all his life. He systematically investigated, sorted out and studied the history and theory of ancient architecture in China, and was the pioneer and founder of this discipline. It has trained a large number of architectural talents and is famous for its rigorous and diligent style of study. He participated in the design of the Monument to the People's Heroes, made great efforts to explore the creative path of China architecture, and put forward the theory and method of cultural relics protection, which made outstanding contributions to architecture. The promoter of the urban planning of the capital city of New China, and the host of many major design schemes since the founding of the People's Republic of China. Guangdong Xinhui,1died in Beijing on June 9, 972.

Directory [hidden]

biographical notes

occupation

Architectural research

Education business

family life

Constructive theory

Main thesis

[Edit this paragraph] Resume

1901was born in Tokyo, Japan on April 20th, and his ancestral home is Xinhui County, Guangdong Province.

1915-1923 studied in Tsinghua University.

1924 ——1927 The Department of Architecture of the University of Pennsylvania and the Graduate School of the University of Pennsylvania have successively obtained bachelor's and master's degrees.

1927 ——1928 Graduate School of Harvard University, USA.

1928 ——1931year, director and professor of architecture department of Shenyang northeastern university.

1931-1946 Director of French Group of China Architectural Society, communication researcher, and part-time researcher of Institute of History and Language of Academia Sinica.

1944 ——1945 served as deputy director of the War Zone Cultural Relics Protection Committee of the Ministry of Education.

1946 ——1947 invited professor of Yale university, consultant architect of the United nations building, awarded doctor of literature by Princeton university.

1948 was elected as an academician of academia sinica.

1946 ——1972, Head of the Department of Architecture, Tsinghua University.

1972 65438+ died in Beijing on1October 9.

[Edit this paragraph] Occupation

Liang Sicheng, 190 1, was born in Tokyo, Japan on April 20th. It was the third year that his father Liang Qichao fled to Japan after the failure of the Reform Movement of 1898, and he was originally from Xinhui County, Guangdong Province. When he was a child, Liang Sicheng went to an overseas Chinese school in Japan. Influenced and urged by his father, Liang Sicheng studied Zuozhuan, Historical Records and other ancient books since childhood, and had a good foundation and strong interest in China ancient culture. It was the Sino-Japanese War of 1894-1895 and China's repeated bullying by foreign countries after boxer indemnity that cultivated Liang Sicheng's strong patriotism and national consciousness. 1 1 years old returned to Beijing from Japan, 14 years old entered Tsinghua University (predecessor of Tsinghua University), which is a preparatory school to study in the United States. During his study, Liang Sicheng not only excelled academically, but also had a wide range of interests. He loves art and music and often draws illustrations for the school magazine. He was hired as Art editor. Participated in the school choir and military band, served as the band captain and the first trumpet player. He also likes sports and playing football. Liang Sicheng is also very concerned about politics. During the May 4th Movement, he was the backbone of patriotic organizations such as Tsinghua University Volunteers. On May 1923, I went to Tiananmen Square to attend the 2nd1National Day of Shame commemoration. On the way, he was hit by a car of warlord Jin Yonggui and his left leg was broken, which forced him to postpone studying in the United States for one year. From 65438 to 0924, Liang Sicheng went to the United States to study architecture at the University of Pennsylvania. He studies hard and is particularly interested in western culture and architectural history. He himself said that he used "stupid kung fu" to read a lot of books in the library, study ancient history, visit ancient cultural relics and silently draw famous ancient buildings one by one. 1927 obtained the master's degree in architecture with excellent results. Then he went to Harvard University in the United States to enter the graduate school and prepared his doctoral thesis "History of China Palace". But he felt that the research work should not only look for information in books, but also learn in practice, so he decided to leave Harvard and visit architecture in Europe. From 65438 to 0928, Liang Sicheng went to Shenyang to set up the Department of Architecture at the invitation of Northeastern University, and served as the department head and professor.

193 1 September 18th Incident, Japanese imperialism invaded Northeast China, and Liang Sicheng's family moved to Beiping. He joined the China Architecture Society, an academic institution specializing in the study of ancient architecture in China. As the head of the French Department, he devoted himself to the study of ancient architecture in China. From 1937 War of Resistance against Japanese Aggression, Liang Sicheng received an invitation from the "East Asia Co-prosperity Association" initiated by the Japanese, inviting him to attend the meeting. Determined not to collude with the invaders, he immediately led his family to Kunming in 1938+ 10, and moved to Lizhuang village, Nanxi county, Sichuan province in 1939. Liang Sicheng's wife, Lin Hui, suffered from severe lung disease and stayed in bed for many years. He also suffers from spinal cord soft tissue sclerosis, which is extremely inconvenient to move, and the whole family has fallen into a situation of poverty and illness. At that time, several schools and institutions in the United States invited Liang Sicheng's family to work and treat diseases in the United States, but he said: "The national disaster is at hand, and we will never leave the motherland." Under extremely difficult conditions, he led several colleagues of the Architectural Society to continue the investigation and study of ancient buildings in the rear area of War of Resistance against Japanese Aggression until War of Resistance against Japanese Aggression won.

19 16, Liang Sicheng went to the United States to give lectures. Because of his outstanding contribution to the study of ancient architecture in China, he was awarded an honorary doctorate in literature by Princeton University. 1946, Liang Sicheng returned to his alma mater, Tsinghua University, and founded the Department of Architecture. From 65438 to 0947, he was sent to the United States by the China government to serve as the China consultant of the design advisory group of the United Nations Building. 1948 was elected as an academician of academia sinica. Since the founding of People's Republic of China (PRC), Liang Sicheng has been participating in all kinds of construction work with great enthusiasm, except as a professor and head of the department of architecture in Tsinghua University. He has served as deputy director of Beijing Urban Planning Committee, vice chairman of China Architecture Society, executive director of China Artists Association, member of China Committee of China Federation of Literary and Art Circles, member of China Federation of Natural Science Specialized Societies in China, member of China Association of Science and Technology, director of Architectural Theory and History Research Office of Academy of Building Sciences, and deputy director of Beijing Urban Construction Committee. Liang Sicheng also actively participated in the political leadership activities of the country. He used to be a member of the Beijing Municipal People's Committee, vice chairman of the Beijing Municipal Committee of the China People's Political Consultative Conference, representative of the first, second and third people's congresses in China, and member of the Standing Committee of the third National People's Congress. Liang Sicheng joined China on 1959 and died on 1972.

[Edit this paragraph] Architectural research

During 1928, Liang Sicheng visited famous ancient buildings in Greece, Italy, France and Spain before returning to China. He saw with his own eyes that foreign ancient buildings have been properly protected, and many scholars are doing special research on them. Compared with his own country, a Chinese nation with thousands of years of cultural traditions, his ancestors left such a rich heritage of ancient buildings, but now it is desolate everywhere. Precious Longmen Grottoes and Dunhuang murals were bought and sold at will, looted, thousands of cultural relics were exiled abroad, and a large number of ancient buildings were in jeopardy. Only a few foreign scholars have done some research on it, but domestic scholars are unable to engage in research. Even China people have to rely on foreign books and periodicals to learn the cultural heritage of their ancestors. What a sad situation. Liang Sicheng deeply felt that this was a national humiliation. He made up his mind that China people must study their own architecture and China people must write their own architectural history. From 193 1, he devoted his life to this cause. Liang Sicheng applied modern scientific methods to the study of ancient buildings in China from the very beginning. He clearly pointed out: "The way of modern scholars' research is to attach importance to evidence and take physical objects as theoretical shields. As the saying goes,' seeing is believing' is suitable for scientific methods. " Therefore, he insisted that the study of ancient buildings must first be carried out on-the-spot investigation and mapping. The Forbidden City in Beijing was chosen as the target because it represents the largest number of ancient buildings in Ming and Qing Dynasties. He took the textbook "Examples of Works of the Ministry of Industry" published by the Qing court, and identified, measured and recorded the physical objects one by one from the whole to the part. He asked the old craftsmen for advice, and with their help, he gradually figured out the structure and shape of architecture in the Qing Dynasty, just like stepping into the threshold, creating conditions for expanding the scope of research. From April 65438 to April 0932, Liang Sicheng inspected the buildings of Dule Temple in Jixian County and wrote a detailed report. In a very short period of time, he successively wrote Zhengding Ancient Architecture Survey, Datong Ancient Architecture Survey Report, Dashiqiao in Zhao County, Preliminary Investigation of Jinfen Station Building, and Qufu Confucius Temple Building Renovation Plan. 65433。

In the investigation and study of ancient buildings, Liang Sicheng insisted on meticulous measurement, well-founded analysis and strict drawing, and the results should be compared with the world level. In North China in the 1930s, people's lives were extremely difficult. Every time Liang Sicheng goes out for research, he has to go through many difficulties in his work and life, and the conditions are very difficult. However, he has always been meticulous in surveying and mapping work and practiced it. Together with his assistants, he made a detailed drawing and measurement of the building from the whole to the part; From the inside out, from front to back, shoot and record various components and decorations; All the inscriptions and historical materials have been copied accurately. It is with this national pride and ambition that many research results and many drawings of the Architectural Society at that time reached the international level.

After a systematic investigation and study of ancient buildings, 1934, he compiled a book "Examples of Qing-style architecture", which scientifically combed and analyzed the complex structure and shape of ancient buildings in China for the first time, introduced and discussed the practices and systems of various parts of Qing architecture in detail, and drew the details of Qing-style architecture framework, doors and windows, decoration, color painting and so on with modern architectural projection drawings for the first time, which was amazing. For decades, the book "Qing-style Building Rules" has become a must-read material for beginners to learn the ancient buildings in China, an indispensable material for studying the ancient buildings in China, and a common reference book for ancient building repair workers today.

From 65438 to 0937, Liang Sicheng, Lin, Mo and others visited Wuke Temple in Wutai Mountain, Shanxi Province. Just when they were ecstatic about discovering a Tang Dynasty building for the first time, the Lugou Bridge in Beijing lit a beacon of resistance. Liang Sicheng and Liu Dunzhen led a few researchers, but they still insisted on studying ancient buildings in Yunnan and Sichuan. They investigated more than 40 counties, drew a large number of model drawings of ancient buildings for the Central Museum at that time, and published the Journal of Architectural Society under very difficult printing conditions. From 65438 to 0944, Liang Sicheng began to write the architectural history of China. At this time, his weak body tortured him, and the disease of spinal chondrosclerosis made him often wear an iron vest to work; The cut-off of social funds forced him to go to Chongqing government several times to raise meager allowances; The lack of material conditions makes it possible to make up for the lack of photos only by a large number of line drawings. With the help of Mo, Lu Sheng and others, an ancient architectural history of China written by China people was finally completed in a small village in the southwest during the Anti-Japanese War. In this book, based on a large number of objects and documents, Liang Sicheng describes in detail the architecture of each period, from urban planning, palaces and mausoleums to temples, gardens and dwellings, and analyzes and compares the architectural characteristics of each period according to the historical development of China for the first time. These discussions and analysis have far exceeded the level of foreigners' research on China's architecture in the past, and reached a height that predecessors did not reach. From 1946 to 10, Yale University invited Liang Sicheng to give a lecture. He took the manuscripts and pictures of "Architectural History of China" and "Sculpture History of China" which were completed at the same time, and won high praise and praise from foreign academic circles with rich content and exquisite analysis. These achievements are inseparable from the collective efforts. In more than ten years, members of China Architectural Society visited 15 provinces and nearly 200 counties, investigated, photographed, analyzed and studied more than 2,000 buildings and cultural relics, and accumulated a lot of information. Based on these rich materials, Liang Sicheng made an analysis and comparison, and together with his colleagues, he finally brushed away the dust and reappeared the forest of world culture.

[Edit this paragraph] Education

Liang Sicheng not only studied the ancient buildings in China, but also made outstanding contributions to the education of the motherland and trained a large number of architectural talents. From 65438 to 0928, as soon as he returned to China, he became the head of the Department of Architecture of Northeastern University, bent on training new builders for China. 1945, War of Resistance against Japanese Aggression won. Liang Sicheng thought that post-war peace construction needed talents, so he went back to Tsinghua to organize the Department of Architecture. Since then, he has devoted the rest of his life to education in China.

In the long-term education work, Liang Sicheng has always stood in the front line of teaching, even though he is burdened with very heavy administrative work, he insists on teaching in person. He attaches great importance to the cultivation of students' professional basic knowledge, so he not only teaches the history of Chinese and foreign architecture, but also often tells the students who have just entered the university "Introduction to Architecture" and takes it as the course of Architectural Design in the lower grades. He is not only knowledgeable, but also good at explaining to students what architecture is, the tasks of architects and how architects should work with vivid language and metaphors. He is good at educating and guiding students to always pay attention to the surrounding environment, observe the buildings they see, study everything related to architects, stimulate students' sense of responsibility for the construction cause, and cultivate students' interest and feelings for the profession.

Liang Sicheng's rigorous style of study in the study of ancient buildings also runs through his educational work. He revised the papers of young teachers and graduate students sentence by sentence, from the content to the typo, not even a punctuation mark was spared. He not only did it himself, but also asked teachers and students to be familiar with famous buildings in ancient and modern times, at home and abroad, and to sketch out the images of these buildings and remember their construction period. He not only cultivates students' superb skills, but also attaches great importance to cultivating students' good style and opposes the so-called sloppy habits of a few artists. He emphasized that an architect should be responsible for a project and must have a rigorous and scientific work style. He asked that every design paper should be clearly drawn, the size should be accurate, and even the writing size should be in accordance with the regulations of different grades. Words and drawings should be evenly distributed, clean and clear at a glance.

Liang Sicheng has a rigorous style of study and treats others equally academically. When he hears different opinions from teachers and teaching assistants in the academic field, including those who oppose his views, he is always willing to discuss with everyone and never imposes his views on others. In order to cultivate talents, Liang Sicheng has made selfless contributions in academics, and he can't wait to pass on all his knowledge to the younger generation. No matter what information he accumulated in the past or what information he obtained recently, he never kept a secret and tried his best to keep a secret for everyone. After Liang Sicheng's death, he donated his rich collection of books and materials to the Department of Architecture of Tsinghua University, so that they could play a greater role.

[Edit this paragraph] Family life

1928 On March 2 1 day, Liang Sicheng and Lin got married at the Consulate General in China. Liang Sicheng's brother-in-law is the Consul General. Later, according to the arrangement of his father Liang Qichao, he went to Europe to visit ancient buildings and returned to Beijing in August 18. 1In August, 929, Lin returned to Beiping from the northeast, and gave birth to her daughter in the Union Medical College Hospital, named Hot Ice, to commemorate the "Ice Drinking Room" of the late grandfather Liang Qichao.

After marriage, the couple devoted themselves to architecture. Their investigation and measurement of ancient buildings in Shanxi not only made great contributions to scientific research, but also made many national treasure ancient buildings buried in the wilderness of Shanxi begin to go global and become known to the world.

Scholar Jin is a first-rate philosopher in China. Jin 19 14 graduated from Tsinghua University and then studied in the United States, Britain and other European countries. After returning to China, he mainly taught in Tsinghua University and Peking University. He has been bathed in European customs and beautiful rain since childhood, and his life is quite westernized. He is 1.8 meters tall and very gentlemanly. In his later years, Jin recalled that he still knew Lin through Xu Zhimo. When the Lins lived in Beizongbu Hutong, Dongcheng, Beijing, Jin lived next door to the Lins. There is a small door in Mr. and Mrs. Liang's living room, which goes through "Laojin's small yard" to his home. He often goes in through this door to attend Mr. and Mrs. Liang's party. On Saturday afternoon, when Lao Jin and his old friends got together at home, Mr. and Mrs. Liang went through his small yard to attend Lao Jin's party.

It is said that Kim's life is very particular. His chef makes bread and sends it to the Lins' home every morning. When he is free, he will have tea and chat with Liang's family. After such a long period of love, both of them have a good impression on each other. About the summer of 1932, Liang Sicheng came back from an inspection of ancient buildings in Baodi, Hebei. Lin told him that he fell in love with two people at the same time and didn't know what to do.

That night, Liang Sicheng thought all night. The next day, I said to Lin: You are free. If you choose Laojin, I wish you happiness forever. Liang Sicheng later told his second wife that he and Lin were crying. Later, Lin told Jin what Liang Sicheng said. Jin said that Cheng Si can say this, which shows that he really loves you and doesn't want you to be wronged. I can't hurt someone who really loves you. I quit.

Since then, the three of them have no bad feelings. Kim still lives next door to them and trusts each other more. Even when Liang Sicheng and Lin quarreled, they sought rational and calm arbitration. Kim didn't get married until she was in her eighties.

After Lin died, Liang Sicheng once told me that as a husband, she was really a little tired. Liang Sicheng talked about this topic because he asked him the story about Jin never marrying Lin. It is said that Liang Sicheng said with a smile, "Lin is a very special person, and her talents are manifold. Liang Sicheng commented on Lin Hou in this way and said humorously, "It's not easy to be her husband. China has a saying,' Articles are your own good, and wives are others' good'. But for me, my wife is my own hobby, and articles are my wife's hobby. I don't deny that being with Lin is sometimes very tiring, because her mind is too active, so I must be as witty as her, otherwise I can't keep up with her. "

Fei Zhengqing recalled in the article Liang Sicheng and Lin: "I often go to Liang's home by bike or rickshaw in the dark. The double doors with red paint were locked, and the servant opened the entrance door of the yard, so I went through the inner garden to find Yin Hui. Sit down in the comfortable corner of the living room and make two cups of hot tea. We can't wait to tell the stories and thoughts we have reserved for each other. We sometimes analyze and compare the different values and lifestyles between China and the United States, but then we turn to many common interests such as literature, art and adventure, and talk about friends that the other party doesn't know. "

The author of Biography of Lin said that Liang Sicheng studied architecture because Lin likes architecture. Architecture is the common cause between them, and it is also the basis of emotional communication.

Guan recalled in Memories of Mr. Liang's Teaching to me: "In Mr. Liang's elegant study, you can often hear their arguments about different academic views. Sometimes they are flushed, but they all have sufficient and profound arguments. I listened and learned a lot. It is also common to judge the memory of a sculpture in a cave in Dunhuang or a cave in Yungang and who wrote a poem. Everyone laughed when they found the correct conclusion. All these make me feel like the cultural interest in the family life of Li Qingzhao and Zhao Mingcheng. "

[Edit this paragraph] Architectural theory

In his life, Liang Sicheng devoted his main energy to the study of ancient buildings in China and architectural education, but he never forgot that the fundamental purpose of his work was to create new buildings in China.

Liang Sicheng has been to many countries in Europe and America as early as his youth, and visited cities and buildings in ancient and modern countries. He clearly saw that a country and a nation have their own traditional culture, and the architecture of a country and a region also has its own traditional style. In the 20th century, material civilization has been greatly improved, and economic and cultural exchanges between countries have become increasingly frequent. What should the new buildings in China look like in this era? In what direction will it develop? This problem has been in his mind for a long time.

As early as 1930s, he summarized the development of foreign modern architecture and the situation of China architecture in the past hundred years. He pointed out that it is not only against total westernization, but also against copying foreign-style architecture, and also against completely archaizing, which is by no means the direction of new architecture in China. He longs for the emergence of a new architectural form, which not only can use new technologies and materials, but also has national traditions. In the mid-1940s, World War II was coming to an end, and all countries were preparing for the post-war peace construction, discussing the ideal planning of new cities and exploring various forms of new houses. Liang Sicheng also yearns for the construction of the motherland after victory. He read the newly published foreign books and periodicals in rural Sichuan and studied the new theories of urban planning and residential architecture. He wrote a book to discuss China's architectural thought in the new period. However, in old China, his yearning and proposition could not be realized.

After the founding of People's Republic of China (PRC), Liang Sicheng's long-awaited new building finally started on the land of China. The people's government gave Liang Sicheng great trust and appointed him as the deputy director of Beijing Urban Planning Commission. He began to work day and night for the construction of the new capital of China. He wrote letters everywhere, inviting domestic architectural experts to Beijing to set up a national architectural design agency to undertake the task of building a new China. He participated in the formulation of the national capital construction plan, and proposed that we should not only focus on the construction of individual projects, but also start to formulate a master plan for a province, especially for each city. At the beginning of 1950, together with Mr. Chen Zhanxiang of the Urban Planning Commission, the planning scheme of the new Beijing City was proposed to the government. According to the nature of Beijing as the political center of China, they foresaw the long-term development of Beijing and proposed that the new government administrative center should be located in the western suburbs of old Beijing. They analyzed and compared the new administrative region, traffic connection and long-term development, and demonstrated that putting this new administrative region in the old city would bring a series of insurmountable difficulties. They believe that the old city of Beijing is a well-planned and well-preserved ancient city with many cultural relics and historical sites. They advocate protecting this rare historical city in the world and maintaining its traditional style during the reconstruction. From 65438 to 0950, Liang Sicheng led the teachers of Tsinghua University Architecture Department to design the National Emblem of the People's Republic of China. 195 1 year, he also organized teachers to participate in the design of the Monument to the People's Heroes and served as the head of the Monument Design Committee, and determined the style of the Monument under his auspices. Liang Sicheng is like this. As a technical expert, he devoted himself to the construction of new China with great enthusiasm and great sense of responsibility. He himself said, "Almost every day, he spent a happy day in a state of excitement."

In his busy work, Liang Sicheng never forgot the ideal of creating new buildings for the new China, and never stopped exploring the theory of architectural creation. He learned a lot from Mao Zedong's theory of new democracy, especially about the culture of new China. He thinks that the new China architecture, like the new China culture, should be "national, scientific and popular". He writes articles and reports, and has published the Features of China Architecture, Historical Stages of China Architecture Development, China Architecture and China Architects, etc. China's architectural tradition is warmly introduced, and the ideas of architectural creation are discussed. He attaches great importance to the practice of new buildings. Liang Sicheng doesn't think that the Forbidden City and the Art Museum in Beijing are the best and the only national form decorated with big roofs and ancient buildings. He found that in some areas, in some rural areas, the aspect ratio of China architecture was adopted, and ordinary bricks were used to create a little Chinese-style decoration. He is happy to think that this may be a broad way to create a national form. It can be said that Liang Sicheng has been thinking and exploring such a complex academic issue as architectural creation for decades.

1963, in order to promote Sino-Japanese friendship, he specially designed the "Jian Zhen Monk Memorial Hall" in Yangzhou. In this design, Liang Sicheng built Zhao Ti Temple in Nara according to the historical fact that Japanese monks went to Japan to spread Japanese culture 1200 years ago, and specially adopted the architectural style and style of Tang Dynasty in China to symbolize the traditional friendship between the Chinese and Japanese peoples. Under the specific leadership and organization of Yangzhou Construction Bureau, this exquisite memorial building was completed in 1973, and won the first prize of China Excellent Architectural Design in 1984.

From 65438 to 0962, with the help of his assistant, Liang Sicheng began to study the "architectural style" of the Song Dynasty. "Building French Style" is a book of laws and regulations on the architectural system promulgated by the imperial court of China in the Song Dynasty, and it is the most complete summary of architectural experience in the history of China. But it is difficult for people today to understand, because there are few buildings in the Song Dynasty and their names are different from those in later generations. Liang Sicheng was very interested in studying this book when he was young. Since 1930s, he has been determined to annotate difficult discussions and names, and draw architectural patterns of Song Dynasty with modern scientific drawing methods, which is of great significance to the in-depth study of traditional architectural techniques in China. However, this study was never completed because of its great difficulties. 1965, Liang Sicheng finally completed the liquidation work. At this time, although he was over 60 years old and was ill, he still expressed confidence: "I will work for socialism for one or two decades." However, the Cultural Revolution that began in 1966 forced the scholar to stop all his work.

Liang Sicheng has written five kinds of books and published more than 60 academic papers, totaling 6,543,800 words. It has been compiled into the Collected Works of Liang Sicheng (654.38+0-4) and published in full. He and his research team were awarded the first prize of the National Natural Science Award by the State Science and Technology Commission on 1987 for their outstanding achievements in the field of "China Ancient Architecture Theory and Cultural Relics Protection". Liang Sicheng's academic achievements have also attracted the attention of foreign academic circles. In the United States, a scholar who specializes in Liang Sicheng's life published his English monograph "Architectural History of China in Images". Joseph Needham, a famous British scholar who specializes in the history of Chinese science, said: Liang Sicheng is "the master of China's architectural history".

[Edit this paragraph] Main works

Liang Sicheng (1). Buddhist temples and palaces were called in the Tang Dynasty. Journal of Architectural Society, Volume 3,No. 1, 1932.3.

Complete works of Liang Sicheng 2 Liang Sicheng. Textual research on the mountain gate of Dule Temple in Jixian County. Journal of Architectural Society, Volume 3, No.2, 1932.6.

3 Liang Sicheng. The three halls of Guangji Temple in Baodi County. Journal of Architectural Society, Volume 3, No.2, 1932.6.

4 Liang Sicheng. Overview of Zhengding ancient buildings. Journal of Architectural Society, four volumes, 1933.4.

5 Liang Sicheng. Northern Wei architecture in Yungang Grottoes. Journal of Architectural Society, four volumes, 193+02.

6 Liang Sicheng. Investigation Report on Datong Ancient Buildings (co-authored with Liu Dunzhen). Journal of Architectural Society, four volumes, 1933+02.

7 Liang Sicheng. Dashiqiao in Zhao County. The first issue of Building Society, Volume 5, 1934.3.

Liang sicheng. Restoration Scheme of Wanshou Pavilion in Jingshan of the Forbidden City (written jointly with Liu Dunzhen). Journal of Architectural Society, four volumes, 1934.

9 Liang Sicheng. Architectural Style and Decoration in Han Dynasty (edited with Liu Dunzhen and Bao Ding). Architectural society, four volumes, 1934.

Liang Sicheng, 10. Rules of Qing architecture (a separate book). 38660.6666868666 1

Liang Sicheng, 1 1. Restoration planning of Pagoda of Six Harmonies in Hangzhou. Journal of Architectural Society, Volume 5, No.3, 1935.3.

Liang Sicheng (12). Measured map of the Wen Yuan Pavilion of the Forbidden City (written jointly with Liu Dunzhen). Journal of Architectural Society has four volumes, 1935.

Liang Sicheng (13). Floor plan of the Wen Yuan Pavilion of the Forbidden City (co-authored with Cai Fangyin and Liu Dunzhen). Journal of Architectural Society, four volumes, 1935.

Liang Sicheng (14). Construction and renovation planning of Confucius Temple in Qufu. Journal of Architectural Society, Volume 6,No. 1, 1935.9.

15 Liang Sicheng. Description of architectural design reference drawings. Journal of Architectural Society, Volume 6, No.2, 1935+02.

16 Liang Sicheng. Brief introduction of architectural design reference atlas and (1) pedestal, (1) railing, (3) storefront, (4) chess fighting (Han and Song Dynasties) and (5) arch fighting (Yuan, Ming and Qing Dynasties). Special issue of architectural society. 58660.86866868666

Liang Sicheng, 17. Architectural history of China (single book). 38660.88868688686

Liang Sicheng, 18. Architecture and Art in China (English Version). Written for encyclopedia americana. 195438+06.

Liang Sicheng, 19. Preface of urban planning outline (single book) 38660.68868688666

20 Liang Sicheng. Beijing-An Unparalleled Masterpiece of Urban Planning. Cultural Relics Volume II, Issue 5 152+0.

2 1 Liang sicheng. The building is in China and the architect is in China. Cultural relics, 1953. ( 10).

22 Liang Sicheng. Architectural features of China. Journal of Architecture, 1954. ( 1).

Liang sicheng. The Historical Stage of Architectural Development in China (co-written with General Manager Lin, Mo). Journal of architecture. 1954。 (2).

24 Liang Sicheng. Urban construction and transformation in east asia. Report at the International Building Association Congress, 1958.

Liang sicheng. Several important problems in architectural creation. Journal of architecture, 196 1. (7).