What is a montage?

Montage is the general name of film composition forms and methods.

Montage-a transliteration of French montage, originally a term in French architecture, meaning combination and assembly. Later, it was borrowed and extended to be used in movies, which means editing combination, indicating the combination of shots.

Simply put, montage is to make a film into many shots according to the content of the film and the psychological order of the audience, and then connect them according to the original idea. Bottom line: Montage is a means to connect the cut lens groups.

Therefore, montage is a means to connect the headshots taken by the camera according to the logic of life, the order of reasoning, the author's viewpoint tendency and its aesthetic principles. First, use the camera, and then use the scissors.

Of course. The montage of movies is mainly realized through the re-creation of directors, photographers and editors. The screenwriter of the film designs a blueprint for the future film, the director of the film recreates it with montage on the basis of this blueprint, and finally the photographer reflects it with the expressive force of the film.

In the production of a film, the director makes many shots according to the theme of the script or film, and then organizes and edits these different shots organically and artistically according to the original creative idea, resulting in coherence, contrast, association, suspense and different rhythm connections, thus selectively forming a film that reflects certain social life and thoughts and feelings and is understood and loved by the broad audience. These forms and means are as follows.

To sum up, it can be seen that the basic element of the film is the lens, and the main way and means to connect the lens is montage. It can be said that montage is a unique expression means of film art.

Since the smallest unit of the film is the lens, what is the basic element of the film-the lens? What does it have to do with montage? As we know, the lens is a piece of film shot from different angles, different focal lengths and different times, and has undergone different processing. In fact, montage has been used since the camera shooting.

As far as the lens is concerned, shooting from different angles naturally has different artistic effects. Such as frontal shooting, cypress leaning, upward shooting, side shooting, backlight, filtering, etc. The effect is obviously different. As far as the lens with the same focal length is concerned, the effect is different. For example, distant view, panoramic view, middle view, close view, close-up and large close-up have different effects. Furthermore, different processed lenses will also produce different artistic effects. In addition, due to the use of spaces, abbreviations, upgrades and other techniques, it has also brought a variety of specific artistic effects. In addition, because of the different shooting time, there are long shots and short shots, and the length of the shots will have different effects.

At the same time, when connecting scenes and paragraphs, according to different changes, different rhythms and different emotional needs, you can choose to use different connection methods, such as speaking, changing, scratching, cutting, winding, pinching, pushing and pulling. In short, what kind of shots to take and what kind of shots to arrange together. In what way to connect the arranged shots, the way for filmmakers to solve this series of problems is Meng Daqi. If picture and acoustics are the "vocabulary" for the film director to communicate with the audience, then the montage means of using picture and acoustics to form shots and combining shots to form film rules is the director's "grammar".

For a film director, mastering these basic principles does not mean mastering "grammar". Montage often presents a variety of faces in the specific content and aesthetic pursuit of each film.

Montage is from point to surface for the audience. For the director, montage is first divided into parts, then edited, and then divided into parts, that is, combination. The smallest unit of cutting is the lens, so the director has to write a storyboard. As an audience, how should we appreciate the director's art from the perspective of montage? After all, montage is a way for directors to tell stories; The audience always wants the story to be smooth, vivid and infectious, which can arouse the association and interest of the audience. These requirements fully apply to montage. The audience is not only satisfied with understanding the plot. Or roughly understand the idea of the film, but it requires clear and smooth perception of every link and detail of the film narrative process. The montage of the film must first be understood by the audience.

Now, a contemporary feature film ......

What does montage mean?

Montage means "editing" in French, but it has been developed into the theory of lens combination in movies in Russia. Bottom line: Montage is a means to connect the cut heads.

It is also used in some novels. For example, you are writing about what is happening now, and suddenly you want a thing of the past. You can use this sentence to transition: the lens of life has become a montage, a few years ago. . . This is just a personal opinion. )

I hope to use O (∩ _ ∩) O.

What is a montage?

I have just finished writing this paper. ...

This is part of the explanation of montage in this paper. Generally speaking, montage is transformed from architectural terminology to film art, which originally means combination. ...

In the process of montage formation, American film director Griffith and the montage school of the former Soviet Union occupied a very important position, but what is montage?

That is a story about 2+2≠4. Why do you call him a story? This is a process from picture montage to sound montage world, a leap from silent film (also called silent film) to talking film, like a legend.

This book explains that picture montage is to connect a single independent lens group, which is not only a simple narrative, but also can explain the connection of various phenomena in life, so Eisenstein simply advocates montage as a concept. (Film and Television Art Education P76)

Isn't that what film art is all about?

If this explanation is obscure, then we can enter the fantasy world of montage more thoroughly.

Montage: a transliteration of French montage, which originally meant assembly and composition. The extension of film art is editing and assembly. Later, with the rapid development of the film industry, it gradually turned to theoretical research. At first, Griffith's montage technique gradually formed a well-known montage technique and was the earliest founder of montage.

The era of silent film, the world of silent film. During this period, a number of famous montage representatives appeared: Kuleshov, Wiltoff, Eisenstein, pudovkin and others? They are not only film creators, but also enthusiastic about film theory research, and are deeply influenced by Griffith's montage technique.

Pudovkin not only devoted himself to the theoretical discussion of the concept of montage, but also emphasized that montage should be regarded as a way of psychological suggestion, and divided the types of montage.

(1) Hint montage: Through sharp contrast or strong contrast, it produces a kind of mutual emphasis and conflict, and strengthens content, emotion and thought. For example, Evans, a famous documentary director, linked the scenes of burning wheat with the scenes of hungry children, which fully reflected the cannibalism in the capitalist period.

(2) Parallel montage: that is, the two main lines of the plot are juxtaposed in structure to make them closely connected and complement each other. It can be the juxtaposition of shots, scenes and scenes, or the juxtaposition between paragraphs. The most famous example is Mother directed by pudovkin. On the one hand, the ice in neva river gradually melts and gathers into a swift river; On the other hand, the team of * * * * has gradually grown, forming an irresistible trend.

(3) Metaphorical montage: through the connection between the lens and the scene, with the help of unique movie metaphors, the potential content of the picture is displayed and the picture is given new meaning.

(4) Cross montage: pudovkin also called it "synchronous motion montage", that is, two simultaneous pictures are divided into many blocks and appear alternately on the pictures. "Cross montage" is an artistic technique to create tension by using the emotions of the audience.

(5) Recurrent montage: that is, "recurring theme", that is, the fragments representing the soul of the film have been repeated at critical moments and appeared on the screen. Through this visual repetition or auditory repetition, the theme is deepened and the content is emphasized. In Battleship potemkin, a sailor throws a plate and eats meat with maggots. This action is the focus of the whole article, and it is also the fuse of this uprising. Eisen filmed the action from multiple angles with a series of lenses. Strengthened this contradiction.

How many kinds of montages are there? What is the function?

Montage-a transliteration of French montage, originally a term in French architecture, meaning combination and assembly. Later, it was borrowed and extended to be used in movies, which means editing combination, indicating the combination of shots. Simply put, montage is to make a film into many shots according to the content of the film and the psychological order of the audience, and then connect them according to the original idea. Bottom line: Montage is a means to connect the cut lens groups. Therefore, montage is a means to connect the shots taken by the camera according to the logic of life, the order of reasoning, the author's viewpoint tendency and its aesthetic principles. First, use the camera, and then use the scissors. Of course. The montage of movies is mainly realized through the re-creation of directors, photographers and editors. The screenwriter of the film designs a blueprint for the future film, the director of the film recreates it with montage on the basis of this blueprint, and finally the photographer reflects it with the expressive force of the film. "Montage is the connection method of movies. The whole movie has a structure, and every chapter, every long paragraph and every short paragraph should also have a structure. In the film, this connection is called montage. In fact, it is to combine the lens group into a segment, then combine the short segments into a large segment, and then organize the large segment into a movie. There is no mystery or trick in this process, which conforms to the logic of rationality and sensibility, the logic of life and vision, and looks' smooth',' reasonable', rhythmic and comfortable. This is a splendid montage, and vice versa. There is no such simple explanation and elaboration as montage. Montage can be divided into performance montage and narrative montage, including psychological montage, lyric montage, parallel montage, cross montage, repeated montage and so on. Montage school appeared in the Soviet Union in the mid-1920s, and its representatives were Eisenstein, Kuleshov and pudovkin. They tried to explore new means of film expression to express revolutionary film art in the new era. Their exploration mainly focused on the experiment and research of montage, created a systematic theory of film montage, and applied the theoretical exploration to artistic practice, creating classic works of montage art such as Battleship potemkin and Mother and Land. Eisenstein is a master of montage theory. 1922 published "Variety Montage" in the magazine "Left Art Front", which was the first programmatic declaration of montage theory. In Eisenstein's view, montage is not only a technical means of film, but also a way of thinking and philosophy. He pointed out that two parallel montages are not the sum of two numbers, but the product of two numbers. Battleship potemkin was shot by Eisenstein at 1925, which is the artistic crystallization of montage theory. The famous odessa steps in the film is regarded as a classic example of montage application. In a word, montage is a film imaging technology.

What does montage mean?

All three of the above are correct. Specifically, montage is a means of editing movies, including flashback/contrast/parallel/quick cut/slow turn/white field/black field/split screen/nested screen/moving screen/fade in and out/language montage/music montage/parallel montage/cross montage/and various nonlinear editing means. Due to the development of production technology, the application of montage in TV series is becoming more and more mature, which can rival the level of montage in movies, and the audience's understanding and appreciation of montage technology/art level is getting higher and higher, which puts forward higher requirements for the development of movies.

What does montage mean in movies?

In a broad sense, montage is editing, that is, editing some shots into a movie. Bella, a world famous film theorist? Bela balazz1886-1952 gives a more specific explanation of montage. He said: "Montage is to connect the shots (shots or clips) taken by the director in a certain order, and then integrate these continuous shots to produce the effect that the director wants. This creative process can be compared to an engineer. In other words, it is to montage (edit) these shooting clips without sequence and intention, so that they can be connected under the director's intention to produce a systematic effect. 」

What does montage mean?

All three of the above are correct. Specifically, montage is a means of editing movies, including flashback/contrast/parallel/quick cut/slow turn/white field/black field/split screen/nested screen/moving screen/fade in and out/language montage/music montage/parallel montage/cross montage/and various nonlinear editing means. Due to the development of production technology, the application of montage in TV series is becoming more and more mature, which can rival the level of montage in movies, and the audience's understanding and appreciation of montage technology/art level is getting higher and higher, which puts forward higher requirements for the development of movies.

What is a montage?

The basic element of the film is the lens, and the main way and means to connect the lens is montage. It can be said that montage is a unique expression means of film art.

Since the smallest unit of the film is the lens, what is the basic element of the film-the lens? What does it have to do with montage? As we know, the lens is a piece of film shot from different angles, different focal lengths and different times, and has undergone different processing. In fact, montage has been used since the camera shooting.

As far as the lens is concerned, shooting from different angles naturally has different artistic effects. Such as frontal shooting, cypress leaning, upward shooting, side shooting, backlight, filtering, etc. The effect is obviously different. As far as the lens with the same focal length is concerned, the effect is different. For example, distant view, panoramic view, middle view, close view, close-up and large close-up have different effects. Furthermore, different processed lenses will also produce different artistic effects. In addition, due to the use of spaces, abbreviations, upgrades and other techniques, it has also brought a variety of specific artistic effects. In addition, because of the different shooting time, there are long shots and short shots, and the length of the shots will have different effects.

At the same time, when connecting scenes and paragraphs, according to different changes, different rhythms and different emotional needs, you can choose to use different connection methods, such as speaking, changing, scratching, cutting, winding, pinching, pushing and pulling. In short, what kind of shots to take and what kind of shots to arrange together. In what way to connect the arranged shots, the way for filmmakers to solve this series of problems is Meng Daqi. If picture and acoustics are the "vocabulary" for the film director to communicate with the audience, then the montage means of using picture and acoustics to form shots and combining shots to form film rules is the director's "grammar".

For a film director, mastering these basic principles does not mean mastering "grammar". Montage often presents a variety of faces in the specific content and aesthetic pursuit of each film.

Montage is from point to surface for the audience. For a prism, montage is to divide first, then cut, then divide, that is, combine. The smallest unit of cutting is the lens, so the director has to write a storyboard. As an audience, how should we appreciate the director's art from the perspective of montage? After all, montage is a way for directors to tell stories; The audience always wants the story to be smooth, vivid and infectious, which can arouse the association and interest of the audience. These requirements fully apply to montage. The audience is not only satisfied with understanding the plot. Or roughly understand the idea of the film, but it requires clear and smooth perception of every link and detail of the film narrative process. The montage of the film must first be understood by the audience.

Nowadays, a contemporary feature film usually consists of about 500 to 1000 shots. The scene, angle, length, action form and the combination of picture and sound of each shot all contain montage factors. It can be said that montage has existed since the beginning of the lens. At the same time, the treatment of lens angle, focal length and length has included the photographer's will, emotion, praise and criticism and ingenuity.