Traditional Culture Encyclopedia - Photography and portraiture - How to analyze the color of a movie? How to write a film review?

How to analyze the color of a movie? How to write a film review?

This is the internal information of a doctor's lecture in Shandong University at that time.

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Arrangement of film lectures

Basic theory:

1. What is a movie and what is a film review?

1, film is the product of the development of science and technology, and it is also the product of human imagination of its own relationship with the world. The ideology and artistry of audio-visual painting. From oral language culture, to written language culture, and then to image culture characterized by audio and video.

2. Two types of films: documentary style (Italian neo-realism, early films of Lumiere and China).

Drama style (influenced by stage plays, scenes, plots and stars)

3. Typification of film: This is the inevitable requirement of film and ideological production, plus artistic production, industrial aesthetics and business ethics. Ideological requirements (such as the formation of anti-feature films) market demand (the rise of western films. The rise of new anti-feature films)

Three stages: one is the type formation period (great train robbery)

The second period is the classicalization of genre (The Searcher, The Godfather and Once upon a time in America (Leonet) have the super-genre characteristics mentioned by Bazin).

The third is the rewriting of genre and anti-genre, parody and juggling. (For example, the Hollywood series Scream starring Kikisat, Sato Yingming, Y?suke Iseya and Kagawa Teruyuki, and the adaptation of Su Shao directed by Sanchilong to western films).

4. Film Review: (Definition) An artistic activity is an important means to realize the triple value of film in art, society and economy. In a narrow sense, film criticism is a research behavior aimed at a film and television art work or a film and television phenomenon under the guidance of professional theory. It is necessary to systematically master the basic knowledge of film and television development history, film and television skills, film and television criticism and news communication theory at home and abroad. As far as writing is concerned, it is a special essay.

Film appreciation, formal research, cultural criticism. Three types.

5. At present, the writing requirements for film reviews at this stage are:

1) The language is fluent and beautiful.

2) Understand the theme of the film

3) Master the basic characteristics and skills of film form.

4) Be able to grasp several details sensitively. (For example, scene scheduling analyzes the role of makeup in With You, and criticizes a scene of the Cultural Revolution in Farewell My Concubine).

5) The idea and structure of the article are good. Meet the requirements of argumentation.

The basic technology of film:

1, Montage: Montage originally refers to the architectural term of structural assembly, the film expression technique of editing and combining, 4 pages.

Montage is a means to connect the shots taken by the camera according to the logic of life, the order of reasoning, the author's viewpoint tendency and its aesthetic principles.

Some say it's a combination of shots, some say it's a combination of sound and painting, and it's also a montage (such as Fu Zhengyi).

If picture and acoustics are the "vocabulary" for the film director to communicate with the audience, then the montage means of using picture and acoustics to form shots and combining shots to form film rules is the director's "grammar". The scene, angle, length, action form and the combination of picture and sound of each shot all contain montage factors. It can be said that montage has existed since the beginning of the lens. At the same time, the treatment of lens angle, focal length and length has included the photographer's will, emotion, praise and criticism and ingenuity.

Montage is the connection of movies. The whole movie has a structure, and every chapter, every long paragraph and every short paragraph should also have a structure. In the film, this connection is called montage. In fact, it is to combine the lens group into a fragment, then combine the small fragments into a large fragment, and then organize the large fragment into a movie. There is no mystery or trick in it, which conforms to the logic of rationality and sensibility, and also conforms to the logic of life and vision. Griffith's last-minute rescue, Eisenstein's climb of Desati.

2. The classification and effect of montage.

(Narrative montage, ideographic montage)

Pudovkin experiment: (a gun and a smiling face and a frightened face, in different order))

Curry Schouw Effect: (After a close-up of an expressionless actor, there are three different fragments, the first is a pot of soup, the second is a coffin of a female corpse, and the third is a girl with a toy).

Narration: storytelling methods (parallel montage (different narratives after Dong Cunrui's breakup), cross montage (the birth of a country), and challenge montage (speaking of the devil, seamless steel pipe at station 5 1). Contrary to the challenge, there are illusion montages (for example, at Station 5 1, the spy was beaten by an underground gang member, and then the spy leader looked up), reappearance montages (globes in rural female teachers), narrative montages (for example, regrets about the past), and dream montages (jumps in different time and space).

Expression: To express emotion, symbol or metaphor. (Contrast montage (the scene of Zhang Zhongliang and IDA Wong dancing in "A Spring Flows East" and the riding boots of Japanese soldiers), symbolic montage (the scene of Wang Cheng's sacrifice in "Heroes and Children"), Eisenstein's vaudeville montage "clockwork orange")

Narrative (swordsman in Shuangqi town, rural female teacher, No.51military station, romance of the Three Kingdoms, bereavement, birth of a country, Dong Cunrui, gadfly) expresses meaning (a river flows eastward, floret, heroic children, white-haired girl).

3. Long-shot theory: Bazin, a long-term uninterrupted performance of a moving picture, maintaining the authenticity and integrity of the moving picture, emphasizing that the film should reflect the reality of life, and the shot should be more than 30 seconds. (Hou Xiaoxian, Shohei Imamura, AnJiro. Trufo) empty lens (writing scenery, writing things, with plot, without plot)

1) scene scheduling and the appearance of zoom depth-of-field lens laid a technical foundation for the long lens theory.

2) Theoretically, it is neo-realism, the new wave movement's pursuit of writing truth.

Specifically:

The first is to reflect the truth of normal life and chaos.

The second is to oppose the dramatic effect of causality and the control of montage on human narrative spirit.

Third, the depth of time and space increases, showing life and humanity in more detail.

4. Scene scheduling: Winston: On the one hand, it represents all the means of stage performance (performance, costumes, scenery, music, lighting, furniture), on the other hand, it also includes the spatial arrangement of these means of performance and the practice of a drama or theme.

Generally speaking, it refers to the combination of actors and lens scheduling, such as "drama position"

The scheduling of actors refers to the entry and exit, position change and posture change of actors.

Lens scheduling: multi-camera shooting.

Details of wearing glasses in the last emperor;

1, small panorama: Johnston went to the room next to the office of the Minister of the Interior and said to the Minister of the Interior through the window: If the emperor is not allowed to wear glasses, I will resign.

2. Minister, take off your hat: Unfortunately, we have already decided.

3. Johnston: I will publish it in newspapers all over China tomorrow.

The minister walked to the door. What do you want?

Close shot: Johnston approaches the minister: The emperor has no freedom.

Close shot: The emperor is the only person in China who can't leave home. He is the loneliest child in the world.

7. Johnston was painted. Close-up, the minister avoided, his face unmoved.

8. Outside the painting: If the emperor is blind, it will be convenient for some people.

9. The minister was startled. Is it convenient to stop?

10, Zhuang Shidun went to see the minister again when he was in the painting: he couldn't see the palace expenses, the eunuch of 1200, the maid-in-waiting of 350 and the chef of 180.

1 1, the minister goes, Zhuang Sui, according to: buy 120 minks a month, buy 3000 chickens a week, I can't see the cost.

12, the minister was shocked, and Zhuang went on to say that these people just made more money.

13, the minister continued to walk, sneering: You are really good at accounting. The minister walked on, drawing.

14, the minister came to the screen and said: Although the emperor abdicated, look back: Tianwei is still there!

15, Zhuang Zaihua, standing in front of the minister: If I didn't think so, I wouldn't have come.

16, the two men confronted each other and became the middle shot. Minister: What do you want?

17, Johnston: A pair of glasses.

18, the minister looked at him doubtfully and breathed a sigh of relief.

In Invincible Young Men, the scene of a fight between Sheng Fan and pheasant goes down, and the internal contradictions and struggles are subtly revealed through lens movement and depth of field processing.

Comprehensive scheduling of actors and shots;

In Spring in a Small Town, Zhang first came to the bedroom and sang with Dai Xiu. , Zhang, and Dai Xiu have two triangular relationships: like, like Zhang, and Zhang likes Dai Xiu. The camera divides it into two camps: Xiu and Zhang are always together, but they are always free and often come back to participate. When Li Yan participated in the conversation, Yu Wen went back to bed. Yu Wen's three paintings show her ambivalence between two men and her jealousy and aversion to Dai Xiu.

4. The role of film editing: seamless editing skills for Regret for the Past, The Sun Also Rises, The Devil Comes, and Lola Run. Quick editing, Hitchcock's Psycho, Maria's bathroom was killed, 45 seconds, 70 shots were edited.

5. Light: (the shot of female prisoners taking a bath in Schindler's list, the shot of the sun rising as usual to catch hooligans and the use of flashlights) The murder shadow in the bathroom of Psycho.

6. Color: (The main colors are red sorghum, heroes, yellow land, the last emperor and killing Bill) The color is outstanding. In empire of the sun, Jimmy's red clothes are in the yellow military uniform of the Japanese army. The policewoman in The Silence of the Lambs is among the policemen.

7. Voice: The melody of the song Jasmine Blossoms and red river valley sung by Ning Jing before his death, and the roles played by Xiao Ao's Jianghu songs The Yellow River is Desperate and Dong Fangbubai in different periods, such as the difference between Night Palace and Ren Woxing, where Ren Yingying was seen in the ronin camp, Ren Yingying missed Ling Huchong, Dong Fangbubai died and Dong Fangbubai was seen in Night Palace.

8. Scene scheduling: Spring in a Small Town shows a love triangle. The scene of crying for his daughter in "Hanjiang Monster"

9. Shot: Mid shot, close shot, long shot, panorama and close-up.

10, camera action: Push (Xinlongmen Inn, the group of chivalrous guests rescued people under the cliff under the guidance of Mo Yan), pull, shake with sharping, Lola and camera (the silent lamb looks for the realistic appearance of the policewoman in the corpse), move and shoot the red river valley Plateau. Fast action (runaway roller), slow action (martial arts movies and action movies, such as Chow Yun Fat's starting gun in "The True Color of Heroes", patented by John Woo), reverse action (flying on the wall), zoom lens (Raz's song, Raz found his lover being held hostage in the distance).

1 1. Modeling: object modeling (such as palaces, snow-capped mountains, waterfalls and desert The Journey to the West in Heroes), character modeling (the blind girl in Jing Ke's Qin Pricking and Wang Cheng in Heroes' Children).

12. Composition: (What is a fun line? It can be divided into three parts vertically and horizontally, two of which are fun lines) The relationship between people, the relationship between people and things, and the relationship between things (mourning Zhuge Liang) (marginal position (Sillari apologizes to Clinton in Congress), central position (family meeting in a gathering), up and down. The rule of the region (highlighting the theme (years of burning passion, Shi Guangrong entering the city), the theme precedes the photos of Vietnamese soldiers,) fades in and out (the beginning and end of a Chinese Odyssey).

13. Props and make-up, smoke screen (make-up and armor of a Chinese Odyssey, props and make-up of romance of the Three Kingdoms, heroes and ghost stories, make-up of various ethnic styles in Dong Fangbubai, and make-up function in Farewell My Concubine) were approved before and after the Cultural Revolution. ) The phone in "Ghost at Midnight" and the sunglasses of the murdered woman in "Stranger on the Train" revealed the information of the murderer.

14. Scenes and actions: Subway to Spring, Station for Two, Prison in The Silence of the Lambs, World Hotel in The Shining, Hospital in Hell, School in Girl's Mystery Story, Island and Ancient Well in Ghost at Midnight.

15. Action: The martial arts action in Dong Fangbubai is different from the waist drum in Crouching Tiger, Hidden Dragon, Ashes of Time and Yellow Land.

16, dialogue between characters

First, film review writing methods and matters needing attention:

1. What is a comment? What is a film review? Some students write diaries, compositions and essays easily. Pay attention to the comments. Pay attention to the artistic characteristics of movies.

2. Preparation in the process of watching movies.

3. Three major contents of film criticism: film ideological connotation, characters and skills. The iron triangle relationship between the three.

4. Structure: Generally, it is a three-stage or four-stage structure. Total-minute-total formula

Importance of the topic: theme and subtitle (riding a thousand miles alone)

The first paragraph leads out the full text, points out the theme, and lays the foundation for the later development.

The second paragraph, what is the argument, pay attention to the context of the relationship.

The third paragraph, the last point, sublimation, causing thinking.

Design based on ideological connotation;

Role-based design:

From the comprehensive consideration of design:

Don't be afraid to repeat, everyone's situation is different.

5. Language: there must be an analytical language, what is good and what is bad, what is good and what is bad. Clear organization.

At the same time, there should be literary language, not lens analysis.

Finally, there must be a certain theoretical language.