Traditional Culture Encyclopedia - Photography and portraiture - Honestly, is it reliable to learn the choreography class?

Honestly, is it reliable to learn the choreography class?

Suggest self-study first. If you encounter a bottleneck, it is not too late to find a paid course.

I have compiled seven very useful PR learning platforms and three kinds of books here, hoping to help you!

Considering that most people just want to study in Bai Piao, most people just want to learn a little, so we don't recommend particularly expensive courses, and most of them are free resources or cost-effective.

Comprehensive learning website

many

A design-oriented, high-quality video self-study website, providing free video tutorials for pr, suitable for beginners.

Tencent classroom?

There are many courses about pr video editing. It is easy to understand, and there are many free courses.

Netease cloud classroom

With tens of thousands of high-quality courses, there are many pr courses with fine content and many fee courses, which are suitable for beginners.

Large-scale open online course China University

If you really can't learn pr editing, the online content of massive open online course is also worth seeing, which is very basic.

bilibili

As we all know, bilibili is a learning website. Pr video clips range from zero-based to great god level, and I like them very much. Keep pushing!

New base

High-quality short film sharing platform, with many excellent short film transitions for reference.

When we were at school, we often studied on it and found classic advertisements for reference.

There are also many courses on the website, which are of high quality.

Book recommendation

Editing thinking class:

Blink of an eye

This book is a collection of creative and multifaceted thoughts of the famous editor walter murch, which can be said to challenge the past editing concept. At the beginning, he raised a basic question: Why is splicing acceptable?

The way of editing

The book begins with a question-and-answer session, which tells the story of Murch's creative experience in editing the Godfather, Dialogue, Apocalypse Now, The English Patient and other heavyweight films. In these dialogues, Murch's ideas about editing, movies and even the whole art are vividly displayed. Following his creative track, we can see how he and his contemporaries, such as Coppola and Lucas, started from independent production, set up an anti-Hollywood peep show company, and then created such a landmark work as Apocalypse Now.

The book also talks about "digressions" closely related to creation, such as literature, music, the Book of Changes and dreams. Artists, whether filmmakers, fans or novelists, may be able to draw inferences from one another and achieve mastery.

Film and TV editing

This book is the first monograph on the art of film editing in China. Its content also involves film and television screenwriter, director, photography (image), recording, editing, production and other fields.

Invisible clip

This book opens the curtain of the world of film editing for us, and shows the charm of this mysterious editing art with interesting brushstrokes. Bobby, who came from a family of editing, opened the curtain of the world of film editing for us, and showed the charm of this mysterious art of editing with interesting brushstrokes. Bobby O'Steen, who comes from a family of editors, takes his years of practical experience in professional fields and the works of many world-class editors as cases to explain what magic editors have exerted to convince the audience of the film.

Practical film and television editing skills

The beauty of practical film editing skills lies in its profound and unique understanding of montage, so it is handy to use, and a set of specific operating rules and methods are summarized. Besides, this is a book for chinese editorials. In the past, most of these books came from abroad, and the theories, methods and skills of foreigners floated around in China film industry. Sometimes watching China movies really makes people feel like watching foreign movies. This situation has been improved since Practical Video Editing Skills.

Edit the bible

This book is the first film and television teaching material introduced in China that combines editing technology with art and workflow. From the perspective of Hollywood editors, the author tells the story of film and digital editing technology, which not only makes readers understand the whole process of editing, but also provides readers with many useful suggestions and skills from the perspective of practitioners, so that readers can avoid detours and truly integrate theory with practice.

Script writing course

Your script sucks.

This is a practical script writing guide book. The author combines the academic spirit of the writing course with the practical experience of screenwriters, presupposes a dialogue with readers, lists a large number of script examples including the author's own works, and explains the writing skills of Hollywood scripts.

Develop story creativity

Michael Rabiger, the author of the best-selling film and television textbook in the world, tells the story's creative development, which is the third classic tutorial after The Complete Manual for Directors' Creation and The Complete Manual for Documentary Creation!

In addition to the first time, there are save the cat 1-3, story, master screenwriter class, script: step by step, story strategy.

Film analysis course

Knives and stars

This book is selected from Xu Haofeng's film criticism articles in recent years, from Crouching Tiger, Hidden Dragon, Red Cliff and House of Flying Daggers to Letting Go and Another Spring in Spring, Summer, Autumn and Winter with a unique style. The author writes freely from his own aesthetic system and cultural concept, and his style is sharp, unique and straightforward, showing his interest, which is different from his movies and his attitude.

Selected works of foreign film reviews

This book was carefully selected and edited by the editor from the excellent foreign film reviews since1940s. Among them, there are sharp and emotional prose expressions, eloquent works that show the beauty of reason, exquisite exposition of the essence of movies by theoretical giants such as andre bazan, praise of the unique way of filmmakers by academic professors such as andrew sarris, and Said and Sontag.

Different opinions from other cultural scholars, such as pauline kael, also have a popular position of mocking metaphysical theory and elitism. These writers have different knowledge background, thinking angle and writing style, and their positioning of film criticism is also different, but they all give people strong inspiration. I hope readers can appreciate the independent value of film criticism and the rich possibilities it can accommodate.

Pull a movie

Painting: A Lecture on Film and Television Screenwriting: One of the important ways to learn the methods of film and television screenwriting is painting. Pull-tab is to interpret movies and TV series one by one, sentence by sentence, and comprehensively grasp the content, style and skills in the film through careful observation. Excellent film and television plays are vivid teaching materials for learning screenwriters and can provide us with successful narrative experience.

Shooting skill class

Grammar of lens

This book provides a shortcut for film lovers, beginners and practitioners to understand the common sense of lens grammar. Grammar is the key to understanding language. Through decades of shooting and teaching experience, the author clearly and in detail introduces the whole system of lens language, including scene, composition, lighting, focal length transformation, shooting angle, lens movement, lens collocation and so on. The language of the book is popular and interesting, and it introduces many practical details from pre-preparation to on-site shooting in detail, including the expectation of post-editing. In addition, the book also hired professional illustrators to draw pictures for the relevant grammar skills in the book, helping readers to understand the secrets of lens grammar more intuitively.

Light and shadow creation course

This is a classic film photography course worthy of intensive reading, which allows you to experience the teaching class of 2 1 master of light and shadow once and for all. The author carefully selected the teaching records and in-depth interviews of master workshops published in the world's top professional magazine American Cinematographer, which was founded nearly a hundred years ago, and shared a series of practical skills from aperture selection, light control, lighting design to printing technology with lens pictures, light bitmap and technical index list taken during the live demonstration.

The lecturers invited in each chapter include artistic pioneers who promote technological and aesthetic innovation, such as Courtard and storaro, and image magicians who are in charge of Hollywood mainstream blockbusters, such as Zigmond and Kandy. They not only personally pointed out the key details of the scene lighting for the students in the studio, but also vividly explained the important paragraphs of business cards such as Tired, Seven deadly sins and The Last Emperor, which intuitively and effectively helped the creators to improve their skills in practice.

In addition, the interview part of the book also covers the creative ideas of film photographers, valuable experience in cooperation with famous directors, behind-the-scenes tidbits of classic works, and sincere suggestions to the younger generation, from which readers can gain many gains such as image aesthetics, creative thinking, teamwork and so on, and understand how the master of light and shadow creates the beauty of movies.

Film Art: Form and Style

Speak with your eyes.

Textbook of New York Institute of Photography, USA

Are you ready to move after reading it?

But what I want to tell you is that it is not enough to know this.

Whether it is video editing or other self-media industries, based on the experience of people who have experienced it, my suggestion is not to enter, with the goal of realizing it. All actions that do not aim at realization are self-deception.

It is really difficult to occupy a place in the Red Sea market of film and television editing by yourself.