What are the requirements for the assistant photographer?

Communication skills, communicate with the photographer before shooting the general idea and ultimate goal. Some photographers don't communicate with their assistants before shooting, and the assistants don't ask, which is very bad. I think communication is very important in any relationship, especially for a team. Because after understanding the whole shooting plan, the assistant can immediately find out the problems in the shooting, and the photographer does not need to check it repeatedly before. Before the shooting day, it's best to talk to the photographer to confirm what is needed for shooting. If it is necessary to take photos of the site environment during site reconnaissance, remember to get the consent of the person in charge of the site first. These photos can not only help you understand the shooting environment, but also leave a good impression on the photographer.

Be clear about your role, and it is best to confirm with the photographer before shooting. The photographer will tell you what role he needs you to play in this shoot and what tasks you have. Simple things may be handling, looking after equipment, arranging lights and charging batteries. But remember to keep an eye on the photographer's movements and keep pace with him. Because at some point, the photographer will encounter the situation of poor thinking, and you may be able to help a lot at this time. Follow the instructions and let the photographer introduce you to the customers and the team. Remember that the task of the day is not to let everyone know you, but to complete the shooting. If the photographer you work for often shoots stars, don't be a big fan of the set. Because your job is to take photos for photographers, not drag stars to take selfies and sign autographs. When the photographer shoots, you should also focus on it. You need to be very focused on shooting, so as to provide the corresponding equipment and parameter adjustment when the photographer needs it. Learn to think from the photographer's point of view, and try to ensure that you can think of the photographer's next needs before he acts. No one can live without a mobile phone in modern life, but don't send messages or see friends when shooting, lest the photographer find out that you are actually a human lamp holder when you need to adjust the light or turn on the cigarette lighter.