Write a look at the master room at the end of Gushan Temple.

Limbu Valley Mountain Temple wrote on the top of the master's room

At the bottom of the tower, the pavilion is in Tashi, Gushan.

The gloomy painting axis Lin Temple is littered with chess shuttlecocks.

Autumn sometimes flies alone, and the sunset is just cold smoke.

Stay up late and love my family more, just wait and see the snowy day again.

Make an appreciative comment

When Lin Bu lived in seclusion in Hangzhou, he lived in a lonely mountain building in the West Lake. There is a lonely mountain temple in the lonely mountain, which is his favorite resort. This poem was written on an autumn evening, and the poet enjoyed the mountain scenery in the room at the end of Gushan Temple. This poem depicts a quiet landscape with simple brushstrokes, resulting in a quiet artistic conception. And this state is what the hermit Lin Bu is attached to.

The first couplet broke the title: the place where the poet looked at the fence was at the end of Gushan Temple; As for the location of the room, there is a pavilion behind the Gushan Tower, and the room is on the west side of this temple pavilion. When the poet looks straight through the aperture, his thoughts fly far away. He didn't say why meditation started, but just waved his pen and drew four landscape paintings on the couplets of his chin and neck.

The photos were presented one by one. First, there is a picture of temples outside the square: in the gloomy Woods, several temples are faintly flashed. When a poet is in a Buddhist country, the first thing he sees is a Buddhist temple. Twilight is boundless, and from a distance, the scenery is as dim as a faded scroll. The temple is on the painting axis, and the imagination is wonderful. Eyes are paintings, and poetry is also paintings. Painting is quiet and deep, loyal to its true colors. Another photo of dysprosium going abroad. The poet shifted his perspective, but saw pieces of shelf fields floating on the water, just like Fang Gezi cut from a chessboard. Bucket, chessboard. It's easy to frame the field with chessboard squares as an example. At that time, the sun was setting and the night fell, and the farmers had already gone home, so there was no one at the top of the picture, which was particularly quiet.

Then there is a bird in the sky: the poet looks up at the sky and sees a lonely bird flying occasionally in the vast autumn sky. The poet quickly caught the solitary bird in the painting and drew several autumn clouds as the background.

Finally, there is a picture of kitchen smoke in the market: in the afterglow, there is nothing but cold smoke (autumn is deep, kitchen smoke is in the crisp autumn sky, and there is also cold color in late autumn), which shows that people in nearby villages are already cooking with a fire. The picture painted by the poet with his head slightly bowed is empty, and the color can't be lighter.

The four-axis landscape map of temples, fields, birds and smoke shows the deep and quiet environment in which monks spend their days. This kind of environment is consistent with the hermit's desire to cut off the dust, his quiet state of mind outside the chic things, and his seclusion life. Therefore, he got a lot of interest from it, and his vague thoughts started from it, which made him linger for a long time and didn't want to return.

At the end of the couplet, I directly expressed this admiration. The poet said, I stayed too long and didn't want to go home. Today's trip, I like this resort more and more, because it is close to my Lushe. Recently, I can come back late and often. Now, it's almost time for dinner. I should go with you. However, when the snow is in full bloom, I will come back here and look at the world wrapped in silver.

This seven-tone song is good at writing scenery. It not only has pictures in the poem, but also has exquisite techniques. The word order of the necklace has been carefully adjusted, and the picture has a vivid aura floating in peace. Zhuan Xu, on the other hand, is more appreciated by later poets because of its wonderful imagination and apt metaphor, and it is also the most imitated sentence. For example, Teng Cen has an artificial exhibition of ancient paintings, the dust is dark (visiting the West Lake), Cheng Mengyang has murals of ancient temples (I heard that a kind teacher is brushing water to send them), Huang Tingjian has a chess table (titled An Ling faces Hua Ting) and a chess game in rice fields (rhyme knows that life enters Qingyuan).

At the end of the topic, Nancuiwei Temple is empty.

Meng Haoran's topic ended in the empty master room of Cuiwei Temple in the south.

Cuiwei stops in Li Nan, so it should clear up after the rain.

I was stunned by the long seclusion.

When you build a secluded room, you will know that silence is wonderful.

Although Confucianism and Taoism are different, Yunlin is quite in tune.

Two hearts like each other, and they laugh before competing.

When you sleep in a high window, you will see the mountains burning in the distance.

Remember the symbol Chicheng, and also remember the Cape of Forest.

The wind spring has a clear voice, why Su Menxiao?

Looking back at the Gushan Temple when the West Lake returns late, it is a gift.

Bai Juyi returned to the West Lake late and looked back at Gushan Temple to offer guests.

On the lonely mountain near the West Lake, there is a lonely mountain temple. After listening to Buddhist scriptures at night, I go back to learn from them.

Because it rains mostly in Shandong, the fruit is heavy and low, and the palm leaves are whipped by the breeze.

The water vapor on the lake, the turbulence of microwave and the color of water are seen at the bottom of the Pearl Hall, staggered and reflected in the sunset.

Back to the other side, please look back. Gushan Temple seems like Penglai Palace in the mountains, located in the center of the water.

Make an appreciative comment

From the autumn of the second year of Changqing (822) to the summer of the fourth year, Bai Juyi served as a secretariat in Hangzhou. After entering politics, he often likes to go to Buddhist temples to listen to monks. This poem is about his feelings when he and other guests came back from the lecture. The work vividly depicts the beautiful scenery of Gushan Temple, and the mountains and rivers are filled with the poet's joy.

On the lonely mountain near the West Lake, there is a lonely mountain temple. After listening to Buddhist scriptures at night, I go back to learn from them. Liuhu Lake in West Lake is shaded by weeping willows, so it is cloudy; Song Dao, an isolated mountain, was called Lotus Temple in ancient times. Because the mountain stands in the lake and the lotus flowers are in full bloom in the lake, it is described as beautiful. Dojo, where monks recite scriptures and worship God, is the Buddhist temple. Although these two sentences are only an explanation for the delay in returning to the West Lake, they are written with great skill. Try to compare it with modern film photography. First of all, panoramic view: Liuhu Lake with rippling blue waves. Then the camera zoomed in: Song Dao and Lotus Temple came into view. Finally, there are two sub-shots: on the lake, it is near evening, and the boatman shakes back to the radial direction, ready to take the guests home; In the temple, the poet is walking out of the Dojo with the guests, ready to return late. This hierarchical and orderly writing gives people a clear and lively feeling. Secondly, these two sentences use characteristic modifiers and metonymy in five places, thus increasing the texture and characteristics of the scenery and writing the poet's joy in it. Just think, if you say that the West Lake Gushan Mountain Temple leaves the temple at night, it will be boring, and you can't write the characteristics of Gushan Mountain Temple and the joy of poets. Poetry is expensive but not interesting, and the meaning should not be straight. Without the poet's careful arrangement and proper revision, people will not be able to read it as if they were there.

The last two sentences, written from the big picture, from scenery to people; The next two sentences are: start small and look at the scenery with people. Lushan Mountain has low rainfall and cool palm leaves, which is what the poet saw when he returned home. Oranges are loquats and palms are palms. How lovely the batches of loquat fruits and golden green leaves are. After Shan Yu, the fragrance overflowed and even the fruit branches were pressed down; A heavy sentence shows how happy the poet is about this! Palm trees are tall and have big leaves, which look like a cool fan covering the path. After the rain, the wind is cool and the broad leaves are rustling. It also seems to feel the freshness of water and wind. A cool sentence reveals how happy the poet is! A good painting depends first on whether it can show typical objects; Good poetry first depends on whether the author's spirit can be integrated into the painting. These two sentences can be said to be the fusion of beautiful scenery and cool feelings, and the combination of poetry and painting is inseparable.

When the poet stepped on the boat lake, the scene at this time was: on the wide lake, the faint cold smoke seemed to be absent, the blue lake waves were of the same color, and the smoke waves were light and swaying. The word "light swing" makes people feel like immortals and green ghosts, writing a refreshing and leisurely feeling. Looking back at Gushan Temple: The pavilions are staggered by the setting sun, which describes the unique scenery of Guan Yu Pavilion built with the high and low mountains, reminiscent of the magnificent scene of scattered eaves and different terrains; Coupled with the setting sun, red bricks and green tiles, golden light fading away, really like a fairyland, so the poet sent out sincere feelings: please look back when you get to the shore, Penglai Palace is in the middle of the sea. From the moment I put pen to paper to the moment I looked back at the theme of giving guests a gift from Gushan, the work came to an abrupt end. Penglai, a sea myth, and Penglai Pavilion, a Gushan Temple, are integrated into one, adding extra-chord rhyme and extra-chord sound, which makes the poetry and painting of Gushan Temple linger in readers' minds for a long time.

This poem, just eight sentences, is full of scenery and emotion. After reading it, it showed us the scene of painting lakes and mountains. It is like a beautiful travel note, which rhymes sonorously, making people relaxed and happy, such as a picture scroll in the eyes and a movement in the ears, giving people a pleasant feeling of harmonious scenes. Tan Xing Shangren Mountain Academy (co-authored with Pei Di) Houyin Temple.

Wang Weiguo Probation Temple Tan Xing Shangren Mountain Courtyard (with Pei Di)

Hold a bamboo stick at dusk and wait for the tiger. Urge guests to listen to the sound of mountains and go back to the house to chase water.

Wildflowers are blooming well, and valley birds are whispering. Sitting in the open forest at night, the breeze is as straight as autumn.

Make an appreciative comment

Wang Wei (70 1-76 1, 76 1 in 699) was born in Zhou Pu, Hedong (now Yuncheng, Shanxi), and his ancestral home was Qixian, Shanxi. A famous poet and painter in the Tang Dynasty, the word "Mo Mo" was named "Mo Mo Ju Shi".

Wang Wei was born in the royal family of Hedong, and was the number one scholar in the 19th year of Kaiyuan (73 1). Li Guan right gleaned, supervised the remonstrance, and made our time in Hexi. During the Tianbao period of Emperor Xuanzong of the Tang Dynasty, Wang Wei worshipped the official department as a doctor and servant. When An Lushan captured Chang 'an, Wang Wei was forced to take a false post. After Chang 'an was recovered, he was accused of granting Prince Zhongyun. In the first year of Tang Suzong's rule, he was appointed as a senior minister, so he was called Wang Youcheng.

Wang Wei studied Zen and Taoism and was proficient in poetry, calligraphy, painting and music. He was famous for his poems in Kaiyuan and Tianbao periods, especially his five-character poems, praising landscapes and pastoral areas. Together with Meng Haoran, he was called Wang Meng and Shi Fo. Calligraphy and painting are particularly wonderful, and later generations promoted it to the ancestor of Nanzong landscape painting. Su Shi commented on this: poetry is full of paintings; Look at the picture. There are poems in it. There are more than 400 poems, including Acacia and Autumn Night in the Mountain. His works include The Collection of Wang Youcheng's Works and The Secret of Painting.