Yong Xia qi yun

Xia Yong's seven-metrical poems are many, as follows:

1, "The mountains are dizzy, and the wind in Xiangchuan spits out cold flowers." -Su Songshi's "Huanxisha Mountain Color Invasion Dizzy"

Interpretation: The mountains in the evening are filled with sunset glow, the Xiangjiang River is calm and autumn flowers are in full bloom.

Appreciation: Ci's first film vividly depicts the scenery in late autumn. Lush mountains spread vertically and horizontally, the sky is stained with colorful sunset clouds, the autumn wind in Xiangchuan is silent, and lush chrysanthemums are in full bloom. It gives people a bleak and lonely artistic feeling, and this scene will arouse the wanderer's infinite homesickness.

2. "You don't feel drunk when you are looking for incense, but leaning against the tree has become oblique." -Don Li Shangyin's "Drunk under the Flowers"

Commentary: I found that Fangfei was unconsciously intoxicated by the wine and slept on the flower tree. The red sun has set in the west.

Appreciation: The first two sentences describe the process of getting drunk while looking for incense, showing a mellow sense of satisfaction. "You don't feel drunk when you are looking for incense, and the day of sleeping by the tree has been tilted." On this beautiful spring day, the poet was drunk unconsciously after pursuing the trace of flowers all the way. At sunset, I fell asleep according to the flower tree.

The word "drunken clouds" is used here, which means drunk by sweet wine and gorgeous flowers. From the word "Liuxia", we can imagine the magnificence and beauty of flowers, the fragrance and form of flowers, and strengthen the concrete sensibility of the word "drunk".

3. "Jinqiao is full of Xia Hong in spring, and the wind blows on the shore." -Tang Yong Tao's "Looking at Spring in Tianjin Bridge"

Commentary: Tianjin Bridge's spring water soaked Xia Hong, like a willow, leaning against the shore in the breeze.

Appreciation: Under the Tianjin Bridge, the spring water dissolves and the gorgeous clouds are reflected in the water; On the bank of Tianjin Bridge, Ruyan Liu is green, with branches and soft strips slanting across the water, and wisps of hair floating in the wind. This beautiful natural spring scenery is as charming as it was then. In one or two sentences of the poem, the author first draws a picture of Tianjin Bridge in spring, which is beautiful and fascinating.

4. "The house is full of green, and Chicheng is full of smoke." -Tang Li Bai's "Dangtu Zhao Yan Shaofu Fentu Mountain Water Song"

Interpretation: the ethereal green of the house can be swept away, and the chardonnay of Chicheng and the haze of Cangwu seem to float out of the painting.

Appreciation: the extraordinary height of Emei, the exquisite beauty of Luofu, the rosy clouds of Chicheng, the clouds of Cangwu (Jiuqi), the vastness of Nanqi, the vastness of Xiaoxiang Dongting, and the return of Sanjiang and Qize. Almost all the essence of the world landscape is gathered on one wall, which is very spectacular and verve.