What is Mei Zhongzhi's occupation?

Mei Zhongzhi, 1956, a native of Langzhong County, Sichuan Province. Master of Arts, returned painter from Japan. 1982 graduated from the Department of Fine Arts and Chinese Language and Literature of Southwest Normal University, 1982 was admitted to the Department of Master of Traditional Chinese Painting, 1985 graduated and transferred to the Department of Painting of sichuan fine arts institute. At present, he is a professor in the Department of Chinese Painting in sichuan fine arts institute, a tutor for master students, a member of the China Painting and Calligraphy Talents Professional Committee of the Ministry of Personnel, and a member of the China Artists Association. Honorary Dean of Chongqing Charity Painting and Calligraphy Institute.

Name: Mei Zhongzhi

Nationality: China.

Ethnic group: Han nationality

Place of Birth: Langzhong County, Sichuan Province

Date of birth: 1956

Occupation: teacher, tutor for master students.

Graduate school: Department of Fine Arts and Chinese Language and Literature, Southwest Normal University.

Main achievements: Professor of Chinese Painting Department of sichuan fine arts institute.

Member of China Painting and Calligraphy Talents Professional Committee

Member of China Artists Association.

President of Chongqing Chinese Painting Society

Honorary Dean of Chongqing Charity Painting and Calligraphy Institute

Representative works: anthology of flower-and-bird paintings in the 20th century.

Achievement honor

Since 1985, he has held solo exhibitions and academic lectures in Chongqing, Chengdu, Qingdao, Dalian, Sendai, Osaka, Kobe, Tokyo, Houston, Beijing China Art Museum, Tsinghua University Art Museum and Chongqing China Three Gorges Museum. During this period, famous national artists such as Zhu, Li Keran, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi, Zhu Xi,, Zhu Xi, Lin Mu, Wang Lin, Zhu Xi, Zhu Xi, Zhu Xi, He has won the China Golden Award for Fine Arts, the China Painter Award, the Flower-and-Bird Painting Achievement Award, the Sino-Japanese Art Exchange Exhibition Silver Award, the Art Creation Award and the sichuan fine arts institute Excellent Teacher.

pigment

Mei Zhongzhi has written a large number of artistic papers, translations, compilations and monographs, which have a wide influence. Among them, Chinese painting works not only have profound traditional skills, but also show very distinctive characteristics of personal painting art style. His single and sub-works have participated in many art exhibitions at home and abroad and won many awards. Among them, Chinese paintings are collected by domestic and foreign art institutions and many collectors, and are regarded by collectors and academic circles as scholars with great investment potential in contemporary China. The work "Fruits and Feelings of the South China" was selected for 300 China art exhibitions; "The Rooster Map" won the Excellence Award of the Second National Flower and Bird Exhibition. His works include Spring Festival in He Mei, Xiong Feng and Eagle.

Create scientific research results

Since 1985, large-scale solo exhibitions have been held in sichuan fine arts institute Exhibition Hall in Chongqing, Sichuan Art Exhibition Hall in Chengdu, China Art Museum in Beijing, Sendai, Osaka, Tokyo, Kobe, Houston, Tsinghua University Academy of Fine Arts in Beijing and Qingdao Museum.

A single work participated in a large-scale art exhibition sponsored by China Ministry of Culture, China Federation of Literary and Art Circles and China Artists Association.

"Silver Award of China-Japan Art Exchange Exhibition" (China-Japan Art Exchange Association);

"National Painter Award" (Chinese Painting Art Committee of China Artists Association);

"Outstanding Talent Award of Contemporary Chinese Painting" (Professional Committee of Painting and Calligraphy Talents of Ministry of Personnel);

"The Second China Fine Arts Awards Chinese Painting Excellent Award" (China Federation of Literary and Art Circles, China Artists Association);

The main papers are China Flower-and-Bird Painting Art from Ancient Times to the Present, Artistic Charm of Chinese Painting Sketch, Flower-and-Bird Painting Art in 1990s, Research on Artistic Beauty of Flower-and-Bird Painting, and Artistic Charm of Japanese Ukiyo-e Painting.

His main works and monographs include Contemporary Flower-and-Bird Painting, Anthology of Flower-and-Bird Painting in the 20th Century, Japanese Ukiyo-e Boutique, Mei Zhongzhi's Selected Chinese Paintings, Mei Zhongzhi's Modern Flower-and-Bird Painting, and Freehand Chicken Painting.

Teaching situation

Mainly engaged in China flower-and-bird painting art and China landscape painting art teaching. Adhere to teaching and educating people in accordance with their aptitude, and teach from the perspective of "two innocent" art education, that is, teaching is worthy of students and does not delay other people's children; Painting is worthy of art and being a painter.

In addition to serving as an undergraduate and postgraduate course in the Department of Chinese Painting, I also served as an elective course in Chinese Painting in the whole hospital. Undertake the research project of "Chinese painting education in art colleges", a major national academic topic.

Published papers

Papers include Puzzlement of Modern Japanese Painting, Exploration of Japanese Flower-and-Bird Art, Ancient and Modern Talks on Japanese Flower-and-Bird Painting Art, Reflections on the Journey of Sino-Japanese Art Exchange, Folk Art Education, and hirayama ikuo's Talk with Higher Order Sauer about Japanese Art, etc.

Book compilation

Present situation of Chinese painting education, Japanese painting and Japanese painting techniques, Japanese Ukiyo-e masterpieces, modern Chinese painting masters Mei Zhongzhi, selected Chinese paintings by Mei Zhongzhi, selected flowers and birds paintings in the 20th century, freehand brushwork of chickens, contemporary flowers and birds, imagery landscapes, contemporary people, etc. Part of the information in this book is as follows:

1. Japanese ukiyo-e boutique

Author: Mei Zhongzhi

Publishing House: Beijing Arts and Crafts Publishing House

ISBN: 9787805264783

Publication date: 2004-0 1-0 1

Version: 1

Page count: 343

Binding: hardcover

Format: 32

Japanese ukiyo-e art can't surprise China people like Europeans, because the two main features of ukiyo-e prints are essentially influenced by China's painting art, even in form and content. The earliest students who studied fine arts in Japan mainly studied Japanese painting or "re-exported western painting". First, Ukiyo-e prints were not valued by the Japanese at that time, and Ukiyo-e prints seemed to be everywhere. Secondly, there are few monographic paintings and academic discussion papers about Japanese ukiyo-e art, and the Japanese people's general understanding of Japanese ukiyo-e prints was after the normalization of diplomatic relations between China and Japan in the late 1970s. Even so, it is limited to a small number of people in the art world. In recent years, with the development of publishing in China, ordinary artists and art colleges can appreciate and understand the form and content of Japanese ukiyo-e prints by looking at picture books and surfing the Internet. However, few people really want to study it deeply and compare it with Chinese paintings and China prints, because most China painters still have no chance to fully understand the true meaning and artistic pursuit of Japanese ukiyo-e prints.

2. Chicken painting is freehand.

Author: Mei Zhongzhi

Press: Tianjin Yangliuqing Painting Society

ISBN:97878050377 14

Publication date: 2003-0 1-0 1

Version: 1

Number of pages: 20 pages

Binding: paperback

Format: 32

The freehand brushwork of chicken painting introduces the freehand brushwork techniques of chicken step by step, including dialogue, spring bud, autumn chrysanthemum, peony double phoenix picture, wisteria and other freehand brushwork of chicken.

3. Japanese painting and Japanese painting techniques

Author: Mei Zhongzhi Editor

Publishing House: Henan Fine Arts Publishing House

Release time: 1999- 10- 1

Version: 1

Page number: 165

Printing time: 1999- 10- 1

Paper: offset paper

ISBN:9787540 107864

Packing: paperback

Several Japanese articles collected in the main body of this book are carefully translated by the author from many discussion articles, and at the same time, various schools of Japanese painting, influential painters and representative works are introduced. I hope readers can refer to the author's clumsy articles and combine the techniques of Japanese painting. I believe people will have a three-dimensional and comprehensive understanding of Japanese painting through this book.

The biggest purpose of writing this book is to hope that people can further deepen their knowledge and understanding of Chinese painting through their understanding of Japanese painting. On the basis of comparison, they can further increase their confidence in national painting, absorb the outstanding points of Japanese painting, and think about the problems encountered in the development of Japanese painting in combination with the development of Chinese painting, so as to improve the creative level of Chinese painting countries.

This book explains the steps of color printing techniques in detail, with hundreds of pictures of Japanese paintings. Professor Mei Zhongzhi, the author, returned to overseas Chinese in Japan and has published many works.

4. Contemporary flowers and birds

Author: Mei Zhongzhi Editor

Press: Southwest Normal University Press

Release date: 1997-9- 1

Printing time: 1997-9- 1

Impression: 1

Paper: coated paper

ISBN:9787562 1 17889

Folio: 6 folio

Packing: paperback

Product identification: 20 1 18358

Is there really no room for creation and innovation in the flower-and-bird painting art that has developed so far? The answer is no. It is precisely because we have a clear understanding of many phenomena existing in the creation and teaching of contemporary flower-and-bird paintings, and because we have deeply reflected on the problems that have arisen, we can clearly understand the heavy responsibility that falls on the shoulders of contemporary flower-and-bird painters, teachers and students, and we can do a good job in the creation and teaching of contemporary flower-and-bird paintings in a down-to-earth manner.

5. Modern flower-and-bird painting art

Author: Mei Zhongzhi

Publishing House: China Photography Art Publishing House.

This book introduces modern flower-and-bird painting techniques, including Cockfighting, Plum River in Spring, Night with Eyes, Sunset Reflects Mountains and Rivers, Rooster Singing Red for Eighty Years and Wild Rooster.