Why are most of the pictures of CCTV's Man and Nature taken by foreign photographers? Seldom see the works of domestic photographers?

Although CCTV's Animal World column has been with people for nearly 30 years, Zhao Zhongxiang's voice charm is enduring. His explanation is as beautiful as playing the piano, accompanied by the fun, danger and excitement of the wild world shown in the video, which makes the audience enjoy it very much. However, people never seem to notice the fact that neither Animal World, Man and Nature, nor various wildlife-themed programs broadcast by local TV stations are made by China people, but all come from western countries. What CCTV has to do is to spend money to buy these movie materials, re-edit them, and then translate them into Chinese commentary. This is a program produced and broadcast by CCTV! Most of the documents come from some non-governmental organizations in Britain, the United States, South Africa, Australia, Kenya and other countries. Many excellent field photography teams are employed by these private institutions and have taken a large number of high-level wildlife images for them. Most of these people are white people from Britain, America, Europe or other countries. They not only have professional skills, but also have strong physique, adventure and action ability, as well as a certain degree of outdoor exploration and survival ability. The white groups in South Africa all came from Britain and Holland in their early years, and the domestic political and economic forms also depended on the white class. In essence, South Africa is a western country. Kenya was once a British colony, and it still maintains close relations with Britain and the United States. Field photography teams from the west regard it as their base or base camp. Nairobi Airport, the capital, is one of the largest airports in Africa, through which most western tourists enter Central Africa. Since a nation can send satellites, rockets and spaceships into the sky, why can't it make several high-level wildlife documentaries? Is it limited by technical factors? Obviously, that can't be called a reason. The equipment and equipment needed for outdoor photography, although high-tech equipment, are not sensitive technologies, and are generally not among the products prohibited from being sold in western countries. Long focal length camera with waterproof function; Ultra-small camera equipment. These things may be expensive, but technically they are too childish! There is everything in the domestic market. Even if the finished equipment can't be found at the moment, it can be assembled or modified with enough parts. Maybe it's because we China people are a very delicate people, and we are only used to operating PC and signing invoices in the office. We have been addicted to a relaxed and comfortable state for a long time, and we can't stand the pain of mosquito bites and camping in the wild jungle. We are indoor animals, and we only like to stay indoors, but we don't like outdoor activities. Even outdoors, we always stay with the crowd. How many compatriots are willing to explore and take photos in the wild jungle with a few lonely people! How lonely! How dangerous that is! What should I do if I meet wild animals and poisonous snakes? The consequences are unimaginable. Who can deny that this is not a very important reason?

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