What is literary art form?

Literature and art form should talk about literature and art. Here, literature and art mainly talk about three categories: literature, music and fine arts. Literature itself is difficult to industrialize. It must rely on the publishing industry and the art industry. The reason why we talk specifically about literature here is because literature is the foundation of all art, and can even be said to be the matrix of all art. Literature has a very strong ability to radiate and penetrate into other art categories, and can provide important text resources for the art industry. For example, the novelist Mei Shuaiyuan is also the best playwright and planner in Guangxi. He not only won the most important awards in the Chinese theater industry as a playwright, but also planned and produced hugely influential plays as a planner and producer. The large-scale real-life landscape performance "Impression of Liu Sanjie", Dongxi is one of the Three Musketeers of Guangxi. Not only did the novel win the Lu Xun Literature Award, but he is also the original author and screenwriter of the three most influential TV series in Guangxi in recent years mentioned above. Two other swordsmen, Guizi and Li Feng, have also become screenwriters for Zhang Yimou's films "Happy Days", "Hero" and "House of Flying Daggers". Novelist Fan Yiping is the original author and screenwriter of two Chinese films that have had great influence in recent years, "The Gun" and "The Barber." Novelist Lan Huaichang and essayist Pan Qi are also the lyricists of several songs in Guangxi that have won National Music Awards. Based on the foundation, radiation and penetration of literature, vigorously developing Guangxi literature will inevitably promote the overall improvement of Guangxi's literary and art industry. The outstanding achievements Guangxi literature has made in recent years are obvious to all. Nowadays, when literary circles from other provinces mention Guijun in the literary world, they are really impressed. Literary Guijun has several highlights that are highly praised by the national literary circles. The first is the group of Guangxi novelists represented by the Three Musketeers. In addition to the Three Musketeers, there are Fan Yiping, Huang Peihua, Shen Dongzi, Lin Bai, Yang Yingchuan, Huang Yongmei, Jiang Jinlu, Ji Chen, Li Yore, Zhu Shanshanfeng, Chen Daming (Chengzi), Both CDs are very capable, and he is a young novelist who is favored by the Chinese literary world. Second, Guangxi has a literary criticism publication with excellent reputation and great influence, "Southern Literary Circle". This publication not only gathers a group of China's best critics and is recognized as a critical center in the Chinese literary world, but also serves as a catalyst for the launch of Guangxi's literary criticism. Writers and artists have made significant contributions, and at the same time they have also inspired and even cultivated a group of critics in Guangxi. By the way, literary critics are not only important to the development of literature and art, but also important to the development of social culture. Currently, it is precisely a group of literary critics who are active at the forefront of cultural criticism and engaged in cultural research in Guangxi. In addition, "Southern Literary Circle"'s extensive network of contacts provides Guangxi Normal University Press with an important author resource, forming complementary advantages with Guangxi Normal University Press. Guangxi has rich music resources and a group of very powerful composers and lyricists who are well-known throughout the country. However, the degree of industrialization of Guangxi's music is indeed not high, and Guangxi's audio-visual product publishing is lackluster. However, music is the easiest art category for international exchange and communication. In addition to gaining influence nationwide, Guangxi music can also set international goals. At present, the "Nidea" brand created by the Guangxi music industry, Guangxi's Dong folk songs, Longzhou Tianqin and Liu Sanjie's folk songs, which are already famous, are all very powerful national music products. How to carry out new innovations on them? Creation, new packaging, and organic integration with traditional Chinese mainstream music elements and international music elements are important ways for the Guangxi music industry to go abroad. Art creation is very easy to integrate with the market, but without the improvement of cultural character, it will easily lead to the depreciation of economic value. Guangxi is now making every effort to build the Lijiang School of Painting, which is undoubtedly a correct idea. But art also places great emphasis on the value of individuality. Moreover, factors such as artists, art theories, art appreciation and art criticism, art schools, art market, and art education need to be organically integrated. Due to the development of tourism in Guilin, Guilin painting shops became famous in the Chinese tourism industry in the 1980s and almost monopolized the business model of Chinese tourism handicrafts. Chinese landscape paintings also used the tourism industry to dump into the international market. Unfortunately, due to the inadequacy of the market mechanism Sound, but also because of the imperfect integrity and evaluation system, the painting shop market in Guilin eventually shrank. There are indeed many experiences and lessons here that are worth summarizing and learning from. Fifth, let’s talk about social science research. Social science research can be divided into basic research and applied research according to its functions, and into local type research and universal type research according to its research objects. For a long time, the academic community has tended to attach importance to basic research and universal research, while applied research and local research have been relatively ignored. At present, due to changes in the evaluation mechanism, it may go to the other extreme. In general, both basic research and applied research must be paid attention to, and local type research should also communicate with universal type research. The biggest flaw in social science research in Guangxi is the lack of communication and mutual disapproval between basic research and applied research. The same is true for local type research and universal type research. In fact, these two binary compositions are not simply antagonistic, but also unified. There is no need to talk about too many general principles here. We might as well discuss some specific issues. Similar to the situation in literature, social science research itself is difficult to industrialize. But it must be noted that truly valuable social science research can provide huge productivity and production means for the media industry and tourism industry, and can provide scientific guidance and ideological motivation for the media industry and tourism industry.

Fundamentally speaking, the reason why it is difficult for Guangxi's media industry and tourism industry to break through is precisely because of the weakness of Guangxi's overall strength in social science research. The future breakthroughs of Guangxi's media industry and tourism industry also depend on the overall strength of Guangxi's social science research. rise. To give some examples, in recent years there have been some figures who have received special attention in the media and academic circles, such as Fei Xiaotong. He once conducted valuable research and surveys in the Dayaoshan area of ??Guangxi. In the past two years, due to Fei Xiaotong’s death, The national media has paid a lot of attention to him, but Guangxi has been relatively silent. This is precisely related to the lack of research talents in this field in Guangxi. The same situation also happened to Ba Jin. Ba Jin lived in Guilin for a period of time during the Anti-Japanese War. He wrote many works about Guilin and also engaged in valuable book publishing work in Guilin. Ba Jin's death attracted worldwide attention, but also because of Guangxi lacks scholars who study Ba Jin and cannot provide in-depth, solid and colorful research results on Ba Jin's situation in Guilin. Therefore, the voice of Guangxi's media in this regard is not strong enough. On the surface, these two phenomena are caused by the insignificant role of Guangxi’s media, but from a deeper perspective, they are caused by Guangxi’s weak academic research strength. At present, there are some areas of social science research in Guangxi that are worth doing. For example, research on historical figures in Guangxi. Shi Tao, Chen Hongmou, Ma Junwu, Li Zongren, Bai Chongxi, Huang Shaohong, Huang Xuchu, Lei Peihong, Wang Li, Liang Zongdai, Liang Yusheng and so on. Why are these characters worth studying? Because these figures are all figures with widespread influence at home and abroad, if the results of research on these figures are truly valuable, they may have an international impact. For one thing; these figures are all masters in a certain subject field, and they have a deep and solid understanding of these figures. Research may lead to the development of entire subject areas. For example, Shi Tao is the most important theorist of Chinese painting. The study of Shi Tao also solves the cutting-edge topics of Chinese landscape painting theory. Secondly, culture places great emphasis on inheritance. These figures were born in Guangxi, and the study of them has a profound impact on Guangxi culture. Development has direct inheritance significance. For example, Shi Tao's research can directly provide "blood transfusion" to the Lijiang School of Painting in Guangxi, and Lei Peihong's research can directly provide local experience for Guangxi's education today. This is the third one. In social science research, the study of people is the most perceptual and easiest for the public to accept. Therefore, the study of historical figures may not only serve film and television creations, provide raw materials for book publishing, but also provide "selling points" for Guangxi's tourism industry. ” to help revitalize Guangxi’s cultural landscape resources. Another example is some families or political and economic groups in Guangxi, such as the Chen Hongmou family, the old Guangxi group like Lu Rongting, and the new Guangxi group represented by Li Baihuang. These are all topics worthy of study. The Chen Hongmou family has been connected for five generations, among which there are also With the emergence of a third-ranked number one scholar, the study of the Chen Hongmou family is undoubtedly of great significance to family education. The old Guangxi clique represented by Lu Rongting and the new Guangxi clique represented by Li Zongren have long been negatively evaluated. Studying them today is not for The purpose of writing a historical reversal article is to conduct objective and in-depth research on these two groups that have had an important influence in China's modern history, so as to serve as a mirror from history. Moreover, it is conceivable that these studies will also have a good promotion effect on Guangxi's media industry and tourism industry. Another example is the study of the modern history of Guangxi. The modern history of Guangxi is worth studying, because Guangxi in modern times can be said to play a decisive role in China, and its position in the national pattern is different from today. Today's Guangxi wants to improve its status in the country. Studying the history and practices of previous generations will yield huge benefits. Summarizing the author’s basic views on building a cultural Guangxi and developing Guangxi’s cultural industry, the author believes that there are several principles: First, international perspective. Guangxi’s cultural construction should have a clear international vision and perspective, and literary and artistic creation and social science research should be determined. To enable one's own works and achievements to take a leading position among international peers, film and television creation and book publishing must consider the international market. Education must not only introduce international educational resources, but also open up overseas education markets. The second is system awareness, realizing that culture is a complex system with you in me and me in you. We cannot just look at the problem from a local standpoint, but must take into account the overall situation, such as literary creation and social science research, although the degree of industrialization is not obvious. , but we must fully realize that it exists as the basis and premise of industrialization. In other words, although cultural construction must pay full attention to the cultural industry side, it must not ignore the cultural undertaking side and be fully aware of the inherent connection between the two. At the same time, leaders or scholars engaged in cultural construction also need to have multidisciplinary knowledge accumulation and interdisciplinary subject awareness. The third is to transcend consciousness. Since the cultural industry is a new industrial field, we cannot just focus on the traditional cultural industry. We must be aware of the huge penetration, radiation and even expansion power of the cultural industry. We must learn to look beyond the cultural industry. cultural issues. For example, the real estate industry may not be a cultural industry, but we should fully realize the importance of culture in the real estate industry and realize that the improvement of culture is the greatest benefit to the real estate industry. For example, the catering industry is also not a cultural industry, but we must see that with the development of the catering industry, culture increasingly plays an important role in the catering industry. Others, such as the relationship between the software industry and culture, and creativity, do not require the author to talk.