Tour guide words of Guangdong ancestral temple

As a tireless tour guide, you are usually asked to write a tour guide, which is an article explaining the basic situation of the local area and introducing the local customs. So what problems should we pay attention to when writing tour guide words? The following are the tour guide words of Guangdong ancestral temple I collected for you, hoping to help you.

The ancestral temple in Guangdong is located in Foshan Museum, No.21Zumiao Road. It consists of ancestral temple, Confucius Temple, stele, exhibition hall and garden, covering an area of 1.86 million square meters. It is a national key cultural relics protection unit, a demonstration site of civilized tourist areas in Guangdong Province and a patriotic education base in Foshan.

The ancestral hall was built in the Yuanfeng period of the Northern Song Dynasty (1078- 1085). After more than 20 renovations and expansions, the existing buildings mainly include Wanfutai, Ling Ying Pailou, Jinxiangchi, Bell and Drum Tower, Sanmen, Qian Dian, Main Hall and Qingzhen Building, which have typical Lingnan architectural style.

The inheritance and accumulation of nearly a thousand years have condensed the high hopes of the people in the Pearl River Delta for offering sacrifices to Surabaya, the Taoist water god in the north, and praying for good weather, prosperity and national security. As a result, Foshan once rose to the top of the four famous towns in China during the Ming and Qing Dynasties, and was one of the four largest gathering places in the world, second only to the capital. Foshan people, who make money by water, wrote 27 brilliant pages in the ancestral hall.

On the central axis of the ancestral temple, Wanfutai, which was built to reward the gods for acting, witnessed the brilliant course of countless famous artists in Foshan, the birthplace of Cantonese opera, during the 300-400 years since Shunzhi's fifteen years, which preserved the lively atmosphere of Lingnan opera and radiated the influence of Cantonese opera's worship and trial stage. The stories, roles, costumes, moves and shapes of opera characters solidified in the ancestral hall with pottery, brick, wood, stone and gray carvings have left a lot of physical evidence for the roots of Cantonese opera.

With its unique features of Lingnan ancient buildings and well-preserved smelting, casting, painting, pasting and sculpture, the ancestral temple reflects the superb local craftsmanship from the Ming and Qing Dynasties to the Republic of China, integrates the economy, culture, religion and folk art of ancient Foshan in one furnace, and displays five cultural themes of industry and commerce, imperial examinations, folk customs, Cantonese opera and martial arts, which are condensed into the epitome of ancient Foshan. Since the beginning of the new century, the Huang Feihong Memorial Hall in Foshan, located in the ancestral temple, has attracted Huang Feihong people from all over the world to seek roots and worship their ancestors. The opening of Ip Man Hall attracted thousands of foreign Wing Chun disciples to make a pilgrimage to their ancestral home. Wanfutai Cantonese Opera Performance, Foshan Cantonese Opera Museum and International Cantonese Opera Collection have attracted Cantonese Opera root-seeking tours from all over the world. In "Forest and Night", the classical wedding in the Pearl River Delta and the wave of worship of the Northern Emperor in auspicious times are combined. The ancestral temple, known as the "Ancient Temple Art Palace" which is the first of all temples in the Pearl River Delta, is like a pearl, giving people a new charm.

Guangdong ancestral temple is located in Chancheng District, Foshan City, Guangdong Province. The ancestral temple was built in Yuanfeng, Northern Song Dynasty, and gradually became a temple building with complete system, rigorous structure and strong local characteristics in the early Qing Dynasty. In the twenty-fifth year of Guangxu, the ancestral temple was overhauled, forming today's ancestral temple complex. Foshan Ancestral Temple, Yuecheng Long Mu Temple, Zhaoqing Temple and Guangzhou Chenjia Temple, also known as the Three Treasures of Lingnan Ancient Buildings, are now national key cultural relics protection units. In the main hall of the ancestral hall, there are also many precious works of art, such as 70 pieces of 30 kinds of weapons, ceremonial bronze walls, giant bronze mirrors with a diameter of 1.3 1 m, large bronze ding, bronze bells and incense burners. These exhibits reflect the superb technology of Foshan in the Ming and Qing Dynasties. No wonder some foreign friends who come to visit the ancestral temple are known as "the halls of oriental folk art".

On the north side of Sanmen of the ancestral hall, there is a two-story bell-shaped building imitating the blue bricks of Qing Dynasty, which is the Huang Feihong Memorial Hall covering an area of 5,000 square meters. Entering Huang Feihong Memorial Hall, there are exhibition halls and Hong Fei Cinema. In the exhibition hall, there is a real photo of Huang Feihong, which is the only photo left in China at present. Many tourists have to take photos with the master when they arrive here. The real photos of "13th Aunt" Mo Guilan are also on display in the museum. And made a copy of the "bag", which is very similar to the scene in the movie. It is quite exciting for tourists. There is a big martial arts performance hall in the memorial hall. There are martial arts performances every day, and the people of Huang Feihong show their exquisite martial arts to tourists. Hong Fei Cinema keeps playing Huang Feihong's movie videos, and the sound of boxing is endless, which complements the martial arts performance, as if seeing Huang Feihong's vigorous figure in that year. It is said that the staff of the ancestral hall collected more than 1000 pieces of cultural relics from Huang Feihong, nearly 100 Huang Feihong films and real-life interpretations of Huang Feihong Kung Fu, forming this memorial hall which gathered 380,000 Huang Feihong people from all over the world to seek their roots and worship their ancestors.

There is only one sentence in Huang Feihong's China Miracle Dictionary, but the theme of "Huang Feihong" has been fully utilized, and it has been interpreted as legendary and magical, showing people's pursuit of justice. In order to meet the wishes of Chinese at home and abroad, the Chronicle of Huang Feihong Events compiled by the memorial hall was carved into a stone tablet and placed in the museum for people to interpret. It was the aura of the ancestral temple that nurtured Huang Feihong, and Huang Feihong's national integrity and legendary experience added glory to the ancestral temple. On the left side of the memorial hall, there is a southern lion dance performance once a day. The team members flashed on iron pillars and wooden stakes to show the superb Lingnan lion art to tourists. It is said that this lion dance team is composed of descendants of Huang Feihong, and it will perform several times a year in places where overseas Chinese gather. Probably out of admiration for Huang Feihong, or worship for the art of lion dancing, when the lion dancer puts on a "freeze frame", tourists put money into the mouth of the "lion" with a big mouth.

The cloisters and ancestral halls paved with bluestones, arched eaves, lingering sounds and winding paths are so rich in connotation that no matter how many deep and gorgeous words are used to describe her, it is only a pity. Only by experiencing and feeling … can we appreciate beauty.

Foshan Zumiao is located in downtown Zumiao Road, Foshan City. This is a temple dedicated to the Northern Tian Xuan Emperor who believes in Taoism. It was built in the Yuanfeng period of the Northern Song Dynasty (A.D. 1078 1085), and was renamed Ling Ying Temple in the Yuan and Ming Dynasties. Since the Song and Yuan Dynasties, this place has been a place for public discussion among various ancestral halls in Foshan, which has become a link between surnames, so Foshan people used to call it the ancestral hall.

The ancestral hall faces south and covers an area of about 3500 square meters. The original building was burnt down at the end of Yuan Dynasty and rebuilt in the fifth year of Hongwu in Ming Dynasty (1372). After more than 20 times of reconstruction and expansion, an ancient architectural complex with large scale, exquisite production, unique national style and strong local characteristics was finally formed. The ancestral hall is composed of Wanfutai, Ling Ying Archway, Jinxiangchi, Bell and Drum Tower, Sanmen, Qian Dian, Main Hall and Qingzhen Building, which are arranged on the north-south central axis. It has a rigorous structure and a complete system.

Wanfutai, located at the southernmost tip of the ancestral temple, is a big stage dedicated to Cantonese opera performances. Cantonese opera originated in Foshan. Every June and July, all the troupes performing abroad will return to Foshan, disband the old classes and reorganize the new ones. Traditionally, the first performance of the new troupe must be held at Wanfutai in the ancestral hall. This building is the roof of a rolling shed, and the table is three rooms wide. The front and rear stages are separated by gold lacquer wood carvings, and doors are arranged on both sides of the partition for actors to enter and leave. The middle upper part of the partition is carved with Fu Lushou Samsung; The lower part is engraved with the scene of the drama story "Cao Cao Tongquetai Night Banquet". Carve one tiger and two arhats in Yi Long. These gold lacquer wood carvings are exquisitely carved, exquisite in skill and rough in brushwork.

Opposite Wanfutai is the Ling Ying Archway, which was built in the second year of Jingtai in Ming Dynasty (145 1). On the north side of the archway is Jinxiangchi. There is a carved tortoise and snake in the pool, which is a symbol of the Northern Emperor. There are bell and drum towers, revered doors and broken doors on both sides of Jinxiangchi. The walls next to the two doors are decorated with brick carvings, gray carvings and pottery sculptures. Among them, pottery sculpture is the most striking. On the east side of the pottery sculpture, eleven energetic old people, smiling and holding precious mirrors, symbolize the sun god; The pottery sculpture on the west side is a beautiful woman, graceful and colorful, holding a precious mirror in her hand, symbolizing the moon god.

Jinxiang is due north. Sanmen was built in the early years of Jingtai in Ming Dynasty (1450) and is the main entrance of the ancestral hall. The building is exquisite, the eaves are decorated with gold lacquer wood carvings from east to west, and the carving contents are folk stories. There are ceramic figures on the roof, and the ridge of the tile spans the whole roof. The height of the ceramic figure is about 1. 5 meters, the whole plant 3 1. 6 meters, composed of 152 characters, with the word "Wen". This colorful, vivid and interesting ceramic figure tile ridge makes the building more tall, spectacular and magnificent.

After three doors, you arrive at the front hall, where there is a fragrant pavilion. The temple is dedicated to statues of gods revered by Taoism. What deserves special attention is the golden lacquer wood carving Chen Fang statue in the temple, which is an important Chen Fang in the ancestral hall. The front of the statue is divided into two layers, and the upper layer is carved with the scene of "Li Yuanba Long Fu Residence". The lower layer of the whole gold lacquer wood carving is the most wonderful. The photo alludes to Cantonese opera actor Li, who joined the anti-Qing rebellion after the Opium War. In the hands of many carved figures, the banner with the word "Li" written on it is held high, which actually implies that Li joined the rebel army. Guangdong folks compare the "Dragon Pony" to a "red-maned spirited horse" and call foreigners, especially the British, "red-haired ghosts". Therefore, "Fu Longju" is a metaphor for taming "red-haired ghosts". What is particularly amazing is that the picture of this costume drama is actually mixed with several foreigners wearing hats and tuxedos. They were either knocked to the ground or begged for mercy on their knees, covered in ugliness. Filled with the hatred of the Guangdong people towards the invaders. It is said that this exquisite gold lacquer wood carving was made by a fake wreath of yellow light in Guangxu period in one year.

To the north of Qian Dian is the main hall, which was built in the fifth year of Hongwu in the Ming Dynasty (1372). It is the earliest and most important building of ancestral temple in the Middle Ages, and it is the place where ancestral temple activities are held locally. In the center of the hall is a bronze statue of the northern emperor, weighing about 2. Five tons. This statue of the Northern Emperor sits in the shrine, with kind eyes, a long beard floating five times on his chest, luxurious clothes and bare feet. The head lamp, west side, hands and feet of the bronze statue are all gold-plated, and the whole statue is gold, which is the embodiment of the superb casting technology of ancient craftsmen in Foshan.

Qingzhen Building on the north side of the main hall was built in the first year of Jingjiaqing (1796). This is the latest building in the ancestral temple complex, with a second floor. According to legend, it used to be the highest place in Foshan, belonging to one of the ten scenic spots in Foshan. You can have a panoramic view of the ancestral temple and Foshan when you board Qingzhen Building.

Today's ancestral hall is the location of Foshan Museum, with the east-west gate, passing through the courtyard with lush trees and flowers, and entering the Duanyan Gate, you can be placed in the ancestral hall and ancient temple. Chinese and foreign tourists are bustling, and this temple of folk crafts has always been radiant with youthful brilliance.

Guangdong ancestral temple is located in Chancheng District, Foshan City, Guangdong Province. It was built in the Yuanfeng period of the Northern Song Dynasty (1078- 1085) and rebuilt in the Hongwu period of the Ming Dynasty (1372), and gradually became a temple building with complete system, rigorous structure and strong local characteristics in the early Qing Dynasty. In the 25th year of Guangxu (1899), the ancestral temple was overhauled, forming today's ancestral temple complex. The ancestral temple in Chancheng, Long Mu Temple in Yuecheng, Zhaoqing Temple and Chenjia Temple in Guangzhou are also called the Three Treasures of Lingnan Ancient Architecture, and are now national key cultural relics protection units.

In the main hall of the ancestral hall, there are also many precious works of art, such as 70 pieces of 30 kinds of weapons, ceremonial bronze walls, giant bronze mirrors with a diameter of 1.3 1 m, large bronze ding, bronze bells and incense burners. The ironware includes big iron tripod, iron tripod, iron painting and so on. There are also stone tablets, stone beasts in the Ming and Qing Dynasties, the inscription of the chess word "Chancheng" in the second year of Zhenguan in the Tang Dynasty, and replicas beside the stone tablets. Reconstructed ceramic tile roof, a large number of gold wood carving building components, large iron warrior statues, iron cast beasts, iron cannons, etc. These exhibits reflect the superb technology of Chancheng in Ming and Qing Dynasties. No wonder some foreign friends who come to visit the ancestral temple are known as "the halls of oriental folk art".

The north-south central axis consists of Wanfutai, Ling Ying Archway, Jinxiangchi, Bell and Drum Tower, Sanmen, Qian Dian Main Hall, Qingzhen Building and other buildings. Its overall layout is neat and solemn, dense and well-organized. Chancheng is one of the important producing areas of woodcarving in Guangdong, which is mainly made of mahogany, and some of them have become gold foil and gold lacquer woodcarving. Foshan woodcarving is neat and neat.

The most commendable thing is that the architectural decoration of the ancestral hall uses a large number of pottery sculptures, wood carvings, brick carvings, gray sculptures and so on. On both sides are sculptures with the theme of drama stories. Guo Ziyi's Birthday in the East Gallery was built in the 16th year of Zhengde in Ming Dynasty (152 1).

From the architectural point of view, the ancestral temple is a group of buildings with Lingnan characteristics, with superb architectural art and exquisite decoration technology. The north-south central axis consists of Wanfutai. Ling Ying memorial archway Jinxiangchi. Bell and Drum Tower. Sanmen. Front hall and main hall. Qingzhen building and other buildings. Its overall layout is neat and solemn, dense and orderly, and the setting of pavilions and pavilions strictly abides by the principles of ancient garden architecture in China. The ingenious dialectics of hiding and revealing makes tourists feel that their internal space is subtle, introverted, complex and mysterious, and then they feel awe.