What are the stories of Li Bai’s travels?

Li Bai’s tourism activities\x0d\ Li Bai, courtesy name Taibai, was born in Suiye, Central Asia, in the first year of Chang’an (7O1 AD) after Empress Wu of the Tang Dynasty. When he was 5 years old, he moved with his father to Qinglian, Jiangyou County, Sichuan. Township. Li Bai received a good education since he was a child. He said: "Reciting Liujia at the age of five? Watching hundreds of schools at the age of ten." At the age of 15, he learned swordsmanship. Around the age of 20, he studied in Kuangshan, his hometown, and learned the art of vertical and horizontal movements from his friends. Li Bai was diligent and eager to learn. He "often read classics and never tire of making them." After he was 20 years old, Li Bai visited many places of interest in Sichuan. The majestic mountains and rivers in Sichuan cultivated Li Bai's broad mind, bold character and love for nature. Influenced by political strategists and Confucianism, Li Bai had a strong ambition and hoped to make achievements; but he was deeply influenced by Taoism and Taoist thought, and he eagerly yearned for a secluded life of seeking immortality and learning Taoism. This contradictory life ideal finally formed in him the desire to balance both, that is, "success, fame, and retirement." \x0d\In the fourteenth year of Kaiyuan (726 AD), Li Bai "was shocked that his strength was strong and his intention was thousands of miles away." So he "went to the country with his sword, said goodbye to relatives and traveled far away." On the way, he wrote the famous "Moon Song of Mount Emei": "Mount Emei is half-mooned in autumn, and the shadows are flat on the water of the Qiang River. The clear stream flows to the Three Gorges at night, and I miss you when you go to Yuzhou without seeing you." After leaving the Three Gorges, Li Bai first roamed the middle and lower reaches of the Yangtze River. At that time, it was the prosperous age of Kaiyuan, and the country was prosperous. Li Bai firmly believed that "I am born with talents that will be useful" and was full of confidence in the future. At that time, if people wanted to make a difference in politics, they usually took the imperial examination. In addition, there is a "shortcut to the south", that is, by living in seclusion and seeking immortality, you can expand your influence, attract the attention of the court, and you may be called to become an official. Li Bai was unruly, ambitious, and had high self-esteem. He did not want to take the imperial examination route, so he chose the shortcut of Yi Zhongnan. To this end, Li Bai visited the famous Taoist priest Sima Chengzhen in Jiangling and wrote a "Ode on Dapeng" to describe the meeting in the form of a fable. This poem expresses his lofty ambitions through the image of Dapeng who "stimulates three thousand to rise and conquers ninety thousand". \x0d\While Li Bai was seeking immortality and visiting Taoism, he paid great attention to making friends with "heroes", that is, those knight-errants who could resist violence, help the weak, and sacrifice their lives for justice. Li Bai himself was a "young hero" who "disregarded wealth and loved giving." In less than a year when he traveled east to Wuyue, he scattered 300,000 yuan to help people in need. Li Bai wrote many poems praising knights throughout his life, praising those heroes who had the courage to sacrifice their lives in times of national crisis without taking credit or coveting honors and honors. For example, "Xia Ke Xing" praises Hou Ying and Zhu Hai, "three cups of vomiting promise, the five mountains are lighter." "Even if the bones of a chivalrous man die, he will not be ashamed of the world's heroes." The tenth poem of "Ancient Style" praises Lu Zhonglian, "but Qin Zhenying's voice, Later generations will look up to them." He also said, "I am also a wanderer, and I can tune in with my clothes." His admiration for these historical figures reflects his character, ambition and ideals. During his travels, Li Bai paid great attention to learning Yuefu folk songs. With his increasing experience, his poetry creation improved day by day, and he wrote many famous poems. For example, "Looking at Tianmen Mountain": "The gate of heaven is interrupted and the sky of Chu opens. The clear water flows eastward and returns to the north. The green mountains on both sides of the strait stand out from each other, and a solitary sail comes from the sun. Another example is the second poem of "Two Poems on Looking at the Lushan Waterfall": "The sun shines on the incense burner and produces purple smoke, and I can see the waterfall hanging in front of the river in the distance." The flying stream plummeted down three thousand feet, and it was suspected that the Milky Way had fallen into the sky. "The majestic mountains and rivers of the motherland, through the poet's unique chanting, left a deep and unforgettable impression on future generations. When Li Bai was studying Yuefu folk songs, he composed many Yuefu poems. The first poem of "Changgan Xing" begins The six sentences are: "When my hair first touches my forehead, I play a game in front of the door. Lang came riding a bamboo horse and went around the bed to make green plums. Living together for a long time, the two children have no doubts. Later, "childhood sweethearts" and "childhood sweethearts" became famous idioms to describe the love between children.\x0d\In the early spring of the 16th year of Kaiyuan, Li Bai came to Anlu, Hubei. Here, he and the former prime ministers during the reign of Emperor Gaozong of Tang Dynasty Xu Weishi's granddaughter got married and began to live in seclusion in Anlu for ten years. He once lived in seclusion in Shoushan and Baizhaoshan Taohuayan in Anlu, and later lived in seclusion in Songshan together with Taoist Yuan Danqiu. In the 24th year of Kaiyuan, he went to Shandong and lived in seclusion in Zhuxi in Zuxu Mountain with Kong Chaofu, Han Zhun and others. During this period, Li Bai got acquainted with people 12 years older than him. Meng Haoran was famous for his landscape and pastoral poems. When they broke up, Li Bai wrote the famous seven-character quatrain "Send Meng Haoran at the Yellow Crane Tower in Guangling": "Old friend bids farewell to Yellow Crane Tower in March. Go to Yangzhou. The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky. "\x0d\In the twenty-fourth year of Kaiyuan, Li Bai moved to Rencheng, Donglu (today's Jining, Shandong), and he continued to travel around, looking for a political way out. In the first year of Tianbao, Li Bai was forty-two years old. Finally, because of Wu Jun's recommendation, he During this period, Emperor Xuanzong of the Tang Dynasty issued an imperial edict to go to Chang'an. During this period, he saw with his own eyes the darkness and corruption of the government, and wrote many poems that exposed and criticized the reality with full of worry and anger, such as the 15th poem of "Ancient Style", which condemned the ruling class for "buying songs for pearls and jade." Laughing, chaff nourishes talents." In the spring of Tianbao's third year, Li Bai knew that he could no longer accomplish anything by staying in Chang'an, so he went to Shu and "begged to return to the mountain." Xuanzong did not persuade him to stay, but "granted him money and released him." Li Bai began a new round of wandering \x0d\"Once he went to Beijing, he stayed in Liangyuan for ten years. "In the spring of the third year of Tianbao, Li Bai started his wandering life again after leaving Chang'an. In Luoyang he met Du Fu, and in Bianzhou he met Gao Shi. The three poets traveled together to Liangyuan (Kaifeng), Jinan and other places .

Li Bai and Du Fu even forged a profound friendship: "Drunk in sleep in the autumn, we walk together hand in hand." (Du Fu's "Looking for Fan Shi's Seclusion with Li Twelve") After the fourth autumn of Tianbao, Li Bai and Du Fu broke up. He also traveled south to Jiangsu and Zhejiang, north to Yanzhao, and traveled between Qi and Lu, but the longest trip was to the Liang and Song Dynasties. During this period, Li Bai's life was in embarrassment: "He came back with no property, and made trouble like a fluttering tree." He was also very sad and angry: "Destroying the tiger in the threshold, and dragging the eagle down." However, he never lost his optimism and self-confidence. He did not give up his political ideals. He believed that his "talent was still reliable and he was not ashamed to be the best in the world." As politics became increasingly dark during the Tianbao years, more and more of his works revealed the reality, and his spirit of resistance became stronger and stronger, which became a prominent feature of his creations during this period. \x0d\During his long wanderings, Li Bai had more contact with working people and wrote some poems reflecting them. "Gou Lao's House at the foot of Wusong Mountain" expresses deep sympathy for "the Tian family has a hard time in autumn, and the neighbor girl has a cold night in spring." The 14th song of "Qiupu Song" praises the smelting workers: "The fire shines on the sky and the earth, the red stars are scattered with purple smoke. On a bright moonlit night, the song moves the Hanchuan." He is also full of affection for the old man who makes wine, "Crying Xuancheng Good Brewing Ji Sou" writes : "In Ji Ying's Huangquan, old spring should still be brewed. If there is no Li Bai on the night stage, who can sell wine to him?" Praising the great rivers and mountains of the motherland was an important aspect of Li Bai's poetry creation in this period, and he also achieved new achievements. For example, there are many famous sentences describing the Yellow River: "How majestic the Mount Xiyue is! The Yellow River comes from the sky like silk." "The Yellow River comes from the west to conquer Kunlun, roaring thousands of miles out of the Dragon Gate." "Don't you see, the water of the Yellow River comes from the sky and rushes to the sea "Never come back." "Sitting Alone on Jingting Mountain": "All the birds are flying high, and the lonely clouds are alone. I never tire of looking at each other, but only Jingting Mountain" brings the mountain to life. \x0d\In the fourteenth year of Tianbao, the Anshi Rebellion broke out. At the beginning of the Anshi Rebellion, Liangyuan fell, and Li Bai took his wife to seek refuge in the south of the Yangtze River. He wrote many poems to express his hatred for the rebels and his concern for the fate of the country and people. The 19th poem of "Ancient Style" writes: "Looking down at Luoyang River, Hu soldiers are walking in the vast numbers. The weeds are covered with blood, and the jackals are all covered with tassels."\x0d\In the first year of Shangyuan (760 AD), Li Bai traveled from Jiangxia to Yuzhang ( Today in Nanchang, Jiangxi) reunited with his wife. In the last few years of his life, Li Bai was poor and miserable, and his life was very miserable. But he was always concerned about the changes in the current situation. In the second year of the Yuan Dynasty, when the southeast region was in a tight situation again, and the imperial court sent Li Guangbi out of Linhuai (today's Anhui County), the 61-year-old Li Bai still refused to give up this last opportunity to serve the country and planned to rush to Linhuai to participate in the Li Guangbi's army. Unfortunately, he fell ill halfway through and was unable to do so. The next year, Li Bai passed away in Dangtu, Anhui.