What are the fun places in Weicheng District, Weifang?

Anqiu Shijiazhuang Folk Village

Anqiu Shijiazhuang Folk Village is located in Linghe Town, 16 kilometers southwest of Anqiu City. The village has tall trees and dense forests, straight roads and fields; the two-story buildings are arranged in an orderly manner, clean and bright. Flower gardens line the roadside, the hotel is chic and generous, the square is spacious and flat, and the kindergarten is elegant and exquisite, creating a vibrant and prosperous new rural area. With beautiful scenery, civilized rural customs, and honest and hospitable hosts, we welcome friends from Japan, the United States, Southeast Asia, Western Europe and many other countries every year, who come here to follow farm customs, learn farm work, live in farm houses, and eat farm meals. Experience folk customs and enjoy the pastoral joy.

There is a folk museum in this village, which was built in April 1988. It completely adopted local folk crafts, with deep stone foundations, waist-dressing and feet, lime mud walls, and blue bricks with large tips and small tile houses. Shijiazhuang Folk Performance is a typical farmhouse courtyard in the central Shandong area in northern my country, covering an area of ??1,900 square meters and a building area of ??725 square meters. The entire museum is divided into one hall, six rooms and one courtyard. It represents and embodies the farm life and customs in central Shandong in the late Qing Dynasty and the early days of the founding of the People's Republic of China, and is of high value to the study of the politics, economy and culture at that time.

Folk ceremonial halls are places where folk worship gods and perform rituals during festivals. The folk craft room mainly displays folk crafts, such as paper-cutting, embroidery, New Year pictures, etc., showing the artistic talents and interests of the local people. The folk entertainment room displays dragon lanterns, stilts, land boats, lion bags, games and entertainment equipment that are popular in folk festivals. The farm tools room displays various farm tools since the late Qing Dynasty, and hangs a "Four Seasons Production Map" to vividly depict the farmers' farming process throughout the year. The farmhouse living room has a complete range of living utensils, ranging from simple household utensils to exquisite tableware and banquet supplies for entertaining guests. The farmhouse textile room displays old-fashioned rolling, stretching, spinning, weaving, printing, dyeing and other tools, and a large mural "Farmhouse Textile Picture" hangs on the wall. There are calligraphy and paintings hanging on the walls of the village school room, the "Four Books and Five Classics" are displayed on the desk, and the Four Treasures of the Study Room are listed on the tables, recreating the appearance of the private school in those days.

The couplet on the gate of the wedding courtyard reads: "Twin stars in the sky cross, and six rites are completed in the world." There is a sedan chair in the courtyard, and there are incense tables and candles used to worship heaven and earth. The bridal chamber is decorated with wedding decorations and is full of festive atmosphere. Guests from all over the world can hold traditional Chinese classical weddings here and enjoy family happiness.

There is a grinding house and mill in the backyard, as well as a horse-drawn carriage. At the request of tourists, the owner can go grinding or grinding together, or take a carriage to the outside of the village to walk through country roads, fly kites, and enjoy the pastoral scenery.

2 Qingyunshan Folk Amusement Park

Qingyunshan Folk Amusement Park is a large-scale tourist attraction developed and built by the Anqiu Municipal Party Committee and Municipal Government in recent years that integrates tourism, sightseeing, entertainment, investment and shopping. The tourist park covers an area of ??3,000 acres and is called the "No. 1 Park in Shandong". Qingyunshan Folk Amusement Park is located at the intersection of Anqiu City, National Highway 206 and the provincial highway, with very convenient transportation. Qingyun Mountain Folk Amusement Park basically makes use of the original natural mountains, natural lakes, streams and vegetation resources, and plants precious tree species, flowers and large bamboo forests to form a large-scale amusement place that integrates tourism, entertainment, play, eating and living. The park is divided into six scenic spots, each with different characteristics. When you are in the garden, you can see each scene step by step, and the changes are endless, which will make you linger and forget to return.

3 Weifang Fuhua Amusement Park

A variety of celebration activities are dazzling

Fashion avant-garde art-body painting is back again

Mao Zedong Thousands of badges reproduce the glory of the great man

Fuhua Art Troupe's "Golden Autumn Joy" special song and dance performance

Street performance large-scale welcome, unlimited fun, relaxed and exciting

Dear dear friends Friends

Fu Wah Amusement Park is filled with a festive atmosphere every day

On this sunny day

All the staff of Fu Wah Amusement Park have a new look Looking forward to your arrival.

4 Weifang Kite Museum

Weifang Kite Museum is located at No. 66 Administrative Street, Kuiwen District, Weifang City. It was built in April 1989. It is currently the largest professional kite museum in the world. It covers an area of ??1.3 hectares and has a construction area of ??8,100 square meters. The architectural shape adopts the characteristics of Weifang's leading centipede kite. The roof ridge is a complete combined ceramic dragon. The roof is paved with peacock blue glazed tiles and the walls are paved with white mosaics. The entire architectural design style is unique like a dragon flying in the sky, falling and rising again.

The museum has 12 exhibition halls, including the Comprehensive Hall, the China Hall, the Weifang Hall, and the Friendship Hall. In an exhibition room of about 2,000 square meters, there are collections of ancient and modern kite treasures at home and abroad as well as cultural relics and information about kites. There are more than 2,000 pieces, which introduce the history, classification, innovation of kites, the Weifang International Kite Festival, friendly exchanges in the kite industry, and the general situation of Weifang City.

The exhibition mainly displays more than 1,000 fine kites in five categories: tubular, plate, hard-wing, soft-wing, and string kites, as well as more than 300 detailed kite cultural relics, which comprehensively and objectively reflects the Weifang kites. It has a unique style with a wide range of themes, beautiful shapes, fine paintings, and bright colors; it introduces foreign kites with generous ideas, exaggerated shapes, sharp color contrasts, focusing on flying performance, and high research value; it reproduces the previous Weifang International Kite Fair The grand occasion showed the tremendous changes that have taken place in all walks of life under the guidance of the Weifang Municipal Party Committee and Municipal Government’s decision to “set the stage for culture and let the economy perform”.

In 1988, kite organizations from various countries recommended Weifang as the "Kite Capital of the World", and in 1989, the "International Kite Federation" was established. The Kite Museum receives more than 30,000 domestic and foreign visitors every year and has become an important window for Weifang City to open to the outside world.

5 Fuyanshan Tourist Resort

Fuyanshan Tourist Resort is located 12 kilometers southwest of Weifang City, with a total planned area of ??10 square kilometers and a control area of ??23.5 square kilometers. kilometers, 10 kilometers from Weifang Airport, 12 kilometers from Jiqing Expressway, and 13 kilometers from Weifang Railway Station. Fuyanshan Development Zone was officially approved by the municipal government in 1991, and was approved by the provincial government as a provincial tourism development zone in 1993. After seven years of development and construction, Fuyanshan Development Zone has begun to take shape, and has successfully held flying competitions from the 9th to 15th Weifang International Kite Fair. Fuyan Mountain is the tail end of Taiyi Mountains, with Minggong Mountain in the south and Fu Mountain in the north, with an altitude of 161.5 meters. Fuyan Mountain is located between Wangliu Town and the southern half of Fushan Town. The name of Fuyan Mountain originated from the Tang Dynasty. There were originally Fuyan Pavilion, Xijian Thatched Cottage, Yongcui Pavilion, Woyuntai, Chaoyang Temple, Gongsun Hong's Tomb, Lutai Academy and other historic sites on the mountain. Most of them have been renovated. The whole mountain of Fuyan Mountain runs northeast to southwest, with gentle east slope and steep west slope. The mountainous landform is changeable and densely covered with valleys. The top is relatively flat and spacious. The mountains are lush with trees and the scenery in each season has its own characteristics. Shanxi Yifushan Reservoir, the mountains and rivers complement each other, adding a bit of beauty to Fuyan Mountain.

Fuyan Mountain is the only natural scenic spot in Weifang City and a tourist attraction in the city. The Weicheng District Government attaches great importance to the investment and construction of Fuyanshan Tourism Development Zone. It has invested 38 million yuan and has basically completed the construction of infrastructure and some scenic spots. It has built a large archway for Chaoyang Temple and Jinshan, a large kite flying ground and an observation platform. In one place, the main part of Fuyuan Hotel has been completed, and the holiday villa area has been basically completed. Fuyan Mountain is currently planned to be divided into six parts: 1. World Folk Customs Park; 2. Natural Scenery Area; 3. Entertainment Activity Area; 4. Vacation Villa Area; 5. Water Activity Area; 6. Logistics Service Area. Upon completion of the planning, the development zone will become a comprehensive and multi-functional playground integrating entertainment, tourism, commerce, trade and services.

6 Weifang Jinbao Paradise

Weifang Jinbao Paradise is a large-scale comprehensive amusement park for tourism. It is located opposite Shandong Jinbao Commercial and Trade Zone, adjacent to Weifang Civil Aviation Airport to the west and Weizhou Road 206 National Highway to the east. It enjoys unique location advantages. Since Shandong Jinbao Group opened Jinbao Paradise on August 10, 1996, it has also built Jinbao Hotel, Jinbao Bus Station and Jinbao Travel Agency, and has received more than 1 million tourists, including more than 10,000 overseas tourists.

Jinbao Paradise has a total area of ??400,000 square meters, integrating entertainment, viewing, stimulation and participation. It has rich folk customs and unique pastoral style. Entertainment areas, eco-tourism sightseeing areas, suburban agricultural sightseeing areas, and leisure areas are mostly good places for tourism and vacation. There are more than 120 entertainment attractions in the park, such as Kongming Temple, Dangshan Stream, Aerial Cable Car, Century Clock and Park Tram. There are supporting service facilities for viewing and leisure such as Jinquan Temple, Jinxiu Lake Fishing Center, Jinbao Hotel, Jinbao Travel Agency, Jinbao Bus Station can provide you with the best service for traveling and sightseeing.

7 Wanyin Building

Wanyin Building is located 1 km from the center of Weifang, covering an area of ??370 square meters and a construction area of ??380 square meters. It is 7 kilometers away from Weifang Airport and 7 kilometers away from Weifang Airport. 1.5 kilometers away from Weifang Railway Station, Wanyin Tower was founded by Chen Jieqi in the 30th year of Qingguang Dynasty. Because it has collected more than 10,000 cultural relics, it is called Wanyin Tower. Since its opening to the outside world in 1993, it has received more than 8,000 people, including more than 2,000 overseas tourists. Chen Jieqi (1813-1884), a native of Weicheng District, Weifang City, also named Shouqing, was a famous epigrapher in the Qing Dynasty. In the 25th year of Daoguang's reign, he became a Jinshi and was awarded the title of Editor of the Hanlin Academy. In the fourth year of Xianfeng's reign, he resigned and returned home. In the next thirty years, he concentrated on the collection and research of epigraphy and became a master of epigraphy. With his tireless spirit, he conducted epigraphic exegesis and research, and wrote more than fifty kinds of works. The authority in the cultural relics circle said: Not only were his arguments and criticisms superior to those of his peers at the time, it can be said that "there is no one before, and no one will come after." ", his "Inscriptions on Stones and Calligraphy" are unique, simple and solemn, and enrich the art of calligraphy in our country. With his lifelong efforts, he made outstanding contributions to my country's epigraphy and won the admiration of experts and scholars at home and abroad. The Wanyin Tower complex has typical architectural features of Weifang in the Qing Dynasty and has the architectural style of the Qing Dynasty palace. The east building here is the Wanyin Building, which is well-known at home and abroad. There are ten rooms on the second floor of the east building, which display the collection and academic achievements. There are three halls in the west room. The hall displays antiques and collects 11 chimes. Round up the names. It's called "Ten Bells and Three Rooms". The collection of rare treasures includes: Mao Gong Ding, Zeng Bolin Gui

8 Shihu Garden

Shihu Garden was built in the Ming Dynasty. It was originally the former residence of Hu Bangzuo, a doctor in the Ministry of Justice during the Jiajing period of the Ming Dynasty. Chen Zhaoluan (Chen Zhaoluan) of the Qing Dynasty ( During the Shunzhi period of the Qing Dynasty, he served as the prefect of Zhangde) and Guo Xiongfei (as the governor of Zhili during the Daoguang period of the Qing Dynasty) lived here successively. Later, it was purchased by Ding Shanbao, the richest man in Weixian County, for a large amount of money. It was rebuilt in the 11th year of Guangxu in the Qing Dynasty (1885). For private garden.

The "Wat" is a long and narrow hand held by ministers when going to court in ancient times. It is mostly made of jade, ivory or bamboo. Ding Shanbao explained the naming of Shihu Garden in his "Shihu Garden": "It is named Shihu Garden because it is small and easy to get there, and it is also named because of its small size.

"The word "Shihu" comes from "Fayuan Zhulin" written by the Tang Dynasty. In the "Gantong Chapter" of this book, it is said that there is the former residence of Vimalakirti in the Vaishali State of India. King Xuance of Tang Xianqing went on an envoy to the Western Regions and passed through There are only ten wats in the land, so it is called the abbot's room. Later generations used the word "ten wats" to describe the small area of ??the building. This garden covers an area of ??only more than 2,000 square meters. It is indeed a small garden. That’s what I mean.

Although Shihu Garden is small in area, it can present the beauty of natural landscape in a limited space, with subtle twists and turns, which is fascinating. The building has 34 buildings and 67 rooms. It is compact but not crowded, and is immersive, just like in a painting. It gives people a sense of rigorous layout and one scene at a time. It reflects the characteristics of northern architecture and is a classic example of Chinese architecture. A wonder in garden art. The Shihu Garden is rectangular in plan and consists of three ancient building axes in the middle, west and east. The central axis buildings and their courtyards are the main attractions of the garden:

Shihu Garden. The front door of the Wat Thatched Cottage is to the east. The main hall is the Shiwa Thatched Cottage. Its structure is three bays and seven purlins. It has a hard top without corridors and a carved door. There is a plaque written by Chen Jieqi, an epigrapher of the Qing Dynasty, with the words "Countless Green Mountains Worship Thatched Cottage". In front of the hall, there are scattered rocks, flowers and trees, the fragrance of lotus overflows in the pond, and the ripples of blue waves.

Sizhao Pavilion is named because it means that the sun shines on all sides. The pavilion is large and square, with a six-purlin pavilion style. On the top of the mountain, there are benches and railings around. The pavilion is surrounded by water, lotuses, water and moon, which is quite poetic. There is a curved bridge in the west and is connected to the cloister. There is a horizontal plaque inscribed by Cao Hongxun, the number one scholar in the Qing Dynasty, hanging outside the pavilion. There is "Taoyin", which is the handwriting of Gui Fu, a calligrapher of the Qing Dynasty. The couplet on the pavilion column is "The breeze and the bright moon are priceless, and there is love near the water and the mountains far away." The couplet hanging in front of the pavilion is "Looking at the clouds makes me feel ashamed of the tall birds, and I feel ashamed to swim near the water." "Fish". Walk into the center of the pond along the winding corridor bridge and look around. The pond is full of lotus flowers and the scenery is pleasant. The stone tables and benches in the pavilion were where the owner of the garden used to hang around and chant poems. There are bridge railings on all sides where you can sit and watch the water. Panoramic view of lotus flowers and rockery. Where the curved bridge and the cloister meet, there is also a couplet that reads "If you have a heart that never tires of you, you will be happy with everything."

On the north side of the Yuanyue Pavilion, there is "Kite". The four-character stone carving "Flying Fish Leaping" was originally written by Han Yu in the Tang Dynasty in the 20th year of Zhenguan, and was demoted to Yangshan Order as a self-encouragement work. The font is flying and graceful, with a long rainbow of breath, with the style of cursive and official script, and the arrangement is correct and smooth. , making grass and seal script in one furnace, embodying emotions in the book, showing the aspiration of "the sea is wide enough for fish to leap, and the sky is high enough for birds to fly". This four-character rubbing has both form and spirit, and the meaning is followed by the pen. It was published in the 6th issue of "Calligraphy" magazine in 1980 and is a rare treasure. This stone carving in the garden was copied by Zhai Yunsheng, a calligrapher and painter in the mid-Qing Dynasty.

It is as stable as the northeast corner of the Zhouting Pavilion. There is a boat-shaped building called Stable as a Boat, and the pavilion facing the pool is like a boat, hence the name. The pavilion is ingeniously built with a six-purlin roll-up roof. On the north gate of Ruzhou Pavilion, there is a couplet: The mountain pavilion is full of poetry and the willow moon is full of poetry, and the water pavilion is full of lotus breeze.

The rockery pool faces half a rockery in the east. The mountain is 10 meters high and 30 meters long from north to south. It is 15 meters wide and is built with Taihu stone along the gables of the courtyard houses on the east axis. Climbing up the stairs, the mountain path is rugged and jagged with strange rocks. The road turns with the peaks, and its momentum is majestic. There are pools, caves, waterfalls, and mountain gates in the mountains. There are mixed pines and cypresses in the mountains, which are evergreen all year round and will not wither through the winter.

Weixiu Pavilion is built on the top of a rockery. It is taken from the "Drunkard Pavilion" written by Ouyang Xiu of the Song Dynasty. name. In the pavilion, there is a white-drawn stone carving of Jinnong, one of the Eight Eccentrics of Yangzhou, with a charming posture and novel creativity. There is a lone pine next to it, reaching straight into the sky. There is a couplet that reads: Xiaoting Mountain is the top of the mountain, with many sunsets.

Luoxia Pavilion is built at the southern end of the mountain, which is a four-purlin rolling shed-style structure. The interior of the pavilion is inlaid with Zheng Banqiao's hand-engraved stones, one each of "Three Writings and Ink", "Tianyou Rock" and "Inscribed Bamboo", and the hanging "Chat and Shelter from the Wind and Rain" is written by Zheng Banqiao. The couplet of Luoxia Pavilion is: Bamboo is suitable for rain and pine is suitable for snow, and flowers can be used for Zen and wine for immortality.

Yilan Pavilion Down the mountain path, paved with pebbles, located under the corner of the rockery in the southeast of the lotus pond, there is a small pavilion building with a hexagonal spire, named "Yilan Pavilion". This pavilion is small and unique. Sitting on the sill of the pavilion, looking up at the fountain, there are thousands of silver beads, rising and falling; looking down at the swimming fish, they are erratic. The ripples in the pool water are called "ripples"; the clouds in the mountains are called "Lan", hence the name. This name was used for the garden pavilion of Fu Bi, a famous minister in the Song Dynasty. Yilan Pavilion echoes Weixiu Pavilion on the mountain.

Small Canglang Pavilion, opposite to Yilan Pavilion, is a pavilion with pointed roofs at four corners and covered with thatch. Its four pillars are original pine wood buildings, making it more elegant and simple, full of wild charm. The meaning of Canglang is taken from "Mencius Li Lou": "The water in Canglang is clear, and I can wash my tassel; the water in Canglang is turbid, and I can wash my feet." There is a big stone beside the pond under the pavilion, which can be used to wash my tassel. Wash your feet. The poet Su Shunqin of the Song Dynasty once built Canglang Pavilion in Suzhou, which is a famous garden. Xiao Canglang was named after the Canglang Pavilion in the Humble Administrator's Garden in Suzhou. Because the pavilion is smaller, it is named Xiao Canglang. There are stone tables and stone benches in the pavilion, where you can drink tea, enjoy the cool air, and wash your hands.

Cloister Stone Carvings There is a cloister to the west of the pool, which cleverly and organically separates the west axis and the central axis landscape, playing the role of rationally distributing the landscape and increasing the ornamental architecture. The corridor is decorated with carved tusks and there are railings between the columns. Five stone carvings of Zheng Banqiao's bamboo orchid pictures are embedded on the wall of the corridor. At the southernmost end is the "Shihu Garden" written by Ding Shanbao and Hanlin Ding Liangqian, which describes the construction of the garden and its intentions. This is the best historical material of Jukotsu Garden.

At the northernmost end is "Shihu Garden" written by Zhang Zhaoqian and written by Cao Hongxun.

Chun Yu Tower: Going out from the corridor to the north, the two-story building in the west of the courtyard is Chunyu Tower. This building is a three-bay, seven-purlin verandah-style building with a door leading to the building and a corridor, supplemented by benches and railings. The name Chunyu Tower is borrowed from the famous line in the poem "The First Spring Rain in Lin'an" by the Song Dynasty poet Lu You, "The small building listens to the spring rain all night, and the deep alley sells apricot flowers in the Ming Dynasty". Although it was built in the Qing Dynasty, it also adopts the architectural characteristics of the Song Dynasty. When you climb up the building on a rainy day, you can look out the window and it has a unique elegance. The three characters "Chun Yu Tower" were handwritten by Cao Hongxun.

Yanxiang Tower The north building in the courtyard is the main building of Shihu Garden. It was built in the Ming Dynasty and is named Yanxiang Tower. Its structure is two stories, with two bays and five purlins, and a hard top; there is a platform in front of the building, round windows and square platforms, which is antique; there is a front porch outside the door and window upstairs, which is protected by railings. Inkstone Tower is the place where the original owner of the garden collected books and studied. Its name is borrowed from the sentence in Tang Dynasty poet Li He's "Yangsheng Blue and White Purple Stone Inkstone Song" "The gauze curtains are warm in the day, the ink flowers are spring, the light is soaked in the foam, the pine trees are heavy, and the musk is heavy", that is to say During the day, the study is as warm as spring. When you grind the ink to create patterns, the ink emits bursts of pine and musky scent, so it is named after this meaning. Standing upstairs and looking forward, you can have a panoramic view of Shihu Garden, including "rockery cliffs, waterfalls and springs, lotus ponds and fields of lotus leaves, and fields of lotus leaves." Chinese and foreign calligraphers and painters often gather here to communicate. Just like the poem goes: If you want to be drunk in the Chunyu Tower, the inkstones are fragrant in the Shihut Hall; the bridge leads to the Sizhao Pavilion, and the small Canglang waves are flowing.

Ten Wat Gardens (continued)

Quiet as a mountain house. There is a row of west wing rooms with eight bays on the west axis. The courtyard is called the garden in the garden. From south to north, the first one is the Quiet Mountain Room, which means quiet, elegant and clean. It is a relatively high-end guest room.

Qiu Sheng Pavilion is named after Ouyang Xiu's "Qiu Sheng Fu". It is a place where guests stay. There is a bench and railing in front of the pavilion.

Shenliu Reading Hall The north hall in the west courtyard of the garden is called Shenliu Reading Hall. The poem "Que Ti" written by Liu Shenxu, a poet of the Tang Dynasty, contains the sentence: "With the door closed to the mountain road, deep in the willow reading hall", because it was borrowed as the name of the book school, it means that his interest is in reading and he is not easy to socialize. He is deep in the willow shade. I happened to be reading in the main room. In the Qing Dynasty, He Guoge, He Rihao, Qian Xianggao, etc. all used this as the name of their study.

Songfen Bookstore Pass through Shenliu Reading Hall and enter the small courtyard. The north hall is Songfen Bookstore, which is the study room of the garden owner. The hall is gleaming with carved beams and painted pillars. In the backyard of this hall, there is a wing in the west, and the north hall is named Xue'an. After Kang Youwei visited Shihu Garden, it was renamed "Little Book Nest".

Biyunzhai is located on the east axis, with four courtyards including Biyunzhai. Biyunzhai is the home of the owner of the garden, which means the blue sky and the clear sky. There are small corridors on the east and west. In the east corridor, there are 10 bamboo and stone carvings painted by Feng Qizhen, with inscriptions and postscripts by Dong Qichang, Xing Dong and Li Ye respectively. In the west corridor, there are embedded bamboo and stone carvings painted by Zhao Ziyong. On the painting, Zhao Ziyong wrote a poem by himself, saying: "When writing about bamboo, I should be a teacher of bamboo. Why should I imitate the ancients? I know my mind, my eyes, and my hands, and I can understand my spirit when I write." There are many other stone monuments in the garden.

Chenghuang Temple Monument The monument is 1.90 meters high, 0.80 meters wide and 0.20 meters thick. The inscription has 20 lines, with 47 characters in each line. It was written and written by Zheng Banqiao. The entire text is in regular script, which is extremely rare in Zheng's calligraphy. It is called the "Three Unique Steles". Zheng Banqiao did not believe in ghosts and gods. In his inscriptions, he said that gods were created by humans and that divine power was granted by humans. He had simple materialistic ideas and was regarded as unique. The calligraphy is a masterpiece of Zheng Banqiao's regular script, which is said to be unique. The alchemy stone was engraved with paste by Situ Wen, a master of his craftsmanship. It does not lose the meaning of the writing and is exactly the same as the real pen, which is another unique thing.

The Tang Dynasty Iron Buddha statue was unearthed in 1962 at Shifo Temple in Weicheng District and is now in Shihu Garden. According to "Weixian Chronicles" and inscriptions, the Shifo Temple was known as the Iron Buddha Temple before the Song Dynasty. The Iron Buddha Temple was destroyed and rebuilt into the Stone Buddha Temple, and the Iron Buddha was buried underground. The iron Buddha statue is 3 meters high, 2 meters wide and weighs about 5 tons. The lower part and hands were damaged and were cast in sections, reflecting the superb casting techniques of ancient foundry artists. The Iron Buddha statue sits cross-legged, with its left hand on the chest, and its right hand stretched forward. It has a plump and dignified face, a raised nose, a wide forehead and plump cheeks, slightly closed eyes, a kind smile, beautiful hair in a high bun, and a belt-style coat. Yingluo has a beautiful shape and reflects the typical artistic style of the Tang Dynasty. It is a rare giant iron Buddha statue in my country. The Turtle and Snake Monument was originally located in the Yuqing Palace in Weicheng District, with the word "turtle and snake" written on it, hence its name. The title of the monument was written by Tan Chuduan, a Taoist priest from the Jin Dynasty. The two characters "turtle and snake" are written in pictographic cursive script. The font is flying and vigorous, majestic and can be written in one stroke. Yuqing Palace is a Taoist temple. Taoism believes that the god of the north is Xuanwu, whose image is a combination of a turtle and a snake. Taoist Tan Chuduan wrote these two words meaning "respect for Xuanwu". When Taoists worship Xuanwu, they place images of turtles and snakes next to them. Wen Zhengming's stone carvings Wen Zhengming, a Ming calligrapher and painter, was born in Suzhou, Jiangsu Province. At the end of Zhengde, he was recommended to the Ministry of officials by tribute during his lifetime, and was appointed to the Hanlin Academy to await imperial edicts. In the early years of Jiajing, he preliminarily revised "Wuzong Shilu". He did not agree with Zhang Cong and Yang Yiqing, so he resigned and returned home. His cursive writing has Zhiyong's legacy, his large characters imitate Huang Tingjian, and he is especially good at small regular script. He is good at painting landscapes. He learned from the Song and Yuan Dynasties. His brushwork is green and elegant, and he is known as the "Wu School". Together with Shen Zhou (or Zhu Yunming), Tang Yin, and Qiu Ying, they are also known as the "Four Ming Schools". He also discussed poetry and prose with Zhu Yunming, Tang Yin and Xu Zhenqing, and was known as the "Four Talents in Wuzhong". There is "Futian Collection" handed down from generation to generation. The content of the stone carvings in the garden is: All things have been wiped out over the years, but unwarranted calligraphy and ink remain. The gulls cast elixir powder for the sake of luck, and wrote a book for the geese. Dong Qichang's calligraphy stone carvings Dong Qichang, a Ming Dynasty calligraphy painter, courtesy name Yuan Zai, nickname Si Bai, Xiangguang layman, was born in Songjiang, Shanghai. Wanli became an ugly Jinshi, and he was appointed as the Minister of the Ministry of Rites and Zhan Shifu of Nanjing. He is famous at home and abroad for his calligraphy and painting. Zongbei is a painter of landscapes. His works are graceful and lush, and transcendent. The calligraphers Zongyan and Yu also studied Zhong and Wang. They are sparse and graceful, which is quite distinctive.

This stone carving is a piece of Dong's calligraphy: lingering in the water but not flowing, how can I pick up the gold and green; greeting the morning with plain flowers, leaving the past alone in the morning. There is a postscript by Yu Zhi (Danyuan) below: "Yang Jun Runxuan has both carved the Hengshan book and the stone on this volume. This is also an old possession of my family. His writing power is like that of Li Beihai. Yi Mao Qiu Shi." Zhang Ruitu stone engraving by Zhang Ruitu (A.D. 1576-1641), a native of Jinjiang, Fujian Province in the late Ming Dynasty. In the sixth year of Tianqi (1626), he was Shangshu of the Ministry of Rites and a bachelor of Dongge University and joined the aviation industry. At that time, Wei Zhongxian was in charge of affairs, and most of the inscriptions on Zhongxian's temple were written by him. Let's go at the beginning of Chongzhen. Decide against the case and redeem the people. He is good at landscape painting and calligraphy, and is as famous as Mi Wanzhong and Dong Qichang. There is "Baihao'an Collection". The content of the stone carvings in the garden is: After a night of spring rain, thousands of fields have become green; if you don't know what you want, it means that you are fasting and cooking enough. Zheng Banqiao Special Exhibition Room Zheng Banqiao (AD 1693-1765), named Xie, also named Kerou, also named Li'an, also known as Banqiao, was born in Xinghua, Jiangsu. He was born into a poor family, has a loose temperament, is careless about trivial matters, and is regarded as a madman by many people. The magistrate of Wei County in the Qing Dynasty, one of the "Eight Eccentrics of Yangzhou". He was a scholar in the Kangxi period of the Qing Dynasty, a scholar in the Yongzheng period, and a Jinshi in the Qianlong period. In the spring of the seventh year of Qianlong's reign in the Qing Dynasty (1742), he was appointed magistrate of Fan County. In the 11th year of Qianlong reign of the Qing Dynasty (1746), he was transferred to the post of magistrate of Weixian County. Zheng Banqiao served as the magistrate of Weixian County (today's Weifang City) for 7 years. His greatest political achievement was the relief of disaster victims. At that time, a severe drought that had never happened in a century occurred in Weixian County, and a large number of victims were displaced. "Sell a son in ten days, sell a wife in five days, and you will have one body left one day. The road is long and boundless..." is a portrayal of that time. He took decisive measures: on the one hand, he first opened a warehouse to provide loans, and asked the people to borrow grain with coupons, and on the other hand, he reported it to the superiors. He sealed up all the households that accumulated millet, regardless of gentry and merchants, and charged them with living. They also built city walls, dredged city rivers, and used work as relief. "I am lying in the Yazhai listening to the bamboos. I suspect it is the sound of suffering among the people. I am a small official in Caozhou County. I care about every branch and leaf." He always cared about the people and tried every means to save the people from fire and water. Therefore, he offended the interests of the wealthy gentry and wealthy businessmen, and was falsely accused and dismissed from office. . Zheng Banqiao has achieved great achievements in poetry, calligraphy and painting, and is known as the "Three Wonders". His paintings are beautiful and vigorous, free and full of interest, especially good at orchids, bamboos, and stones; his poems emphasize true feelings, are proud and generous, and are compassionate; his calligraphy is composed of regular script, running script, cursive script, and official script, which is mellow and ancient. , self-titled "Six and a half books". He is the author of "Banqiao Collected Works", "Banqiao Family Letters", "Banqiao Poetry Notes", etc. Zheng Banqiao has a certain status in the history of Chinese literature and art. Mr. Xu Beihong said: "Mr. Banqiao is one of the most outstanding figures in China in the past three hundred years. His thoughts, articles, and calligraphy and painting are especially wonderful. Looking at his poetry, calligraphy and painting, one can not only see the sublime, but also the kindness and wonder. , especially rare talents in ancient and modern times." The special exhibition room of Zheng Banqiao has four parts: the first part is the preface, in addition to texts and objects, there are also portraits and statues of Zheng Banqiao; the second part focuses on the exhibition of Zheng Banqiao's legacy in Wei County. Among the inscriptions, there is the original stele of "City God's Temple Stele" written and written by Zheng. There is also a stone inscription in the courtyard, which is "Run Ge" written by Zheng Banqiao. It is a combination of real and official script and mixed with running cursive. It is one of his calligraphy masterpieces; thirdly Part of the display displays Zheng Banqiao's handwriting and text diagrams, etc., introducing Zheng's life and artistic achievements; the fourth part displays contemporary papers and monographs commemorating and studying Zheng Banqiao.

10 Yunmen Mountain

Yunmen Mountain is one of the first batch of provincial scenic spots announced by the Shandong Provincial Government in 1985. It is located 2.5 kilometers south of Qingzhou City, with an altitude of 421 rice. The plain is covered with pine trees. Although it is not high, it has the potential to reach thousands of feet. It has been a famous mountain in central Shandong since ancient times. The main peak, Da Yunding, has a cave like a door, connecting the north and south. Looking from a distance is like a mirror hanging high. In summer and autumn, clouds and mist pass through the cave like rolling waves, holding the temple on the top of it, looming, ethereal, like a fairyland, and majestic. It is so spectacular that it is called "Yunmen" or "Yunmen Wonderland".

There is a natural stone cave on the south and west side of the main peak Yunmen Cave, which is unfathomable. When the air pressure is low, steam often emerges, which is called "Yun Cave". Yunmen Mountain is as lush as the sea of ??pines and cypresses, with steep cliffs and charming scenery. It is located in the south of Qingzhou Prefecture and looks like a natural barrier. Yunmen Fairy Mirror has always been favored by both Buddhism and Taoism. There are 5 large and small grottoes and 272 statues on the sunny slope of Yunmen Mountain. In Yunmen Mountain, there is a huge stone inscription with the word "Shou" on a cliff that is rare in the sea. It is known as "Yunmen Xian Shou". It is "written by Ji Yang Zhouquan, the head of the Heng Mansion, on the 9th day of September in the 39th year of the Jiajing reign of the Ming Dynasty". On the east side behind Yunmen Mountain, there is also the "Wanchun Cave" comprehensively constructed in Jiyang. The main peak of Yunmen Mountain is named "Big Yunding". It is shaped like a fish spine and runs east-west. There are many temples and palaces on it. The palace of "Emperor Dongyue" is planted on the top of the mountain, and a tree dedicated to "Mount Tai Mother" is built. Langfeng Pavilion is built in the east and west. Panshan stone level 968. Climb to the top of Yunmen Mountain and look to the west to see Tuo Mountain and the large and small peaks in the southwest. The undulating mountains are very spectacular. The "Celestial Jade Girl Temple" and "Wangshou Pavilion" in Yunmen Mountain are built with red walls and green tiles, which are antique and majestic.

11 Ouyuan

Ouyuan, located on the east side of the middle section of Ouyuan Street in Qingzhou City, was originally the private garden of Feng Pu, the great scholar of Wenhua Palace and the crown prince during the Kangxi period of the Qing Dynasty. It is commonly known locally as "Feng's Garden". This garden is not large in scale. Because it is a rare existing "Kangxi style" garden building, it has high architectural and cultural value.

There are many theories about the history of Ouyuan. Some people believe that it was rebuilt from the East Garden of Prince Heng’s Mansion in the Ming Dynasty. In the 23rd year of Chenghua reign of Emperor Xianzong of Ming Dynasty (AD 1487), Emperor Zhu Jianshen named his seventh son Zhu Youmujun as Prince Heng, and in the twelfth year of Emperor Xiaozong's reign of Ming Dynasty (AD 1499), he granted vassal status to Qingzhou.

While King Heng built a magnificent palace, he also built a garden outside Donghua Gate, named East Garden. According to the regulations of the Ming Dynasty, the layout and size of the East Garden were similar to the Imperial Garden in the Emperor's Palace. At that time, all the facilities in the Imperial Garden were also available here, but on a slightly smaller scale. About 180 years later, before retiring and returning to his hometown, Feng Pu, the Wenhua Palace scholar and crown prince of the Qing Dynasty, dedicated his Wanliu Hall in Beijing to the emperor, and the emperor gave him the East Garden of the former Prince Heng's Mansion. Feng Pu renovated and renovated the East Garden, which was named "Ouyuan". This statement is quite popular in urban and rural areas of Qingzhou, but it has no written basis. What is now well-documented is: Feng Pu (1609-1692 AD), also named Kong Bo and Yizhai, was a Jinshi in the third year of Shunzhi in the Qing Dynasty. He has successively served as a scholar, editor, bachelor of the Hongwen Academy, right minister of the Ministry of official affairs, and minister of the Ministry of punishment. "Duan is agile, skilled, diligent and diligent", which won the emperor's trust. In the tenth year of Kangxi (AD 1671), he became a bachelor of Wenhua Palace. The following year, he wrote a letter begging for leave, but Emperor Kangxi was reluctant to give it up, so he gave instructions: "You are sixty-four years old, and you are not old. You will retire when you are seventy!" In the 21st year of Kangxi (1682 AD), Feng Pu was 74 years old. He was allowed to take leave because of his old age, and he was made the crown prince and tutor. He died at the age of 83. He had a thirst for talent all his life and was good at poetry. His "Jiashan Tang Collection" has been handed down to the world. "Qingzhou Prefecture Chronicles" written by Xianfeng of the Qing Dynasty records: After Feng Pu returned, he opened a garden in the south of his residence, built a rockery, planted strange rocks, and surrounded it with bamboo trees, which was called Ouyuan. It has a history of more than 300 years.

The original appearance of Ouyuan, according to "A Brief Introduction to Ouyuan" written by Feng Pu's great-grandson Feng Shiji, was originally a group of ancient buildings that combined residences, ancestral halls and gardens. In addition to numerous bamboos, trees and flowers, the main architectural facilities are: Yishan (artificial rockery, divided into three peaks in the east, west and middle), Yitang (Jiashan Hall), Ershui (cave spring water, waterfall water), Ershui (cave spring water, waterfall water), Gate (Ouyuan Gate Wooden Green Gate), Three Bridges (Big Stone Bridge, Hengshi Bridge, Waterfall Bridge), Three Pavilions (Yunjing Pavilion, Green Ge Pavilion, Songfeng Pavilion), Four Ponds (Fish Pond, Reservoir) , square pool, waterfall pool), five pavilions (Youshi Pavilion, Wenshan Pavilion, Yicao Pavilion, Jinqiao Pavilion, Woyun Pavilion). The Taihu stone in front of the pavilion is the best of its kind. In addition, there are also buildings such as small studios, secluded rooms, and mountain teahouses. There is a plaque on the gate of the garden with the word "Ouyuan" written on it. The four stone screens inside the door are engraved with the seal script of King Gaotang of the Ming Dynasty. By the end of the Qing Dynasty, "the mountains, rocks and trees probably existed, but they were extremely deserted" (Yidu County Map Chronicles by Guangxu of the Qing Dynasty), and only one mountain, one hall and one pavilion remained.

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