A few misty rains, a few dreams. -Remember a trip to Daozhan Village?

Fireworks fall, leaving only pale yellow memories, infiltrating your tenderness.

A few misty rains, a few dreams.

I wanted my roommate to go out to play before. I thought for a long time and wanted to see something different, so I set off happily.

As we all know, the road was blocked. I walked three kilometers from the school gate to the only bus stop nearby and waited for half an hour.

Take 90 1 to Luoyang Road Station Folk Culture Village. That is to say, from the Longmen Scenic Area in Luoyang to the southeast, there is a newly-built Xuanzang Avenue, which crosses the Yi River along the avenue and comes to Daozhan Village under Wanan Mountain.

What is the origin of Daozhan Village?

Daozhan Village, located in Zhuge Town, Yibin District, was once rich in fine wine.

According to legend, when Emperor Qianlong visited here, he drank his glass upside down and gulped it down. To commemorate this event, the people changed the name of the village to "Daozhan Village", meaning "Daozhan", and then wrote "Daozhan". Most of the Taoist warriors are descendants of the "Nine Old Men", and Xiao Daozhan once walked out of General Wuwei and the Prefect of Shanhaiguan. Nowadays, in Daozhan Village, brewing has not been handed down, but the pig industry is booming, and many villagers rely on it to get rich.

Into the gate, a "home"? Words come into view, giving me a very cordial feeling. ?

Road corridor

Why not take a picture below? Because everyone is everyone? !

The first thing I saw was a restaurant called "Iron Rooster".

Located at the foot of the mountain, the house inside is very distinctive. {The proprietress is also very beautiful.

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The house gives people a sense of the times, but it also highlights the modern aesthetic feeling. There are some photos hanging outside the door.

A group of Buddha statues are carved on the loess slope next to it. At present, there are 12 groups of Buddhist niches. The Buddha statue is carved with clay sculpture relief. People can see it at a glance when they enter the scenic spot and walk to the bottom of the slope. Different styles of painting, full of local characteristics.

Compared with the Longmen Grottoes five kilometers away, its style is casual, its brushwork is rough and wild, and its expression is as good as the Romans do, and it is kind as a neighbor. It is consistent with the worship style of one house, one kiln or courtyard well temple in the surrounding villages, and has a strong local fireworks atmosphere.

Buddhism has flourished around Luoyang since ancient times. Decades ago, there were temples in every village, and every family offered sacrifices to the Buddha.

Galand in Luoyang records that there were only over 70 famous temples in Luoyang during the Northern Wei Dynasty, and the Longmen Grottoes, which started construction at the same time, lasted for hundreds of years and reached its peak in the Tang Dynasty. Within a few kilometers, you can still see exquisite sculptures of Buddha statues such as Shuiquan Grottoes and Su Yu Ancient Piles. It can be seen that Buddhism has a large scale in Luoyang in history, which has influenced the whole world.

With the bedding and edification of long-term Buddhist culture in history, faith has long been integrated into the blood of local people's believers, and has been embodied in all aspects of life in various ways, forming a hardworking and kind-hearted simple folk custom.

Compared with the royal majesty and dignity of Longmen stone carving, the image of Buddha among the people has long been soaked with fireworks. Buddha is a neighbor, a loving mother of strict father, a dutiful son and a good wife.

The Buddha in Daozhan Village has a strong local flavor. It is smoked by smoke, watered by sweat cultivated on the yellow land, awe of gods and ancestors, and the embodiment of people's yearning for a better life.

The only seven-level pagoda with clay sculpture relief evokes distant memories, with persimmon red memories.

There is a stockade in Shangzhuang village, which is still called the second stockade of Donglaoguan by the old people. According to legend, in the Eastern Han Dynasty, Dong Xuan, praised as "compelling" by Emperor Guangwu Liu Xiu, lived in this stockade.

When I was a child, I stood at the east end of the village and looked out. A pagoda on the hillside looks solemn and mysterious in the morning light. The villagers got up early to go to work, and Penny walked slowly through the tower with a plow.

Persimmon trees scattered on the gully slope are covered with red fruits, and children bury immature persimmons in the stream beside the tower.

The twelve niches in Daozhan Village vary in size and are arranged in an orderly way. Maybe you can't understand the honorifics of Bodhisattva and Lohan, but if you look closely at those unfinished clay sculptures, you will find that those faces are not exquisite, but you will feel deja vu. I believe that every Buddha statue will not be carved by a believer, but should have a template. I think that is the belief and kindness that is deeply rooted in people's hearts, that is, you, me and him around you.

"Practice, realize the Tao and become a Buddha", from man to Buddha, man is kind and keeps good, so Buddha is the person who sweeps the floor in Zhuge Street; It is the aunts who are enthusiastic about guiding the way in Daozhan Village; Licun Street is a mechanic who tells the long history of Xianning Village, Dong Tang and Ren Li Hutong. I miss a spring in front of grandma's temple. She is the elder sister of the Southern Song Dynasty Zhuang who carries water in hot summer.

Buddha is the person who has been here before, and man is the future Buddha. If you are devoted to goodness, the Buddha will live in your heart, and there will be a Buddha in your heart and a Buddha in your eyes.

More than 600 years ago, the area around Daozhan Village was basically barren. At that time, a group of people migrated, cultivated land in Nanpogou and dug kiln to live here, which made it crowded. Where did these people come from?

We found the answer in Wang Yanyong, a member of China Folk Writers Association and president of the Municipal Sculpture Research Association.

Daozhan people participated in the compilation of the genealogy of Daozhan's first surname, Wang Jia. According to him, in the early years of Hongwu in the Ming Dynasty, an old woman of Wang crossed the Yellow River from Shanxi with her nine sons, that is, "Nine Old Men went to Henan". After "Jiu Lao" arrived in Luoyang, he lived in a ditch on the west hill of Longmen, and the population gradually flourished. This ditch is named "Wanggou".

There is a temple in the north of Wanggou, namely Huang Jue Temple. There is a little monk in Huang Jue Temple. He is very naughty. More than once, he ran to the nearby monument of Wang Jiazu to pee. Wang Jia was furious: How can you be so disrespectful to Wang Jiazu! Repeated attempts to stop it failed and the temple theory was discovered. As a result, the dispute escalated and eventually led to bloody conflicts. After a group fight, the young monk was killed.

In order to calm things down, the government will demand property from the Wangs. People in Wanggou got wind that "Nine Old Men" fled overnight with their relatives and friends.

Wanggou people moved to different places respectively, and now Daozhan Village is the "second child" among the "nine old people"-the place where Wang Jing led the whole family to move. At that time, Wang Jing had four sons, who were the original "four kings" of Daozhan Village. Today, Daozhan Village has merged with the foreign surname, with a population of nearly 4,000, but it is still dominated by Wang Xing.

Wang Yanyong said that the distribution of "nine old people" in those years was: they lived in Chenlizhai for a long time, Daozhan for the second time, Huaishu Street for the third time, Wangtun for the fourth time, Xutun for the fifth time, Xiawan for the sixth time, ranking among the top seven, Shanggao Village for the eighth time and Zhuge for the ninth time. Hundreds of years have passed, and now there are tens of thousands of kings.

Wang's genealogy records the history of Daozhan village, but the bloody conflict in Wang's genealogy can only be summarized as "forced by the times". Perhaps only by walking on the bridge can we feel some answers.

Daozhan Folk Culture Village built this covered bridge, also known as Jiulong Bridge, to remember this tortuous history, to commemorate these nine elderly people who left their homes, and to let future generations thrive.

You are looking at the scenery on the bridge, and the scenery under the bridge is looking at you.

What truly reflects the characteristics of folk customs, even if there is this.

There is also an educated youth point, old kerosene lamps, boxes and bedspreads. ...

At the end of the village is a walled village with three gates. There are three Chinese characters "happy village" hanging in the middle. There are pavilions and red lanterns hanging on the rostrum, which is very imposing.

There is a rockery by the wall of the village called Sima Jian, which tells the story of Sima Guang smashing a jar. Many tourists stop here and recall the familiar stories they heard when they were young.

From the path, you can go up to the village wall. On one side is the "gourmet street" of this ancient village, and on the other side you can see the whole picture of the village.

Overlooking the whole village, I don't know whether the ancient village is dotted with green plants or green bricks and tiles. It is quiet but full of vitality.

For a moment, I thought I was in Wuzhen, or the ancient city of Fenghuang.

Generally speaking, Daozhan Village is still under construction and is still developing.

It looks like a castle, doesn't it?

But this is just a model of stone accumulation.

Back at the door, I was lucky enough to see the solo exhibition of the famous painter Wang Junjie on display upstairs. Let's enjoy it together.

After watching it, accompanied by Xia Guang, I went back to school by bus.

In the car, I couldn't help thinking deeply: the Daozhan village I saw in reality is very different from what I saw in the propaganda picture. Since it is an ancient folk village, why is it completely modernized?

Although a moment has certain aesthetic feeling, will it last in your heart for a long time? Nowadays, tourism drives the economy of many places. Is the business atmosphere too strong?

Are its original features really displayed? Have we really preserved the original ecological folk culture and passed on the simplest and oldest traditions? Is it blind development and inheritance?

At this rate, are the descendants here still residents of ancient villages? I think they will be very modern.

Is this a real ancient folk village? Sorry, I only see rows of shops.