"Fat Man Action Team" is a Japanese travel film disguised as a hard comedy

Last night I bought a ticket to watch the domestic comedy movie "Fat Man Action Team" without incident. Judging from the ratings, it seemed to be pretty good. It was directed by Bao Beier and starred by Bao Beier.

Although I was mentally prepared for the routines of domestic comedies, I still felt a little bored when I started watching it. It’s not that the movie is not funny, I just feel that I have watched too many similar movies and I am tired of aesthetics. For this kind of shallow comedy Hard comedy is a bit boring. Although I couldn't help laughing in some places, I was never as involved as others present.

In addition, the background of this film is almost entirely set in Japan. Although the protagonist and most of the important supporting roles are set to be Chinese, it can barely be called a domestic film, but it gives the impression that this is a Chinese film. Japan tourism promotional video.

As a commercial film, "Fat Man Action Team" is undoubtedly a success. After all, Bao Er is a first-time director. It seems unrealistic for a new director to make a blockbuster that can meet market demand and has depth. . Making a movie is a commercial activity. If the subject matter is profound and meaningful, but the majority of "vulgar" moviegoers don't buy it, then the director and investors will not be encouraged to make the movie. In the final analysis, it is determined by market demand.

I hope Bao Beier can find a style that suits him in future works, achieve a combination of elegance and vulgarity, and shoot more film and television works that pay equal attention to both connotation and box office.

Although we have the impression that film and television works are not necessities of life, from a macro perspective, cultivating our own film and television culture as Chinese people is related to the future of the country and nation. If we blindly allow foreign film and television culture to occupy our market, such as the early Japanese and Korean wave and the always leading Hollywood film culture, we will be unknowingly subjected to cultural invasion. Therefore, I hope that everyone can support more domestic films, and that domestic directors will not blindly cater to the market, but should take art into consideration and work hard to find good scripts and make some meaningful film and television works.

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