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The Lu style interior painting techniques were first introduced from Beijing. During the Guangxu period of the Qing Dynasty, Wang Fenggao of Xieshun Village in Boshan went to Beijing to do business. He learned that Zhou Leyuan, an artist in the capital, was familiar with the art of interior painting, so he visited Zhou Leyuan many times, hoping to get a glimpse of the art of interior painting. Once, Wang Fenggao saw the hook-shaped bamboo pen used to draw inner paintings and learned the secret of inner paintings. So, he returned to Boshan to study behind closed doors, repeatedly explored the techniques of interior painting, and gradually mastered some preliminary techniques of interior painting. However, because he was not good at painting, he did not make any great achievements in the art of interior painting. In the 16th year of Guangxu in the Qing Dynasty (1890), Boshan painter Bi Rongjiu learned the art of interior painting from Wang Fenggao. After careful study and repeated consideration with local painters such as Sun Tanpu and Xue Xiangdu, he finally mastered it skillfully. Internal painting technology. The painters gradually formed their own style by combining the characteristics of Boshan local art, especially ceramic art, thus laying the foundation for the art of Lu style interior painting (Boshan interior painting).

As a traditional local craft, the traditional artistic characteristics and essence of Lu style interior painting are mainly reflected in the five words "glaze", "melting", "noble", "full" and "wonderful". "Glaze" means that the pigments used in the inner painting are the glaze colors used on porcelain. The glaze is used to paint on the wall of the inner painting pot, and is baked and fixed at high temperature. This overcomes the weakness of the inner painting from fading when exposed to water, making the inner painting products easier to collect and use. ; "Rong" refers to the Lu style inner-painted snuff bottles integrating calligraphy, painting, and sculpture, integrating the craftsmanship of Boshan colored glaze with traditional Chinese painting, oil painting and other artistic techniques. When composing the picture, the outline and material of the pot base must also be considered. , colors, etc., and reasonably place the inner paintings and inner books in it; "expensive" means that the color materials are expensive and there are many types. The Boshan area is rich in colored glaze, with various types and hundreds of colors, including many valuable varieties, such as Yingqing (blue colored glaze colored with crystal material), Jinhong (colored glaze with red gold as coloring material), Pao Silk (glazed material is used to draw silk into a flat surface), enamel, chicken liver stone, etc. The interior-painted snuff bottles made with these colors are more exquisite and reflect the uniqueness of Lu School interior painting art; "Man" refers to the composition of the picture Full and smooth lines. In 1958, Xue Jingwan invented the inner painting brush, which made the lines of inner painting more flexible and slender, and enhanced the expressive ability of inner painting art. This was also one of the important reasons for the change in the theme of inner painting. After the popularization of brushes for inner painting, Lu style inner painting began to turn into works with more grand scenes, which concentrated many figures into a pot, such as Li Kechang's "Luoyang Xingdian Tu" and Wen Xiangjun's "Hundred Beauties" , Sun Jijie's "Hundred Sons", etc., the characters in the picture are detailed and the animals are lifelike; "Miao" means that the author "embodies emotions in the scenery", combining his true emotions and understanding of traditional culture with modern aesthetic tastes , expressed in the works, giving the works a deep, profound, meaningful and implicit artistic conception.