Hierarchical categories of tourist attractions

History, culture, places of interest. Appreciation of her beauty requires not only the understanding and appreciation of the external environment, architecture, and landscape customs, but also requires a considerable interpretation of her historical and cultural background and humanistic stories in order to more deeply perceive her beauty and moving parts. There are certain requirements for tourists. They must have certain cultural literacy and knowledge and an understanding of historical allusions, so that they can deeply appreciate her touching beauty, her natural beauty on the outside and the unified beauty of her profound connotations. The story deepens her beautiful charm, but not everyone can perceive it, and their understanding is not the same. For example, in the "Yuewang Temple" on the edge of the West Lake, some people see Yue Fei who "serves the country loyally". Others saw the "foolish, loyal and ignorant" Yue Wumu. Just like Diao Chan's beauty lies not only in her appearance, but also in people's admiration for her political dedication to save the Han Dynasty and alienate Lu Bu and Dong Zhuo. Her beauty reveals her noble style, but there are also ambiguities. It is unchaste for a woman to marry two husbands. Different opinions will produce different aesthetic tastes, and opinions vary slightly.

Garden art

(including royal gardens and private gardens) can be called "art" because it combines the beauty of nature, humanistic ingenuity, history and culture, and the various exquisite craftsmanship of predecessors. The skills are condensed and micro-gathered in the small space of nature - the garden. It is derived from nature but is higher than nature. It is a masterpiece in the long history of humanities and art. It absorbs the essence of heaven and earth, condenses the ingenuity of the past and present, and combines the ideas of the garden builders (such as the Humble Administrator's Garden, Tuisi Garden, etc., all contain profound meanings). It is a bonsai that combines the best ideas in a microcosm to reveal the true nature of garden art. Appreciation of her requires higher cultural knowledge and aesthetic appreciation. It is a tasteful enjoyment, an elegant and exquisite pleasure, the unity of ancient aesthetics and exquisite craftsmanship, and the highest state of art. For her beauty, we need to taste it slowly and chew it carefully, look at it for thousands of times and think about it more and more, and use our imagination to see it more and more wonderfully; but it is not easy to truly understand it, nor is it easy to just taste it. Therefore, Suzhou gardens pay attention to the following key points when appreciating: change the scenery step by step. If you take a few steps and change the angle, you will have different feelings about the landscape in front of you. Just like a calligraphy and painting by an ancient celebrity, you can only enjoy it if you understand its historical and cultural background, the profound artistic conception the author is trying to express, and further understand the artistic charm, profound attainments, wonderful conception, and expressive power of ink color of the painting. The value is the same; otherwise it is neither as bright and diverse as modern paintings, nor as real and colorful as color photos. Therefore, many people may not be able to understand the profound and profound beauty of garden art. The beauty of the garden is more like that of Wang Zhaojun. The profound and dignified inner beauty further optimizes the touching appearance of the outer beauty. Zhaojun took the initiative to ask for a marriage, and she was willing to sacrifice everything for the integrity and tranquility of her motherland, ensuring that there had been no war between the Han Dynasty and the Xiongnu for more than sixty years. Her beauty was even more sublime and great, and even closer to perfection.

In fact, most of the landscapes in reality are mixed. The beauty of natural landscapes will attract elegant people from all over the ages to come here, and it will also add historical, cultural and cultural attractions. Garden art itself is a condensed microcosm of natural beauty and history and culture, the essence of which is chewed up and spit out from many elements and emotions: there is a scene in the garden, and there are mountains and water; there is a garden in the scene, and the water is as heavy as the mountain. The coordination of the inside and outside of the garden with the natural scenery is an extension. Ancient man-made gardens paid great attention to "borrowing scenery", harmonizing with the natural scenery outside the garden and complementing each other's interior and exterior. Royal gardens such as the Summer Palace, Beihai, and Summer Resort are the masters of this, because royal gardens have strength (people, wealth, and materials) and valuable land. Isn't it the royal land in the world? So it is extremely luxurious and extravagant. For example, the Summer Palace has mountains and rivers in the garden, and the mountains and rivers also include an exquisite "Garden of Harmony." When you enter the garden, you can see mountains and rivers. The inside and outside should cooperate to build a unified unity of nature and man. What runs through it is the concept of starting from big to small, and from small to big. What the emperors think is "one family, one family for the whole world"; politicians think "the affairs of the country and the family concern the affairs of the world, and everyone is responsible for the rise and fall of the country"; what the common people think is "firewood, rice, oil, salt, soy sauce, vinegar and tea, only with a good world can we live a good life" ".